UPCOMING SHOWS

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Beat Night

MAY 22 @ 7:30PM | DOORS 7PM | UPSTAIRS

Young Dawkins returns, and the heart of Portsmouth—Bruce Pingree!

Young Dawkins is an American-born poet who now lives in Hobart, Tasmania, with his wife and son. Young was a central figure in the New Hampshire beat revival movement, where he helped found the Jazzmouth Poetry Festival, before moving to Scotland and becoming a regular on the Scottish Performance Poetry scene. He won the 2011 Scottish National Poetry Slam and represented Scotland at the Poetry World Cup in Paris. Young has been published in literary journals in the US, UK and Australia, and has performed at numerous festivals and events in the US, UK, France, New Zealand and Australia. His debut poetry collection The Lilac Thief was published in 2009 by Sargent Press. His second poetry collection Slow Walk Home was published by Red Squirrel Press in 2021, and longlisted for the Tim Thorne Prize for Poetry in the 2022 Tasmanian Literary Awards.
Bruce Pingree is the son of an actor, a sporadic poet, award winning radio host and sometimes actor. A native of New Hampshire, Bruce was named “The Heart of Portsmouth ” by WMUR-TV in 2012 and has worn many hats in his 50+ years as part of the seacoast arts and cultural community.
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MATTHEW LOGAN VASQUEZ

Matthew Logan Vasquez w/ Justin & The Cosmics

MAY 23 @ 8PM | DOORS 7PM | UPSTAIRS

The Delta Spirit frontman comes to Portsmouth for an intimate show.

All Ages

Matthew Logan Vasquez’s writing goes where he goes. Synonymous with the sound of Southern California in the early 2000s, MLV’s first and most prominent band, Delta Spirit formed in his home state in 2005 and went on to tour internationally, appearing on coveted festival stages like Bonnaroo and Lollapalooza and late night TV like Jimmy Kimmel and Letterman.

Now nearing 10 years of releasing music as a solo artist and a handful of side quest projects like Glorietta and Middle Brother, Vasquez’s upcoming record, Frank’s Full Moon Saloon has the self-dubbed Calitexican’s sound firmly planted in the Lone Star state, his current and teenage home. “I’m a product of both the 90’s Austin music scene (Old 97’s, Ian Moore, Reverend Horton Heat) and Southern California in the early 00’s (Elliott Smith, Richard Swift).”

With the primary goal to capture “the alchemy of a live honest moment” and make a more raw, song forward record, Vasquez recorded most of Frank’s Full Moon Saloon himself in the garage honky tonk of a beloved neighbor and mentor. The album features more exposed versions of songs from throughout his career as well as guest appearances from members of Dr. Dog, Dawes, Deep Sea Diver, and Shovels & Rope. Recommended listening for those drawn to the musical stylings of modern writers like David Bazan and Hamilton Leithouser and underground giants Doug Sahm and Ry Cooder.

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Scissorfight w/ Viqueen + Condition

MAY 24 @ 9PM | DOORS 8PM | UPSTAIRS

New Hampshire’s All Right.

$20 Advanced / $25 Day of Show

21+

2016 marked the reemergence of Scissorfight. The retooled version of the band features new members Doug Aubin on vocals and Rick Orcutt behind the drums, along with founding members Paul Jarvis and Jay Fortin. A new pair of scissors, same fight. Different yet familiar. Carrying on the traditional and forging a new chapter.

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WALK THAT WALK

Walk That Walk

MAY 25 @ 5:30PM | DOORS 5PM | UPSTAIRS

Imagine a handful of friends hanging out on a porch with just enough whiskey in them to sing the blues, but not quite enough to pass out.

Imagine a handful of friends hanging out on a porch with just enough whiskey in them to sing the blues, but not quite enough to pass out. That’s the sound conjured up by Walk That Walk. There’s no effort made here to reinvent the wheel that is the enduring genre of the blues. These guys only want to have lots of fun making music, and invite the listener to join the party. The result is their new release “Big World of Trouble” – a sometimes-hard-rocking, sometime-easy-going-folksy, always-soulful blues album that catches our attention from the first chord, and doesn’t relinquish it until the studio runs out of electricity.

