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22 9 14 6 cm Stock Photos and Images

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22 9 14 6 cm Stock Photos and Images

Diavoli Pescatori, Print made by John Bell, 1811–1895, British, Published by John Bell, 1811–1895, British, between 1838 and 1850, Etching on moderately thick, slightly textured, beige wove paper with cream chine collé, Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm), Plate: 6 x 9 inches (15.2 x 22.9 cm), and Image: 5 1/8 x 6 3/16 inches (13 x 15.7 cm), allegory, bows, cardinal sins, clawed lobsters, costume, crabs, dancing, death, devil, dresses, feathers, fencing, fighting, fish, fishermen (people), fishing, flirting, gluttony, greed, historical subject, hooks, lake, lust, mermaids Stock Photo
RM2DHY4CN–Diavoli Pescatori, Print made by John Bell, 1811–1895, British, Published by John Bell, 1811–1895, British, between 1838 and 1850, Etching on moderately thick, slightly textured, beige wove paper with cream chine collé, Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm), Plate: 6 x 9 inches (15.2 x 22.9 cm), and Image: 5 1/8 x 6 3/16 inches (13 x 15.7 cm), allegory, bows, cardinal sins, clawed lobsters, costume, crabs, dancing, death, devil, dresses, feathers, fencing, fighting, fish, fishermen (people), fishing, flirting, gluttony, greed, historical subject, hooks, lake, lust, mermaids
A Mythological Battle, George C. Finden, 1811–1885, British, after Thomas Stothard, 1755–1834, British, Printed by George Virtue, ca. 1820–1908, British, 1853, Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm), Plate: 10 1/2 x 14 inches (26.6 x 35.5 cm), Sheet: 9 3/4 x 13 3/16 inches (24.7 x 33.5 cm), and Image: 7 11/16 x 8 7/8 inches (19.5 x 22.5 cm), armour, battle, beards, bridles, daggers, fighting, helmets, horses (animals), men, monsters, mythology, religious and Stock Photo
RM2DHY4MJ–A Mythological Battle, George C. Finden, 1811–1885, British, after Thomas Stothard, 1755–1834, British, Printed by George Virtue, ca. 1820–1908, British, 1853, Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm), Plate: 10 1/2 x 14 inches (26.6 x 35.5 cm), Sheet: 9 3/4 x 13 3/16 inches (24.7 x 33.5 cm), and Image: 7 11/16 x 8 7/8 inches (19.5 x 22.5 cm), armour, battle, beards, bridles, daggers, fighting, helmets, horses (animals), men, monsters, mythology, religious and
Gibraltar, Print made by Edward Francis Finden, 1791–1857, British, drawn by Joseph Mallord William Turner, 1775–1851, British, after sketch by George Philip Reinagle, ca.1802–1835, British, 1832-1834, Line engraving 1st published state on moderately thick, moderately textured, beige, wove paper, with gray chine colle, Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm), Plate: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm), Chine collé: 6 7/16 × 8 7/8 inches (16.4 × 22.5 cm), and Image: 3 5/8 × 5 9/16 inches (9.2 × 14.1 cm Stock Photo
RM2DJ34KN–Gibraltar, Print made by Edward Francis Finden, 1791–1857, British, drawn by Joseph Mallord William Turner, 1775–1851, British, after sketch by George Philip Reinagle, ca.1802–1835, British, 1832-1834, Line engraving 1st published state on moderately thick, moderately textured, beige, wove paper, with gray chine colle, Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm), Plate: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm), Chine collé: 6 7/16 × 8 7/8 inches (16.4 × 22.5 cm), and Image: 3 5/8 × 5 9/16 inches (9.2 × 14.1 cm
Dom Carolus de. Columna. a. Cons. Stat. Prim. a. Cubit Reg. Mat. Cath. Magister Campi..Gnalis. in Belg. Etc., Paulus Pontius, 1603–1658, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving and stipple engraving on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 14 15/16 × 11 inches (37.9 × 27.9 cm), Sheet: 9 3/8 × 6 5/8 inches (23.8 × 16.8 cm), and Image: 9 × 6 3/8 inches (22.9 × 16.2 cm Stock Photo
RM2DHXKCH–Dom Carolus de. Columna. a. Cons. Stat. Prim. a. Cubit Reg. Mat. Cath. Magister Campi..Gnalis. in Belg. Etc., Paulus Pontius, 1603–1658, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving and stipple engraving on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 14 15/16 × 11 inches (37.9 × 27.9 cm), Sheet: 9 3/8 × 6 5/8 inches (23.8 × 16.8 cm), and Image: 9 × 6 3/8 inches (22.9 × 16.2 cm
