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Genre | Television/British Television, Television/Crime |
Format | NTSC, Widescreen |
Contributor | Gillian Elisa, Gwyneth Keyworth, Sion Alun Davies, Lowri Izzard, Nia Roberts, Sian Reese-Williams, Ian Saynor, Rhodri Meilir See more |
Language | English |
Number Of Discs | 3 |
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About Us
RLJ Entertainment, Inc. is a privately owned subsidiary of AMC Networks, RLJ Entertainment, Inc. is a premium digital channel company serving distinct audiences primarily through its popular OTT branded channels, Acorn TV (British TV) and UMC (Urban Movie Channel), which have rapidly grown through development, acquisition, and distribution of its exclusive rights to a large library of international and British dramas, independent feature films and urban content.
Acorn TV
Acorn TV is a subscription streaming service that offers world-class mysteries, dramas, comedies, and documentaries from Britain and beyond. Available in the US and Canada.
Urban Movie Channel
Urban Movie Channel is an urban-focused subscription streaming service in North America and features quality urban content that showcases feature films, documentaries, original series, stand-up comedy, and other exclusive content for African American and urban audiences.
Acacia TV
The one of the best on demand workout service on the web! Get over 100 hours and 450 workouts streaming anytime, anywhere from any device .
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 4.64 ounces
- Item model number : AMP2702
- Media Format : NTSC, Widescreen
- Run time : 7 hours and 57 minutes
- Release date : November 13, 2018
- Actors : Nia Roberts, Ian Saynor, Rhodri Meilir, Lowri Izzard, Sion Alun Davies
- Subtitles: : English
- Studio : Acorn
- ASIN : B07GGG5BRW
- Number of discs : 3
- Best Sellers Rank: #36,237 in Movies & TV (See Top 100 in Movies & TV)
- #23,582 in DVD
- Customer Reviews:
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The first season was too gruesome. The second is better and the third even better, except I did not like the prominent focus on the lesbian relationship. It introduced me to Wales, even though the dark side. So little is known about Wales, and it has fascinating history.
Most of the characters have "issues" of some kind, but you can't wait to get to the next chapter. Overall like a book that is about the dark side but you can't wait to see what happens next.
Hope there is a Series 2.
We are in north Wales, where a series of women similar in age and appearance have been disappearing. One’s body was found. Another’s recently appeared, years after her disappearance. It appears that she was held against her will, shackled. DI Cadi John (daughter of the former police chief) has returned home and is on the case with her partner, a detective sergeant. Cadi is her father’s favorite but her eldest sister is getting a divorce and her father is dying from a terminal illness. Her partner’s unmarried partner is pregnant and wants them to buy a new home. He has reservations (and an eye for a member of the department staff). We are, in short, in the land of the deeply wounded and much of the storyline consists of unrelieved misery.
The abductor is revealed at the beginning of the story so there is no mystery involved, just the tension that comes from our hoping to see his newest victim freed from her excruciating, and—particularly in episode 4—unwatchable circumstance. (A number of reviewers gave up the story at that point.)
A member of the production company (in ‘behind the scenes’ subsidiary material) states that they revealed the killer/abductor early so that they could focus on the deep psychology of all of the characters, but the psychology is no more than an inch deep, a set of commonplaces and clichés. Much of the story is shot in darkness and the cuts between scenes are not always clear=we don’t know where we are. Everyone is speaking Welsh, most of the time, so that the subtitles are an absolute must. There is no benefit to the story in having them speak Welsh (as there is, e.g., in PATTON, where Jodl and his staff speak German). It is more an annoyance than anything else, but not nearly as annoying as the score, which is often identified as ‘electronic music’ but sounds like a pile driver doing its own very successful version of the Chinese water torture. In the final (of 8, 58-minute episodes) scenes, where the villain is being sought by a helicopter it is often impossible to tell whether we are hearing the chopper or hearing the annoying soundtrack.
The bottom line: nearly everyone here is miserable and almost all are unlikeable. The visuals are cloying, claustrophobic and, particularly in episode 4 psychologically pornographic. There is no real mystery, a plethora of unrelieved injustice and virtually no entertainment in any recognizable form. It does feel good when it ends, but one of the major loose ends—the imprisonment of an innocent man for one of the girls’ killings—is unresolved.
Caveat emptor.