As one of the premier bands on the impressive Boston blues scene, Walk That Walk is an east-coast phenomenon, but its midwestern roots run deep. The group’s material and fiery performances are born of the fertile sounds of Detroit and Chicago, where the electric blues was forged in the 1950s. The group has served as the New England touring band for two Rock’n’Roll Hall of Famers – Bo Diddley and Johnnie Johnson, pianist and co-writer in Chuck Berry’s legendary combo.

They honed their unique, toe-tapping sound by performing at 800+ shows – and earning extensive airplay on 500+ radio stations with their debut self-titled release, and subsequent studio recordings. They have been a mainstay act in the renowned Boston Blues Festival for many years, performing alongside greats including Levon Helm, Gatemouth Brown, Eric Burdon, Son Seals, and Big Jack Johnson. Their work includes long-running engagements at the major New England rooms including the original House of Blues, the renowned Harper’s Ferry, and Johnny D’s Uptown Lounge.

As front-man Poppa C notes, “if you’re not passionate and high energy when you perform, people will head for the exits.” These days, the only reason folks are near the exits at Walk That Walk shows is because there’s nowhere else to stand!

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dj chad banks

DJ Chad Banks

MAY 25 @ 11PM | DOORS 11PM | UPSTAIRS

“Wow…” -Owen Wilson

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Diamond Blues

MAY 26 @ 7PM | DOORS 6PM | UPSTAIRS

“Why didn’t Jerry play that more often?”

Since 2021, Diamond Blues, an eclectic group of accomplished musicians passionate about honoring the legacy of Jerry Garcia, have taken Boston by storm.

Led by David Rubin on Vocals & Guitar, Diamond Blues features Madolyn Allison on Vocals & Percussion, Lucas Bateman on Drums, Ian Brenkle on Bass, Caroline Killoh on Vocals & Keys, and Christopher Belden on Sax.

DB, as it’s often called by fans, mines their repertoire from the Jerry Garcia Band songbook and blends other fan favorites consistent with the original sound of JGB.

Their uniquely crafted setlists touch the entire catalogs of JGB, Legion of Mary/Merl Saunders, and Jerry Garcia Solo, leaving audiences inspired and electrified. DB blends deep cuts with hits that will have you respectfully asking, “why didn’t Jerry play that more often?”

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Jazz Jam Post

The (World Famous) Jazz Jam

MAY 28 @ 6PM | DOORS 5:30PM | UPSTAIRS
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SOGGY PO BOYS

Soggy Po' Boys

MAY 28 @ 9PM | DOWNSTAIRS
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KATY PINKE

Katy Pinke w/ Norwood & Kate Possi

MAY 29 @ 8PM | DOORS 7PM | UPSTAIRS

A great night of indie singer-songwriters feat. NYC’s Katy Pinke.

18 + | $12 adv./$15 day of

Katy Pinke’s songs are self-examinations—cerebral and unsparing, but reaching toward a more promising future. The Manhattan-based singer-songwriter, painter and actor mixes the precise and wry delivery of The Roches and Connie Converse with the idiosyncratic songforms of her espoused hero Bill Callahan.

Pinke is currently on tour, celebrating the release of her self-titled debut album. It is a work which strips Pinke’s art down to its absolute essence. At the home studio of Phil Weinrobe (Adrianne Lenker, Cass McCombs), she recorded her vocals and minimal guitar accompaniments live with drummer Jeremy Gustin in front of an audience of a few friends. The idea was to capture the energy of Pinke’s live shows—storied events in the NYC indie rock scene. (Artists she has shared the stage with include Laura Veirs, Jolie Holland, TV On the Radio’s Kyp Malone, and Indigo Sparke.)

Norwood is a 26 year-old multi-instrumentalist songwriter and former Marine based out of the Northeast. He has collaborated with artists like Toth, Delicate Steve, Indigo Sparke, and Katy Pinke. His debut EP “Miss the Point” released on Island House Recordings in 2023, and was recorded in between A/C breaks during the dog days of summer in Brooklyn. It reflects on issues of identity upon getting out of the military, as well as a genuine warmth and gratitude for the people we connect with in life.

Kate Possi, a Boston native, has been playing around the Seacoast New Hampshire music scene for a couple of years now. Starting with the cello at 9 and later transitioning to guitar at 13, Possi has captivated audiences across New England with her indie-folk sound, both solo and with her band. Through her live performances, she shares her music with its themes like loss, heartbreak, and love. Thank you for being a part in this musical journey!