The Victor Conducted in Triumph, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately textured, cream laid paper, Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm), Plate: 14 15/16 x 21 7/8 inches (37.9 x 55.6 cm), Image: 14 1/8 x 20 1/2 inches (35.8 x 52 cm), and Image: 13 7/16 x 20 1/2 inches (34.1 x 52 cm), architectural subject, cityscape, sporting art, Europe, Italy, Lazio, Rome Stock Photo
RM2DHXW5K–The Victor Conducted in Triumph, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately textured, cream laid paper, Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm), Plate: 14 15/16 x 21 7/8 inches (37.9 x 55.6 cm), Image: 14 1/8 x 20 1/2 inches (35.8 x 52 cm), and Image: 13 7/16 x 20 1/2 inches (34.1 x 52 cm), architectural subject, cityscape, sporting art, Europe, Italy, Lazio, Rome
At the Villa Ludovisi at Rome, Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, after Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, Published by Isaac Taylor, 1730–1807, British, undated, Etching and line engraving on moderately thick, moderately textured, beige laid paper, Sheet: 8 13/16 x 5 13/16 inches (22.4 x 14.8 cm), Plate: 6 3/8 x 4 9/16 inches (16.2 x 11.6 cm), and Image: 4 15/16 x 2 9/16 inches (12.5 x 6.5 cm), antique, artifact, decoration, decorative arts, Grand Tour, lid, still life, urn, vase, Rome Stock Photo
RM2DJ36M7–At the Villa Ludovisi at Rome, Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, after Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, Published by Isaac Taylor, 1730–1807, British, undated, Etching and line engraving on moderately thick, moderately textured, beige laid paper, Sheet: 8 13/16 x 5 13/16 inches (22.4 x 14.8 cm), Plate: 6 3/8 x 4 9/16 inches (16.2 x 11.6 cm), and Image: 4 15/16 x 2 9/16 inches (12.5 x 6.5 cm), antique, artifact, decoration, decorative arts, Grand Tour, lid, still life, urn, vase, Rome
Boy Tying a Girl's Shoe, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper, Mount: 8 3/4 x 7 7/8 inches (22.2 x 20 cm), Sheet: 8 7/16 x 7 1/16 inches (21.4 x 18 cm), and Image: 6 11/16 x 5 9/16 inches (17 x 14.2 cm), bag, bonnet, boy, breeches, bridge (built work), cap, children, coat, dress, flowers (plants), gate, genre subject, girl, grass, helping, hills, house, jackets, laces, landscape Stock Photo
RM2DJ330N–Boy Tying a Girl's Shoe, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper, Mount: 8 3/4 x 7 7/8 inches (22.2 x 20 cm), Sheet: 8 7/16 x 7 1/16 inches (21.4 x 18 cm), and Image: 6 11/16 x 5 9/16 inches (17 x 14.2 cm), bag, bonnet, boy, breeches, bridge (built work), cap, children, coat, dress, flowers (plants), gate, genre subject, girl, grass, helping, hills, house, jackets, laces, landscape
Penzance, Cornwall, Print made by James C. Allen, active 1821–1831, British, after Henry Gastineau, 1791–1876, British, Published by Isaac Taylor Hinton, 1799–1847, British, 1833, Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé, Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm), Sheet: 6 15/16 x 9 11/16 inches (17.6 x 24.6 cm), Sheet: 5 5/16 x 8 3/4 inches (13.5 x 22.3 cm), and Image: 4 3/8 x 7 1/16 inches (11.1 x 18 cm), boats, buildings, cart, cityscape, cliffs, clouds, coastline, coats, cottages, donkeys, fence, genre subject, grass, hats Stock Photo
RM2DJ3D0W–Penzance, Cornwall, Print made by James C. Allen, active 1821–1831, British, after Henry Gastineau, 1791–1876, British, Published by Isaac Taylor Hinton, 1799–1847, British, 1833, Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé, Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm), Sheet: 6 15/16 x 9 11/16 inches (17.6 x 24.6 cm), Sheet: 5 5/16 x 8 3/4 inches (13.5 x 22.3 cm), and Image: 4 3/8 x 7 1/16 inches (11.1 x 18 cm), boats, buildings, cart, cityscape, cliffs, clouds, coastline, coats, cottages, donkeys, fence, genre subject, grass, hats
At Naples, Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, after Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, Published by Isaac Taylor, 1730–1807, British, undated, Etching and line engraving on moderately thick, moderately textured, beige laid paper, Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm), Plate: 6 3/8 x 4 9/16 inches (16.2 x 11.6 cm), and Image: 4 13/16 x 3 3/4 inches (12.2 x 9.5 cm), antique, armor, artifact, decoration, decorative arts, Grand Tour, helmet, horns, leaves (plant materials), men, ram (animal Stock Photo
