Feel the passion of Leon Bakst in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Leon Bakst in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Leon Bakst
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available




Discover more artworks by Leon Bakst

Discover more artworks by Leon Bakst

593 artworks found
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Costume design for a bacchante i...
Undated | watercolour on paper

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Costume design for the Blue Sult...
1910 | watercolour on paper

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Costume Designs for Pamina and M...
Undated | watercolour on paper

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1906 | watercolour/gouache

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Nijinsky's Faun Costume in 'L'Ap...
1912 | colour lithograph

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Sketch for the ballet 'La Peri',...
1911 | pencil and gouache on paper

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Costume design for the ballet 'L...
Undated | charcoal and gouache on paper

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Maria Kuznetsova, costume design...
1922 | pencil and gouache on paper

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Costume design for Paganini in '...
Undated | watercolour on paper

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A costume design for "Salome": H...
Undated | pencil and gouache, heightened with gold

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Costume for a 'negro', from Alad...
1916 | colour lithograph

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Costumes for “” Scheherazade””” ...
Undated | drawing

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Costume design for Nijinksy from...
1911 | pencil, gouache and silver paint on board

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Zobeide, the favourite concubine...
1910 | colour lithograph

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Set design for 'Phedre' by Jean ...
1923 | pencil, watercolour and gouache on paper

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Costume design for The Queen's G...
1921 | colour lithograph

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Costume design for Salome in 'Da...
1908 | watercolour and pencil heightened with white gouache

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Illustration for 'The Nose' by N...
1904 | watercolour, gouache, white colour and ink on paper

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Undated | Oil on canvas

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Fantaisie Sur Le Costume Moderne...
1910 |

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Costume design for the Ballet 'L...
1914 | charcoal and gouache on paper

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Costume design for the ballet Le...
1912 | pencil/watercolour

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Costume of a Guest for the balle...
Undated | gouache and graphite pencil on paper

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Shariar, King of the Indies and ...
1910 | colour lithograph

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Costume Moderne, 1910
1910 |

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Leon Bakst

Born Lev Samoylovich Rosenberg into a middle-class Jewish family in Russia, he later adopted a pseudonym derived from his grandmother's surname, Baxter. Leon Bakst was educated in St. Petersburg, where he attended the gymnasium and the Academy of Arts. He began his professional life as a copyist and illustrator of educational materials, but quickly switched to portrait painting and illustrated popular magazines. But these jobs didn't pay much and he took a job teaching art to the children of Grand Duke Vladimir. He studied in Paris with a number of well-known artists and with a Finnish landscape painter. One day he came into contact with Aleksandr Benua and his circle, an encounter that would shape Leon Bakst's taste and expand his artistic vision. Together with Benua and Sergey Diagilev, he founded the influential group World of Art and was largely responsible for the technical excellence of their influential magazine. The very first issue of World of Art stunned its readers, who had never seen anything like it in Russia. The magazine itself was a work of art. Its emblem was a lone eagle on a mountain. Leon Bakst designed it and said the emblem represented art itself. A dedicated professional who could absorb stylistic developments even in mid-career, Bakst was arguably the most accomplished painter and designer in the World of Art group. His early preferences were for realistic painters and old masters such as Rembrandt and Velazquez. The moving line and relaxed postures in his portraits also suggest the influence of his close friend Valentin Serov. Later he turned to portraiture and painted, among others, the artist Filipp Malyavin, the philosopher Vasily Rozanov, the poet Andrei Bely and the poetess Zinaida Gippius. Through Benois and his circle, Leon Bakst was attracted to the Oriental style. Motifs from ancient Greece and Egypt became signatures of his painting and theoretical work. The Benua circle also introduced him to symbolism and Art Nouveau. Bakst influenced and developed Art Nouveau by bringing in a curvy line as well as bright colors, oriental prints and flowing draperies.