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5.30.2024 (1)

Enlightened Rogues w/ special guests Kouchera

MAY 30 @ 9PM | DOORS 8PM | UPSTAIRS

Get psychedelic w/ Stu & some very special guests!

Enlightened Rogues started as a tribute to the Allman Brothers Band, and they still play some ABB music but it has evolved into a broader psychedelic experience that is not one to miss! Every wonder what it would be like if the Allmans played Elton John? Wonder no more!

Kouchera is the perfect blending of the word cousin in Haitian Creole and Hindi.
Kouchera is a high-energy ensemble that passionately delivers music with emotional depth wrapped neatly in fun. This live band embraces Rhythm, Haitian Konpa, and Soul.

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redemption

Songs of Freedom: A Tribute to Bob Marley feat. Redemption

MAY 31 @ 8PM | DOORS 7PM | UPSTAIRS

Stir it up, little darlin’, stir it up.

Is a 6-piece Jamaican Reggae band based in Hampton, New Hampshire.

The band was formed in 2021 from a collection of vibrant musicians who met through their love of music.

Influences include Bob Marley, Peter Tosh, Toots and the Maytals, Sly and Robbie and many more Reggae greats.

Their unique brand of entertainment fuses Roots Reggae with pop music, splashed with 3-part harmonies that make you want to get up and dance.

They have had the pleasure of opening for iconic Reggae royalty, Ziggy Marley.

Currently, the band is working on their first EP!

For more updates, you can follow the band on social media:

redemption on Facebook

@rdmtion on Instagram

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Press Room INstagram

A Strange Day: Seventeen Seconds plus Cure Hits & B-Sides

JUNE 1 @ 7PM | DOORS 6:30PM | UPSTAIRS

It’s Saturday, I’m in love.

21+ | $20 adv./$23 day of

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AUSTIN MARTIN 2

Austin Martin & The Herd

JUNE 2 @ 8PM | DOORS 7PM | UPSTAIRS

A soulful modern Country singer making some major waves.

Austin Martin is a name to be remembered. His compelling textured tenor and soaring vocal styles will be a breath of hot, fresh air on any music lover’s speakers. He sails through country melodies with a touch of hip hop attitude to achieve his signature sound. Coming from an unlikely place, with unlikely influences, he’s not your typical Montana rancher, though he was born and raised on a ranch just outside of Billings, Montana. Austin attended the American Musical and Dramatic Academy in Manhattan and went on to break the top 35 out of 100,000 competitors on the Oxygen Network’s, The Glee Project. Shortly after, he made it to the executive producer round of American Idol, a place most aspiring singers can only dream of. Citing influences as diverse as Michael Jackson, Jon Pardi, John Mayer, and Chris Brown as well as late great country stars such as Willie Nelson and Chris Ledoux, he is one of the few artists on the rise who approaches country music with a complex yet relatable vision. His signature style, the classics, country roots, and a mix of modern hip hop, bring out a fresh approach to a hybridized sound, branding his own style of modern music with a fresh from the fire branding iron. As a confident and outgoing performer he has charmed audiences from New York to L.A., whether with a full band or armed only with an acoustic guitar and a microphone. With an eager, disciplined work ethic and a cool, confident attitude, you can expect to see him on a stage near you.

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Mike Maurice w/ Sophie Patenaude & Duquette

JUNE 5 @ 7PM | DOORS 6PM | UPSTAIRS

Three soulful singer-songwriters come together for one night of beautiful music.

18 + | $12 adv./$15 day of

Mike Maurice

Mike Maurice is a singer/songwriter & multi instrumentalist from Biddeford Maine who combines soulful, earthy instrumentation and melancholic undertones to create a sonic atmosphere. Influenced by the playing of John Mayer and the writing of Gregory Alan Isakov, Fleet Foxes & Bon Iver, his new album “Apartment Secrets” touches on love, loss and the inner dialogue that many can relate to from the isolation of the pandemic.

Mike and his band of talented multi-instrumentalist have built a growing community in New England playing at a wide variety of listening rooms and larger venues over the past decade including: State Theater, Port City Music Hall, PHOME, One Longfellow Square, Triad Theater in NYC, Wilbur Theater in Boston, and others. Mike recently opened for Caroline Cotter and the Wolff Sisters, who are playing in this year’s Boston Calling.