RM2DJ36D6–At Naples, Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, after Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, Published by Isaac Taylor, 1730–1807, British, undated, Etching and line engraving on moderately thick, moderately textured, beige laid paper, Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm), Plate: 6 3/8 x 4 9/16 inches (16.2 x 11.6 cm), and Image: 4 13/16 x 3 3/4 inches (12.2 x 9.5 cm), antique, armor, artifact, decoration, decorative arts, Grand Tour, helmet, horns, leaves (plant materials), men, ram (animal
The Horse Race at Rome During the Carnival, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately textured, cream laid paper, Sheet: 15 3/8 x 22 5/16 inches (39.1 x 56.7 cm), Plate: 14 15/16 x 21 7/8 inches (38 x 55.6 cm), Image: 14 1/8 x 20 1/4 inches (35.9 x 51.4 cm), and Image: 13 5/16 x 20 1/4 inches (33.8 x 51.4 cm), architectural subject, bell tower, chaos, children, cityscape, competition, dome, festival, horse (animal), merchant, perspective, race Stock Photo
RM2DHXW5J–The Horse Race at Rome During the Carnival, Paul Sandby RA, 1731–1809, British, after David Allan, 1744–1796, British, born in Scotland, Published by Paul Sandby RA, 1731–1809, British, ca. 1781, Aquatint and etching on medium, moderately textured, cream laid paper, Sheet: 15 3/8 x 22 5/16 inches (39.1 x 56.7 cm), Plate: 14 15/16 x 21 7/8 inches (38 x 55.6 cm), Image: 14 1/8 x 20 1/4 inches (35.9 x 51.4 cm), and Image: 13 5/16 x 20 1/4 inches (33.8 x 51.4 cm), architectural subject, bell tower, chaos, children, cityscape, competition, dome, festival, horse (animal), merchant, perspective, race
Tea Service, 1850, Gorham & Thurber, American, 1850–52, Providence, Rhode Island, Silver, Coffeepot: 21 × 15.9 × 12.1 cm (8 1/4 × 6 1/4 × 4 3/4 in.), Teapot: 22 × 23.9 × 14.6 cm (8 5/8 × 9 3/8 × 5 3/4 in.), Sugar bowl: 18.4 × 16.2 × 16.2 cm (7 1/4 × 6 3/8 × 6 3/8 in.), Creamer: 17.2 × 14.9 × 11.4 cm (6 3/4 × 5 7/8 × 4 1/2 in.), Waste bowl: 11.4 × 16.2 × 16.2 cm (4 1/2 × 6 3/8 × 6 3/8 in Stock Photo
RM2A2KXK6–Tea Service, 1850, Gorham & Thurber, American, 1850–52, Providence, Rhode Island, Silver, Coffeepot: 21 × 15.9 × 12.1 cm (8 1/4 × 6 1/4 × 4 3/4 in.), Teapot: 22 × 23.9 × 14.6 cm (8 5/8 × 9 3/8 × 5 3/4 in.), Sugar bowl: 18.4 × 16.2 × 16.2 cm (7 1/4 × 6 3/8 × 6 3/8 in.), Creamer: 17.2 × 14.9 × 11.4 cm (6 3/4 × 5 7/8 × 4 1/2 in.), Waste bowl: 11.4 × 16.2 × 16.2 cm (4 1/2 × 6 3/8 × 6 3/8 in
Double Capital, late 13th or early 14th century, Made in Pyrénées, France, French, white marble, Overall: 22 x 18 x 14 in. (55.9 Stock Photo
RMKC4E50–Double Capital, late 13th or early 14th century, Made in Pyrénées, France, French, white marble, Overall: 22 x 18 x 14 in. (55.9
Sallet, ca. 1480, Innsbruck or Mühlau, Austrian, Innsbruck or Mühlau, Steel, textile, H. 9 1/2 in. (24.13 cm); W. 9 in. (22.86 Stock Photo
RMKC49T5–Sallet, ca. 1480, Innsbruck or Mühlau, Austrian, Innsbruck or Mühlau, Steel, textile, H. 9 1/2 in. (24.13 cm); W. 9 in. (22.86
江戸高名会亭尽　池之端　蓬莱亭　青楼花見の休み, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 in. (22.9 x 3 Stock Photo
RMKC6RTT–江戸高名会亭尽　池之端　蓬莱亭　青楼花見の休み, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 in. (22.9 x 3
須恵器　甕, Urn, Nara period (710–794), 8th century, Japan, Stoneware with natural ash glaze (Sue ware), H. 9 in. (22.9 cm); Diam. 10 Stock Photo
RMKC7BBK–須恵器　甕, Urn, Nara period (710–794), 8th century, Japan, Stoneware with natural ash glaze (Sue ware), H. 9 in. (22.9 cm); Diam. 10
Hacha, Head, 7th–10th century, Mexico, Mesoamerica, Veracruz, Veracruz, Andesite, H. 8 11/16 x W. 5 1/2 x D. 6 1/4 in. (22 x 14 Stock Photo
RMKC30CW–Hacha, Head, 7th–10th century, Mexico, Mesoamerica, Veracruz, Veracruz, Andesite, H. 8 11/16 x W. 5 1/2 x D. 6 1/4 in. (22 x 14
Helmet, 18th–19th century, Caucasian, Steel, silver, H. including mail 14 3/8 in. (36.5 cm); H. excluding mail 6 7/8 in. (17.5 Stock Photo
RMKC3XP4–Helmet, 18th–19th century, Caucasian, Steel, silver, H. including mail 14 3/8 in. (36.5 cm); H. excluding mail 6 7/8 in. (17.5
Sleeping Boy, ca. 1774, Italian, Rome, Terracotta, painted white, Overall (confirmed): 22 9/16 × 14 × 10 1/8 in., 53.9 lb. (57.3 Stock Photo
RMKC75A6–Sleeping Boy, ca. 1774, Italian, Rome, Terracotta, painted white, Overall (confirmed): 22 9/16 × 14 × 10 1/8 in., 53.9 lb. (57.3
Child's Hat, 20th century, 14 1/2 x 8 1/2 x 9 in. (36.8 x 21.6 x 22.9 cm), Silk, China, 20th century Stock Photo
RM2T91651–Child's Hat, 20th century, 14 1/2 x 8 1/2 x 9 in. (36.8 x 21.6 x 22.9 cm), Silk, China, 20th century
