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Bizet - Carmen
Meer informatie over de leeftijdclassificaties vind je hier
Extra Dvd-opties | Editie | Schijven | Amazon-prijs | Nieuw vanaf | Tweedehands vanaf |
Dvd
15 april 2005 "Probeer het later opnieuw" | — | 1 | € 26,79 | € 26,79 | — |
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Productbeschrijving
This famous film of te world's best-loved opera, directed by Herbert von Karajan, features the three greatest exponents of their respective roles at the time: Grace Bumbry's magnificently seductive-toned Carmen, Mirella Freni's ineffably lovely, touching Micaela, and Jon Vickers' thrilling manic-depressive Don José - "overwhelming in its truthfulness to the tragic visions of Carmen", wrote the distinguished critic David Cairns. "Interpreten" Carmen - Grace Bumbry Don José - Jon Vickers Micaela - Mirella Freni Escamillo - Justino Diaz Frasquita - Olivera Miljakovic Mercédès - Julia Hamari Moralès - Robert Kerns Zuniga - Anton Diakov Dancaire - Kurt Equiluz Remendado - Milen Paunov Mariemma & Ballet de Espana Wiener Staatsopernchor Chorleitung: Walter Hagen-Groll Wiener Philharmoniker Leitung: Herbert von Karajan "Bühnen-Regie" Herbert von Karajan "Tracklisting" 01 Opening Credits 02 Prélude 03 Sur la place, chacun passe 04 Regardez donc cette petite 05 Allez dépêchez-vous! - Avec la garde monante 06 C'est bien là, n'est-ce pas 07 Voici la cloche qui sonne - La cloche a sonné 08 Mais nous ne voyons pas la Carmencita 09 L'amour est un oiseau rebelle 10 Carmen! sur tes pas, nous nous pressons tous! 11 Quels regards! Quelle effronterie! 12 Parle-moi de ma mère! 13 Ma mère, je la vois 14 Reste là, maintenant, pendant que je lirai 15 Que se passe-t-il donc là-bas? 16 Mon officier, c'était une querelle 17 Tra la la la 18 Où me conduirez-vous? 19 Près des remparts de Séville 20 Voici l'ordre; partez... 21 Entr'acte 22 Les tringles des sistres tintaient 23 Danses supplémentaires 24 Messieurs, Pastia me dit 25 Vivat, vivat le toréro! 26 Votre toast, je peux vous le rendre 27 La belle, un mot 28 Nous avons en tête une affaire 29 Mais qui donc attends-tu? 30 Halte-là! Qui va là? 31 Enfin, c'est toi! - Tout doux, Monsieur 32 Je vais danser en votre honneur 33 La fleur que tu m'avais jetée 34 Non! tu ne m'aimes pas! 35 Holà! Carmen! Holà! Holà! 36] Bel officier 37 Entr'acte 38 Ecoute, écoute, compagnon 39 Que regardes-tu donc? 40 Mêlons! Coupons! 41 Voyons, que j'essaie à mon tour ... En vain, pour éviter 42 Eh bien? 43 Quant au douanier, c'est notre affaire! 44 C'est des contrabandiers le refuge ordinaire 45 Je dis que rien ne m'épouvante 46 Je ne me trompe pas 47 Je suis Escamillo, Toréro de Grenade! 48 Holà! holà! José! 49 Halte! Quelqu'un est là qui cherche à se cacher 50 Entr'acte 51 Les voici! Voici la quadrille 52 Si tu m'aimes, Carmen 53 C'est toi? - C'est moi!
Productgegevens
- Breedte/hoogteverhouding : 1.33:1
- Stopgezet door fabrikant : Nee
- Leeftijdsclassificatie : Vanaf 6 jaar
- Taal : Engels, Duits, Spaans, Frans, Mandarijns Chinees
- Productafmetingen : 1,78 x 19,05 x 13,72 cm; 111,98 g
- Fabrikantreferentie : 44007340325
- Mediaformaat : Klassiek
- Uitvoeringstijd : 2 uur en 43 minuten
- Publicatiedatum : 15 april 2005
- Acteurs : Bizet
- Nagesynchroniseerd: : Frans, Duits, Engels
- Ondertitels: : Duits, Engels, Spaans, Frans
- Taal : Italiaans (Dolby Digital 2.0), Frans (DTS 5.1), Frans (PCM Stereo), Niet van toepassing (DTS ES 6.1)
- Studio : Classics: Dg
- ASIN : B0007P0LN4
- Aantal disks : 1
- Plaats in bestsellerlijst: #26,569 in Films & tv (Top 100 in Films & tv bekijken)
- #25,640 in Films (Films & tv)
- Klantenrecensies:
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This is an absolutely classic performance of the traditional score using the sung recitatives added by Ernest Guiraud rather than the original spoken French dialogue which is generally preferred nowadays. Whilst the musicality of the recitatives is not as inspired as Bizet's own score, in the hands of such great exponents as Karajan and his assembled cast, they work well and it is interesting to hear a performance uninterrupted by spoken dialogue. The playing of the Vienna Philharmonic Orchestra conducted by Herbert von Karajan is just outstanding. The sheer beauty of their playing is an absolute joy and Karajan directs a great performance of the score which really enhances the drama and the singing and brings out the power and quality of Bizet's great score. He inserts some extra orchestral items by Bizet, largely from L'Arlesienne, at the start of Act 2 to permit an extra sequence of Spanish dances.
As for the cast, it could hardly be bettered, and such a uniformly strong quartet of principals is not equalled on most of the modern DVDs. Grace Bumbry is stupendous as Carmen. She looks absolutely stunning and her pure vocal line and power are just marvellous. She is partnered by Jon Vickers as Don Jose. He may look too old for the part and his French pronunciation is not great, but vocally and dramatically he is again superb, not quite the equal of Jose Carreras in the DVD from the Metropolitan Opera, but almost as good.
Alongside the two main principals the subsidiary characters are played by absolutely outstanding singers who look great and are also excellent actors. This is the only DVD recording of Mirella Freni playing Micaela, a role which she made her own. This DVD would be immemsely desirable for this reason alone because it has caught Freni at the height of her vocal powers and looking beautiful too. This role has rarely, if ever, been sung and portrayed as well on DVD. The outstanding quartet is completed by an Escamillo who has never looked better and is sung with all the quality and richness of Justino Diaz' fantastic bass-baritone voice.
I do not know what the previous reviewer expects in terms of acting in opera, but this is dramatically one of the best acted stage productions I have ever seen. The principals are all excellent actors, but the depth of believable character portrayal runs throught the entire cast right down to the youngest of the children. There is real involvement and credibility here in the events and the action. The filming combined with the acting of the chorus and extras makes for really thrilling and involving crowd scenes.
The film gives the appearance of being a stage production and the performance and scenery are all essentially of the type one would expect on stage and are based on the Salzburg Festival production. However, as one watches the action unfold the sets are clearly so large and detailed and the scene changes so extensive that it appears that this must have been filmed on a specially constructed series of sets. One great advantage of this is that there is no audience and absolutely no intrusive audience noise. We do, however, get to see Herbert von Karajan and the orchestra during the overture and orchestral interludes, which is nice.
The costumes are lavish and appropriate and altogether this is a visual delight in a truly traditional production.
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