The portrait of the dancer Isadora Duncan in brush and ink is typical of his drawing art in its sensual and flowing movement. Bakst also practiced mainly book design, interior decoration, held exhibitions and focused on theater. He made his theatrical debut with designs for stage productions at the theaters of St. Petersburg. Subsequently, he was commissioned to stage several works in theaters. Leon Bakst also collaborated in the staging of the Ballets Russes. Here he acted as artistic director and his stage designs quickly brought him international fame. Leon Bakst worked on more theater productions than any other artist and thus his name became permanently associated with the Ballets Russes. The designs for the ballet caused a great stir in the scene. Leon Bakst was particularly influenced by exotic and oriental fantasies. The sensual use of color led to new fashions in clothing and interiors, and soon fashionable ladies in oriental-inspired clothing were seen sitting on huge floor cushions in rooms with curtains. In addition, his designs for Greek ballets were an inspiration in their use of hot tones and geometric patterns. In addition, he also created beautiful dresses, such as his Victorian designs or the designs for different productions. Leon Bakst's designs emerged from the style and choreography of a particular ballet. He integrated vertical space with sensual movement on stage. His chic costumes encouraged smooth movement without constricting the body. The sets enclosed the action, but still left maximum space for dancing. Leon Bakst's exotic and sensual designs are sought after, but the success was in how they were presented on stage

Leon Bakst

Born Lev Samoylovich Rosenberg into a middle-class Jewish family in Russia, he later adopted a pseudonym derived from his grandmother's surname, Baxter. Leon Bakst was educated in St. Petersburg, where he attended the gymnasium and the Academy of Arts. He began his professional life as a copyist and illustrator of educational materials, but quickly switched to portrait painting and illustrated popular magazines. But these jobs didn't pay much and he took a job teaching art to the children of Grand Duke Vladimir. He studied in Paris with a number of well-known artists and with a Finnish landscape painter. One day he came into contact with Aleksandr Benua and his circle, an encounter that would shape Leon Bakst's taste and expand his artistic vision. Together with Benua and Sergey Diagilev, he founded the influential group World of Art and was largely responsible for the technical excellence of their influential magazine. The very first issue of World of Art stunned its readers, who had never seen anything like it in Russia. The magazine itself was a work of art. Its emblem was a lone eagle on a mountain. Leon Bakst designed it and said the emblem represented art itself. A dedicated professional who could absorb stylistic developments even in mid-career, Bakst was arguably the most accomplished painter and designer in the World of Art group. His early preferences were for realistic painters and old masters such as Rembrandt and Velazquez. The moving line and relaxed postures in his portraits also suggest the influence of his close friend Valentin Serov. Later he turned to portraiture and painted, among others, the artist Filipp Malyavin, the philosopher Vasily Rozanov, the poet Andrei Bely and the poetess Zinaida Gippius. Through Benois and his circle, Leon Bakst was attracted to the Oriental style. Motifs from ancient Greece and Egypt became signatures of his painting and theoretical work. The Benua circle also introduced him to symbolism and Art Nouveau. Bakst influenced and developed Art Nouveau by bringing in a curvy line as well as bright colors, oriental prints and flowing draperies.

The portrait of the dancer Isadora Duncan in brush and ink is typical of his drawing art in its sensual and flowing movement. Bakst also practiced mainly book design, interior decoration, held exhibitions and focused on theater. He made his theatrical debut with designs for stage productions at the theaters of St. Petersburg. Subsequently, he was commissioned to stage several works in theaters. Leon Bakst also collaborated in the staging of the Ballets Russes. Here he acted as artistic director and his stage designs quickly brought him international fame. Leon Bakst worked on more theater productions than any other artist and thus his name became permanently associated with the Ballets Russes. The designs for the ballet caused a great stir in the scene. Leon Bakst was particularly influenced by exotic and oriental fantasies. The sensual use of color led to new fashions in clothing and interiors, and soon fashionable ladies in oriental-inspired clothing were seen sitting on huge floor cushions in rooms with curtains. In addition, his designs for Greek ballets were an inspiration in their use of hot tones and geometric patterns. In addition, he also created beautiful dresses, such as his Victorian designs or the designs for different productions. Leon Bakst's designs emerged from the style and choreography of a particular ballet. He integrated vertical space with sensual movement on stage. His chic costumes encouraged smooth movement without constricting the body. The sets enclosed the action, but still left maximum space for dancing. Leon Bakst's exotic and sensual designs are sought after, but the success was in how they were presented on stage





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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