Act VIII, c. 1835-1839, Utagawa Hiroshige; Publisher: Izumiya Ichibei, Japanese, 1797 - 1858, 9 × 14 in. (22.9 × 35.6 cm) (image, sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91GG5–Act VIII, c. 1835-1839, Utagawa Hiroshige; Publisher: Izumiya Ichibei, Japanese, 1797 - 1858, 9 × 14 in. (22.9 × 35.6 cm) (image, sheet, horizontal ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Nihon Embankment, Yoshiwara, 1857, 4th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 5/16 x 8 7/8 in. (33.8 x 22.6 cm) (image)14 × 9 11/16 in. (35.6 × 24.6 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91H0K–Nihon Embankment, Yoshiwara, 1857, 4th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 5/16 x 8 7/8 in. (33.8 x 22.6 cm) (image)14 × 9 11/16 in. (35.6 × 24.6 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Nakagawa River Mouth, 1857, 2nd month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 3/8 x 8 11/16 in. (33.9 x 22.1 cm) (image)14 × 9 3/16 in. (35.6 × 23.4 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91H2P–Nakagawa River Mouth, 1857, 2nd month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 3/8 x 8 11/16 in. (33.9 x 22.1 cm) (image)14 × 9 3/16 in. (35.6 × 23.4 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Nihonbashi, Clearing After Snow, 1856, 5th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 3/16 x 8 3/4 in. (33.5 x 22.2 cm) (image)14 × 9 1/2 in. (35.6 × 24.1 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91G4X–Nihonbashi, Clearing After Snow, 1856, 5th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 3/16 x 8 3/4 in. (33.5 x 22.2 cm) (image)14 × 9 1/2 in. (35.6 × 24.1 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Title Page for 'Les Strelits', 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 7/8 x 4 7/8 in. (20 x 12.38 cm) (image)9 x 5 11/16 in. (22.86 x 14.45 cm) (plate)10 1/2 x 6 7/8 in. (26.67 x 17.46 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JPD–Title Page for 'Les Strelits', 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 7/8 x 4 7/8 in. (20 x 12.38 cm) (image)9 x 5 11/16 in. (22.86 x 14.45 cm) (plate)10 1/2 x 6 7/8 in. (26.67 x 17.46 cm) (sheet), Etching, France, 18th century
Lieutenant Colonel from the Streltsi Militia, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 3/4 x 4 3/4 in. (17.15 x 12.07 cm) (image)9 x 5 13/16 in. (22.86 x 14.76 cm) (plate)10 1/2 x 7 in. (26.67 x 17.78 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JP4–Lieutenant Colonel from the Streltsi Militia, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 3/4 x 4 3/4 in. (17.15 x 12.07 cm) (image)9 x 5 13/16 in. (22.86 x 14.76 cm) (plate)10 1/2 x 7 in. (26.67 x 17.78 cm) (sheet), Etching, France, 18th century
Secular Deacon in Choir Robe, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 x 5 in. (17.78 x 12.7 cm) (image)8 7/8 x 5 9/16 in. (22.54 x 14.13 cm) (plate)10 5/16 x 6 7/8 in. (26.19 x 17.46 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JNW–Secular Deacon in Choir Robe, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 x 5 in. (17.78 x 12.7 cm) (image)8 7/8 x 5 9/16 in. (22.54 x 14.13 cm) (plate)10 5/16 x 6 7/8 in. (26.19 x 17.46 cm) (sheet), Etching, France, 18th century
34, The Rest Area of Sarugababa, Futakawa, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 9/16 x 8 7/8 in. (34.4 x 22.6 cm) (image)14 1/4 x 9 5/8 in. (36.2 x 24.4 cm) (plate), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91G17–34, The Rest Area of Sarugababa, Futakawa, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 9/16 x 8 7/8 in. (34.4 x 22.6 cm) (image)14 1/4 x 9 5/8 in. (36.2 x 24.4 cm) (plate), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
The Nurse, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 5/8 x 7 in. (14.29 x 17.78 cm) (image)6 7/8 x 8 1/16 in. (17.46 x 20.48 cm) (plate)9 x 11 1/8 in. (22.86 x 28.26 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photo
RM2T91JTB–The Nurse, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 5 5/8 x 7 in. (14.29 x 17.78 cm) (image)6 7/8 x 8 1/16 in. (17.46 x 20.48 cm) (plate)9 x 11 1/8 in. (22.86 x 28.26 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century
Colonel from the Streltsi Militia, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 15/16 x 4 11/16 in. (17.62 x 11.91 cm) (image)9 x 5 3/4 in. (22.86 x 14.61 cm) (plate)10 3/16 x 6 13/16 in. (25.88 x 17.3 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JND–Colonel from the Streltsi Militia, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 15/16 x 4 11/16 in. (17.62 x 11.91 cm) (image)9 x 5 3/4 in. (22.86 x 14.61 cm) (plate)10 3/16 x 6 13/16 in. (25.88 x 17.3 cm) (sheet), Etching, France, 18th century