Learn more at www.mikemauricemusic.com

Duquette

“duquette” consists of Rob Duquette, of Jonathan Edwards touring band, on drums, guitar, and vocals. The legendary John Kumnick, bassist for Cyndi Lauper and David Bowie. And Club d’Elf guitarist Randy Roos of Berklee! Featuring backing vocals and lyrical dance accompaniment by Amanda Duquette. This is a group that has something for everyone to enjoy. DuquetteAllTimeMusic.com

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Superfrog

JUNE 6 @ 8PM | DOORS 7PM | UPSTAIRS

The jams are strong with this one.

A Seacoast favorite! SUPERFROG is a Seacoast NH based rock jam band that has been performing for audiences across the Northeastern US since 2006. Featuring four songwriters and five vocalists Superfrog has created a diverse collection of original songs complimented by an electric selection of cover songs making for a unique show experience night to night. In its time the band has released three full length studio albums and performed on stages and festivals across the Northeast supporting nationally touring artists along the way. Superfrog is like a regular frog only better in every way.

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andrew north

Andrew North and the Rangers w/ The Dirtboys

JUNE 7 @ 7PM | DOORS 6PM | UPSTAIRS

The Battle of the Dad Bands winner is here to claim their rightful place in the Press Room spotlight.

Andrew North and the Rangers are small-town friends brought together by an adventurous approach to music. The group spans different ages, hometowns, and musical backgrounds, but they hit it off quickly at local open-mic nights. Over more than 5 years together they have honed their craft, drawing from the technical fireworks of classic rock, the spontaneity of jazz, the light-hearted fun of the jam scene, and even the intricate passages of classical composition. Their debut album, Phosphorescent Snack, showcases their genre-bending style and whimsical sense of humor. It’s a reminder that amazing things can come from unlikely places. They’ve played in support of Vertical Horizon, Firefall, Marcus Rezak’s Shred is Dead, Rootless, and Huntertones, and more.

“It’s Steely Dan meets Frank Zappa at a 1969 Chicago Transit Authority listening party.” – The Hippo”

Recommended for fans of Phish and the Trey Anastasio Band” – Here Comes the Flood Music

Winners of The Press Room’s 2023 Battle of the Dad Bands

 

The Dirt Boys are a 4 piece band from York county that plays a high energy mash of indie rock infused with juke joint blues, punk, and 60’s retro.

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THE EDD

The Edd w/ Zoo Logic

JUNE 8 @ 9PM | DOORS 8PM | UPSTAIRS

VT-based Jamtronica band The Edd returns to The Press Room! Expect break beats, prog, live techno, & more.

VT based Jamtronica band The Edd returns to The Press Room in Portsmouth NH on Saturday, June 8th! Expect break beats, prog, live techno, and MORE! New Hampshire DJ duo Zoo Logic kicks off the show!!

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NICK GOUMAS

Nick Goumas Quartet

JUNE 9 @ 7PM | DOORS 6:30PM | UPSTAIRS

One of our favorites is back for a dazzling night of jazz.

Nick Goumas Quartet

Tenor and soprano saxophonist Nick Goumas is a jazz musician who has developed his own mature , imaginative and identifying style. Nick performs with energy, feeling and musical integrity.

Drawing from the “ American Song Book “ along with today’s “ Jazz Standards” ; The Quartet’s post Bebop, contemporary straight ahead style along with a display of rhythmic and harmonic sense, produces some exciting jazz improvisation.The Quartet’s growing audience has a mixture of musicians and jazz aficionados alike. The Quartet is joined by three outstanding Boston area musicians who all have outstanding credentials Steve Hunt on piano , Jim Lyden on Acoustic bass and Peter Moutis on drums .

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JOE KAPLOW

Joe Kaplow w/ Kate Possi & Elliott OK

JUNE 12 @ 8PM | DOORS 7PM | UPSTAIRS

Indie folk goodness from the Golden State.

All Ages

Before I started my career I had a choice: to take over my parent’s thoroughbred farm in New Jersey or pursue music full time in California and relinquish the farm to sale.  I still wonder what life would have looked like had I stayed, but who can resist the gold rush?  Besides, I plan to get back there one day on another farm with some other red barn.