Bamboo Yards, Kyōbashi Bridge, 1857, 12th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/8 x 8 11/16 in. (33.3 x 22 cm) (image)14 1/4 × 9 11/16 in. (36.2 × 24.6 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91H31–Bamboo Yards, Kyōbashi Bridge, 1857, 12th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/8 x 8 11/16 in. (33.3 x 22 cm) (image)14 1/4 × 9 11/16 in. (36.2 × 24.6 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Abbot Commandataire Officiating, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 x 4 7/8 in. (17.78 x 12.38 cm) (image)9 x 5 11/16 in. (22.86 x 14.45 cm) (plate)10 5/16 x 6 3/4 in. (26.19 x 17.15 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JNR–Abbot Commandataire Officiating, 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 x 4 7/8 in. (17.78 x 12.38 cm) (image)9 x 5 11/16 in. (22.86 x 14.45 cm) (plate)10 5/16 x 6 3/4 in. (26.19 x 17.15 cm) (sheet), Etching, France, 18th century
The Gardener, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 8 1/4 x 5 7/8 in. (20.96 x 14.92 cm) (image)9 9/16 x 6 5/8 in. (24.29 x 16.83 cm) (plate)11 1/2 x 8 7/8 in. (29.21 x 22.54 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photo
RM2T91JRK–The Gardener, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 8 1/4 x 5 7/8 in. (20.96 x 14.92 cm) (image)9 9/16 x 6 5/8 in. (24.29 x 16.83 cm) (plate)11 1/2 x 8 7/8 in. (29.21 x 22.54 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century
Parish Priest in Choir Robe, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 7/8 x 4 7/8 in. (17.46 x 12.38 cm) (image)9 x 5 5/8 in. (22.86 x 14.29 cm) (plate)10 1/4 x 6 3/4 in. (26.04 x 17.15 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JN7–Parish Priest in Choir Robe, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 7/8 x 4 7/8 in. (17.46 x 12.38 cm) (image)9 x 5 5/8 in. (22.86 x 14.29 cm) (plate)10 1/4 x 6 3/4 in. (26.04 x 17.15 cm) (sheet), Etching, France, 18th century
Drummer from the Streltsi Militia, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 7/8 x 4 3/4 in. (17.46 x 12.07 cm) (image)9 x 5 5/8 in. (22.86 x 14.29 cm) (plate)10 1/2 x 6 7/8 in. (26.67 x 17.46 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JNK–Drummer from the Streltsi Militia, c. 1764, Jean-Baptiste Le Prince, French, 1734 - 1781, 6 7/8 x 4 3/4 in. (17.46 x 12.07 cm) (image)9 x 5 5/8 in. (22.86 x 14.29 cm) (plate)10 1/2 x 6 7/8 in. (26.67 x 17.46 cm) (sheet), Etching, France, 18th century
No.51 Ishibe, 1847-1852, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 6 7/16 x 8 13/16 in. (16.3 x 22.4 cm) (image)7 1/16 x 9 1/16 in. (18 x 23 cm) (sheet)14 x 17 15/16 in. (35.5 x 45.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91HMJ–No.51 Ishibe, 1847-1852, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 6 7/16 x 8 13/16 in. (16.3 x 22.4 cm) (image)7 1/16 x 9 1/16 in. (18 x 23 cm) (sheet)14 x 17 15/16 in. (35.5 x 45.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Horikiri Iris Garden, 1857, intercalary 5th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 11/16 in. (33.6 x 22 cm) (image)14 1/4 × 9 3/4 in. (36.2 × 24.7 cm) (sheet, vertical ōban)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91G87–Horikiri Iris Garden, 1857, intercalary 5th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 11/16 in. (33.6 x 22 cm) (image)14 1/4 × 9 3/4 in. (36.2 × 24.7 cm) (sheet, vertical ōban)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Horikiri Iris Garden, 1857, intercalary 5th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 11/16 in. (33.6 x 22.1 cm) (image)14 1/4 × 9 1/2 in. (36.2 × 24.1 cm) (sheet, vertical ōban)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91G7P–Horikiri Iris Garden, 1857, intercalary 5th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 11/16 in. (33.6 x 22.1 cm) (image)14 1/4 × 9 1/2 in. (36.2 × 24.1 cm) (sheet, vertical ōban)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
36, Crossing Motosaka Pass, Goyu, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 3/8 x 8 3/4 in. (34 x 22.2 cm) (image)14 7/16 x 9 15/16 in. (36.6 x 25.3 cm) (sheet)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photo
RM2T91HM8–36, Crossing Motosaka Pass, Goyu, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 3/8 x 8 3/4 in. (34 x 22.2 cm) (image)14 7/16 x 9 15/16 in. (36.6 x 25.3 cm) (sheet)17 15/16 x 14 in. (45.5 x 35.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
The Nativity, c. 1425, Fra Angelico (Fra Giovanni da Fiesole), Italian, (Florence), 1395/1400 - 1455, 11 1/8 x 6 1/2 in. (28.26 x 16.51 cm) (panel)11 x 6 1/2 in. (27.94 x 16.51 cm) (sight)14 5/8 x 9 x 1 3/4 in. (37.15 x 22.86 x 4.45 cm) (outer frame), Tempera on poplar panel, Italy, 15th century Stock Photo
RM2T90R8Y–The Nativity, c. 1425, Fra Angelico (Fra Giovanni da Fiesole), Italian, (Florence), 1395/1400 - 1455, 11 1/8 x 6 1/2 in. (28.26 x 16.51 cm) (panel)11 x 6 1/2 in. (27.94 x 16.51 cm) (sight)14 5/8 x 9 x 1 3/4 in. (37.15 x 22.86 x 4.45 cm) (outer frame), Tempera on poplar panel, Italy, 15th century
Kanasugi Bridge and Shibaura, 1857, 7th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 11/16 in. (33.6 x 22 cm) (image)14 1/8 × 9 7/16 in. (35.8 × 23.9 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Located in the southern outskirts of the city, Kanasugi Bridge is neither a transportation hub nor a commercial center. In this print, however, the bridge is crowded with people wearing the matching sedge hats. The colorful flags and banners fluttering in the wind, many of which are emblazoned Stock Photo
RM2T91H0B–Kanasugi Bridge and Shibaura, 1857, 7th month, Utagawa Hiroshige; Publisher: Sakanaya Eikichi, Japanese, 1797 - 1858, 13 1/4 x 8 11/16 in. (33.6 x 22 cm) (image)14 1/8 × 9 7/16 in. (35.8 × 23.9 cm) (sheet, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Located in the southern outskirts of the city, Kanasugi Bridge is neither a transportation hub nor a commercial center. In this print, however, the bridge is crowded with people wearing the matching sedge hats. The colorful flags and banners fluttering in the wind, many of which are emblazoned
Jia wine vessel, 12th century BCE, 8 3/4 × 6 9/16 × 6 5/16 in., 4 lb. (22.23 × 16.67 × 16.03 cm, 1.8 kg)5 5/8 × 4 1/8 in. (14.29 × 10.48 cm) (object part, mouth), Bronze, China, 12th century BCE, The profile of this jia wine vessel’s body is S-shaped, with the inward curvature placed close to the rim of the vessel. Dragonized taotie and rising blades with stylized cicadas decorate the neck belt. The body taotie, on a ground of squared spirals, displays unusual features: horns with alternating T-shaped and straight scores usually associated with flanges, and a hybrid forehead shield Stock Photo
RM2T90A61–Jia wine vessel, 12th century BCE, 8 3/4 × 6 9/16 × 6 5/16 in., 4 lb. (22.23 × 16.67 × 16.03 cm, 1.8 kg)5 5/8 × 4 1/8 in. (14.29 × 10.48 cm) (object part, mouth), Bronze, China, 12th century BCE, The profile of this jia wine vessel’s body is S-shaped, with the inward curvature placed close to the rim of the vessel. Dragonized taotie and rising blades with stylized cicadas decorate the neck belt. The body taotie, on a ground of squared spirals, displays unusual features: horns with alternating T-shaped and straight scores usually associated with flanges, and a hybrid forehead shield
Achille De Gas, 1868-1872, Edgar Degas, French, 1834 - 1917, 14 1/4 x 9 in. (36.2 x 22.9 cm) (image)19 3/4 x 14 3/8 x 2 3/8 in. (50.17 x 36.51 x 6.03 cm) (outer frame), Thinned oil paint over graphite on paper prepared with oil, mounted on canvas, France, 19th century, Edgar Degas often used his family and friends as models. Here, his younger brother Achille poses as a dapper flâneur, a fixture of Parisian society who watches the urban spectacle with an air of boredom and ironic detachment. Achille himself was something of a pretentious do-nothing, frequently running up debts Stock Photo
RM2T90M8C–Achille De Gas, 1868-1872, Edgar Degas, French, 1834 - 1917, 14 1/4 x 9 in. (36.2 x 22.9 cm) (image)19 3/4 x 14 3/8 x 2 3/8 in. (50.17 x 36.51 x 6.03 cm) (outer frame), Thinned oil paint over graphite on paper prepared with oil, mounted on canvas, France, 19th century, Edgar Degas often used his family and friends as models. Here, his younger brother Achille poses as a dapper flâneur, a fixture of Parisian society who watches the urban spectacle with an air of boredom and ironic detachment. Achille himself was something of a pretentious do-nothing, frequently running up debts
Traveling tea set, c. 1825, 4 x 8 x 5 1/2 in. (10.16 x 20.32 x 13.97 cm) (a, teapot)2 x 5 3/4 x 4 7/8 in. (5.08 x 14.61 x 12.38 cm) (b, teapot lid)5 x 1 x 2 5/8 in. (12.7 x 2.54 x 6.67 cm) (c, teapot handle)2 1/2 x 5 1/2 x 4 5/8 in. (6.35 x 13.97 x 11.75 cm) (d, bowl)2 x 4 13/16 x 4 1/8 in. (5.08 x 12.22 x 10.48 cm) (e, creamer)2 1/2 x 5/8 x 1 9/16 in. (6.35 x 1.59 x 3.97 cm) (f, creamer handle), Sheffield plate (silver fused to copper), ivory, England, 19th century Stock Photo
RM2T91XHK–Traveling tea set, c. 1825, 4 x 8 x 5 1/2 in. (10.16 x 20.32 x 13.97 cm) (a, teapot)2 x 5 3/4 x 4 7/8 in. (5.08 x 14.61 x 12.38 cm) (b, teapot lid)5 x 1 x 2 5/8 in. (12.7 x 2.54 x 6.67 cm) (c, teapot handle)2 1/2 x 5 1/2 x 4 5/8 in. (6.35 x 13.97 x 11.75 cm) (d, bowl)2 x 4 13/16 x 4 1/8 in. (5.08 x 12.22 x 10.48 cm) (e, creamer)2 1/2 x 5/8 x 1 9/16 in. (6.35 x 1.59 x 3.97 cm) (f, creamer handle), Sheffield plate (silver fused to copper), ivory, England, 19th century
Dagger (Katar) with Sheath, 18th–19th century, Indian, Steel, gold, leather, L. with sheath 16 7/8 in. (42.9 cm Stock Photo
RMKC34CJ–Dagger (Katar) with Sheath, 18th–19th century, Indian, Steel, gold, leather, L. with sheath 16 7/8 in. (42.9 cm
Helmet, late 16th century, Turkish, Copper alloy (tombak), gold, leather, textile, H. including nasal 14 1/4 in. (36.2 cm); H Stock Photo
RMKC71DF–Helmet, late 16th century, Turkish, Copper alloy (tombak), gold, leather, textile, H. including nasal 14 1/4 in. (36.2 cm); H
Virgin or Holy Woman, 14th century, French, Black marble, white marble, traces of gilt, Overall: 22 1/4 x 10 9/16 x 5 3/4 in. (5 Stock Photo
RMKCDNAX–Virgin or Holy Woman, 14th century, French, Black marble, white marble, traces of gilt, Overall: 22 1/4 x 10 9/16 x 5 3/4 in. (5
Left and Right Knee Defenses (Poleyns), ca. 1450, Italian, Steel, Poleyn (a); H. 8 3/8 in. (21.3 cm); W. 6 in. (15.2 cm); D. 8 7 Stock Photo
RMKC47AE–Left and Right Knee Defenses (Poleyns), ca. 1450, Italian, Steel, Poleyn (a); H. 8 3/8 in. (21.3 cm); W. 6 in. (15.2 cm); D. 8 7
Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle), ca. 1850 Stock Photo
RMKCD2X6–Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle), ca. 1850
Bust of Patroclus; William Henry Fox Talbot, English, 1800 - 1877, September 22, 1841; Salted paper print from a Calotype Stock Photo
RMPPX8C9–Bust of Patroclus; William Henry Fox Talbot, English, 1800 - 1877, September 22, 1841; Salted paper print from a Calotype
Go Horen no zu, View of the Imperial Carriage, Utagawa Kunitoshi, 1889 (Meiji 22 Stock Photo
RMKC6KNJ–Go Horen no zu, View of the Imperial Carriage, Utagawa Kunitoshi, 1889 (Meiji 22
Punch Pot, 1805–10, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 8 3/4 x 9 5/16 x 5 13/16 in Stock Photo
RMKC6GJ6–Punch Pot, 1805–10, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 8 3/4 x 9 5/16 x 5 13/16 in
Sugar Bowl, 1800–1810, Made in New York, New York, United States, American, Silver, Overall: 6 3/16 x 8 7/8 x 3 3/4 in. (15.7 x Stock Photo
RMKC423N–Sugar Bowl, 1800–1810, Made in New York, New York, United States, American, Silver, Overall: 6 3/16 x 8 7/8 x 3 3/4 in. (15.7 x
Textile with Architectural Fountain Guarded by Lions, 14th century Stock Photo
RMKC7CJX–Textile with Architectural Fountain Guarded by Lions, 14th century
General McClellan and Staff, Attributed to Alexander Gardner, ca. 1863 Stock Photo
RMKC76H1–General McClellan and Staff, Attributed to Alexander Gardner, ca. 1863
Saint Sebastian (?) Tied to a Tree, Anonymous, Spanish, School of Seville, 17th century Stock Photo
RMKC8P2C–Saint Sebastian (?) Tied to a Tree, Anonymous, Spanish, School of Seville, 17th century
Site of Eastham Locks and Entrance; G. Herbert & Horace C. Bayley; Manchester, England; negative May 1889; print 1894; Gelatin Stock Photo
RMPR0E31–Site of Eastham Locks and Entrance; G. Herbert & Horace C. Bayley; Manchester, England; negative May 1889; print 1894; Gelatin
Evening Glow at Nihonbashi, Keisai Eisen, mid-19th century Stock Photo
RMKC6JAG–Evening Glow at Nihonbashi, Keisai Eisen, mid-19th century
東都司馬八景　高輪帰帆, River View at Takanawa, Utagawa Hiroshige, ca. 1856 Stock Photo
RMKC6RR2–東都司馬八景　高輪帰帆, River View at Takanawa, Utagawa Hiroshige, ca. 1856
亜米利加・南京, An American on Horseback and a Chinese with a Furled Umbrella, Utagawa Yoshiiku, 12th month, 1860 Stock Photo
RMKC6751–亜米利加・南京, An American on Horseback and a Chinese with a Furled Umbrella, Utagawa Yoshiiku, 12th month, 1860
東海道五十三次之内　岡部　宇津の山, Utsu Hill at Okabe, Utagawa Hiroshige, 1834 Stock Photo
RMKC66E3–東海道五十三次之内　岡部　宇津の山, Utsu Hill at Okabe, Utagawa Hiroshige, 1834
Block of Relief, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Stock Photo
RMKC2H5R–Block of Relief, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of
A Sketch from Billingsgate (From Billingsgate), James McNeill Whistler, 1878 Stock Photo
RMKCA35J–A Sketch from Billingsgate (From Billingsgate), James McNeill Whistler, 1878
Upper Arm Defense (Rerebrace) and Elbow Defense (Couter), ca. 1430–40 Stock Photo
RMKC4739–Upper Arm Defense (Rerebrace) and Elbow Defense (Couter), ca. 1430–40
東海道五十三次之内　金谷　大井川遠岸, The Far Bank of the Ōi River at Kanaya, Utagawa Hiroshige, 1834 Stock Photo
RMKC66E7–東海道五十三次之内　金谷　大井川遠岸, The Far Bank of the Ōi River at Kanaya, Utagawa Hiroshige, 1834
The Little Forge (The Little Forge, Liverpool), James McNeill Whistler, 1875 Stock Photo
RMKCA2YF–The Little Forge (The Little Forge, Liverpool), James McNeill Whistler, 1875
Vajracarya priest's crown, late 17th or early 18th century Stock Photo
RMKC2GR6–Vajracarya priest's crown, late 17th or early 18th century
Speke Hall, No. 1, 1870, Etching and drypoint; printed in black ink on ivory laid paper removed from a book (unrelated pen and Stock Photo
RMKCA2YJ–Speke Hall, No. 1, 1870, Etching and drypoint; printed in black ink on ivory laid paper removed from a book (unrelated pen and
Lidded Bowl and Dish; Vincennes Porcelain Manufactory, French, 1740 - 1756, Vincennes, France; about 1752 - 1753; Soft-paste Stock Photo
RMPPT1WK–Lidded Bowl and Dish; Vincennes Porcelain Manufactory, French, 1740 - 1756, Vincennes, France; about 1752 - 1753; Soft-paste
Pack of Dogs Attacking a Wild Boar, Circle of Jean-Baptiste Oudry, n.d Stock Photo
RMKC3K3J–Pack of Dogs Attacking a Wild Boar, Circle of Jean-Baptiste Oudry, n.d
Sawamura Yodogorō II and Bandō Zenji as Kawatsura Hōgen and Onisadobō in the Play 'Koinyōbō Somewake Tazuna', Tōshūsai Sharaku Stock Photo
RMKC6W9G–Sawamura Yodogorō II and Bandō Zenji as Kawatsura Hōgen and Onisadobō in the Play 'Koinyōbō Somewake Tazuna', Tōshūsai Sharaku
Study for a Title-Page: Allegory of Commerce and a Debtor's Prison (?), Attributed to Romeyn de Hooghe, n.d Stock Photo
RMKC84H2–Study for a Title-Page: Allegory of Commerce and a Debtor's Prison (?), Attributed to Romeyn de Hooghe, n.d
Armet with Mask Visor in Form of a Rooster, ca. 1530 Stock Photo
RMKC474R–Armet with Mask Visor in Form of a Rooster, ca. 1530
Pair of Flintlock Box-Lock Pistols with Bayonets, ca. 1782 Stock Photo
RMKC3JC7–Pair of Flintlock Box-Lock Pistols with Bayonets, ca. 1782
Jug with Eagle, early 1400s, Made in probably Orvieto, Umbria, Italy, Italian, Glazed earthenware, Overall: 8 13/16 x 5 3/4 x 4 Stock Photo
RMKCD504–Jug with Eagle, early 1400s, Made in probably Orvieto, Umbria, Italy, Italian, Glazed earthenware, Overall: 8 13/16 x 5 3/4 x 4
Pine Tree and Calligraphy, Ike Taiga, late 18th–early 19th century Stock Photo
RMKC7YX6–Pine Tree and Calligraphy, Ike Taiga, late 18th–early 19th century
東海道五十三次之内　藤川　棒鼻の図, Station Thirty-Eight: Fujikawa, Scene at the Border, from the Fifty-Three Stations of the Tokaido Stock Photo
RMKC66DT–東海道五十三次之内　藤川　棒鼻の図, Station Thirty-Eight: Fujikawa, Scene at the Border, from the Fifty-Three Stations of the Tokaido
菊唐草葵紋蒔絵掛硯箱, Portable Writing Cabinet with Tokugawa Family Crests, Chrysanthemums, and Foliage Scrolls, Kōami School, late 17th c Stock Photo
RMKC73GP–菊唐草葵紋蒔絵掛硯箱, Portable Writing Cabinet with Tokugawa Family Crests, Chrysanthemums, and Foliage Scrolls, Kōami School, late 17th c
Dagger (Qama) with Sheath and Knife, dated, 1856–57, 1861 Stock Photo
RMKC7N5G–Dagger (Qama) with Sheath and Knife, dated, 1856–57, 1861
Final Transcendence (Parinirvana) of the Buddha, Qiao Bin, dated 1503 Stock Photo
RMKC71WD–Final Transcendence (Parinirvana) of the Buddha, Qiao Bin, dated 1503
Dagger (Jambiya) with Scabbard and Fitted Storage Case, 1876–1909 Stock Photo
RMKC6M5W–Dagger (Jambiya) with Scabbard and Fitted Storage Case, 1876–1909
Canopic jar with a jackal-headed lid, Late Period, Saite, Dynasty 26, 664–525 B.C., Possibly from Upper Egypt, Thebes Stock Photo
RMKC482Y–Canopic jar with a jackal-headed lid, Late Period, Saite, Dynasty 26, 664–525 B.C., Possibly from Upper Egypt, Thebes
Portions of a Field Armor, dated 1524, probably Augsburg, German, probably Augsburg, Steel, leather, H. as mounted 29 3/4 in. (7 Stock Photo
RMKC8665–Portions of a Field Armor, dated 1524, probably Augsburg, German, probably Augsburg, Steel, leather, H. as mounted 29 3/4 in. (7
Composed Armor, 15th century and later, Landshut, European, Italian and German, Steel, iron, copper alloy (latten), leather Stock Photo
RMKC3YJW–Composed Armor, 15th century and later, Landshut, European, Italian and German, Steel, iron, copper alloy (latten), leather
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