 

My music comes from life’s moments — smelling 4 acres of freshly cut grass, watching the steam from a horse’s breath in the early morning, finally holding the neck of my guitar after holding bridles and worn wooden handles all day.  4000 acres of freshly burnt wildfire, watching the steam from the Pacific Ocean’s breath in the early morning, finally holding the neck of my guitar after clutching the worn steering wheel of the tour van all day.

Now my reality is in Bonny Doon, CA, where mountains meet the sea. I am in my recording studio, aptly named Hippie Cowboy, every day.  Slow and steady; keep it fun, stay engaged.  All for the moment when the song finally sounds right.  My dad passed away a couple years ago — his bullwhip is on the wall, his Harley is in the driveway. He visits me in dreams, and oh, the moment I wake up!  Sometimes I write for him. Sometimes for my mom, who I hope will move out to California soon.   Maybe she could volunteer at an equestrian center…

A person is made from their moments, like their music is made.  I know this is a bio but I shouldn’t have to say much.  Listen to the record.  If I’ve done my job well, you will know me by the end.

Artist Statement

This is a special record to me.  Unlike the past few, this one sounds like a more cohesive ‘band’ statement.  Most of it was cut together live, in a room over five days.   Rob, Elliott, and I had been playing for a long time with Mikey and then Hawes on drums, and while the music always felt great, the ‘band’ feeling hadn’t made its way into the recording studio.  ‘Time Spent In Between’ and ‘Sending Money and Stems’ were very pieced together albums; me playing most of the instruments, collaborating with many different drummers but working one song at a time, etc.  However, when Jeff moved back from Nashville and joined the band, it felt more cohesive. Maybe we gelled because Jeff  came from the same musical world.   In our little family Jeff championed nicknames, Elliott invented musical travel games, and Rob and I rolled our eyes at their enthusiasm for Arby’s.   We travelled around sharing our art and feeling free.   When we went to Enterprise, OR to record the first session, most of the songs were learned on the spot.   We strove for the zenith moments when we knew the song well enough to not make errors but still had to fly by the seats of our pants to keep it from coming unglued.  Everything has an arc like this.  After all, when you know something well enough you can take the present for granted. After those sessions we toured our new songs for a year (it usually goes the other way around) and decided some of the songs were misunderstood the first time so we recorded them again, live and together.  I am thankful and proud of that process and proud of them.  The music captured on this record occurred in very special moments between four people who had a special bond, musically and beyond. We hope you enjoy it.

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KASSI

Kassi Valazza w/ Sequoia & Blue Cactus Duo

JUNE 15 @ 6PM | DOORS 5PM | UPSTAIRS

A modern country crooner.

21+

There is a cult-like fascination growing around Kassi Valazza following the self-release of her 2019 debut album Dear Dead Days and her surprise 2022 EP Highway Sounds. She is seated squarely at the vanguard of new American songwriters strengthening and broadening the sound of country music as she tours with celebrated acts such as Melissa Carper and Riddy Arman. The Southwestern native resides in Portland, a hotbed of songwriters producing albums that both bear the torch and bend the arc of American roots music, where she recently signed with Fluff & Gravy Records — a label known for launching Anna Tivel and Margo Cilker.

Valazza’s forthcoming new albumKassi Valazza Knows Nothing is a spellbinding collection of songs that dangle like protective magic talismans, catching dreams and glinting light. She hypnotizes listeners with a sturdy, yet gentle, voice and painterly songwriting imbued with an independent spirit. Though her music plays country cousin to British folk, calling to mind greats like Sandy Denny (Fairport Convention) and Karen Dalton, a Southwestern American streak carves its way through these solemn, sweetly sung melodies like a canyon.

On the upcoming 10-song set, multi-instrumentalists from Portland’s TK & the Holy Know-Nothings appear in varying roles as Valazza’s backing band: Taylor Kingman (guitars, bass, vocals), Jay Cobb Anderson (harmonica, guitars, pedal steel, bass), Lewi Longmire (pedal steel, piano, bass, trumpet), Sydney Nash (organ, Farfisa, cornet, Wurlitzer), and Tyler Thompson (drums). The group’s swirling psychedelia combines with Valazza’s gutsy and graceful vocal poetry for a singular sound that washes over the listener like a flash flood, heavy and without warning.

Album opener “Room In The City” introduces Valazza’s high-lonesome, but never lonely world with sharp harmonica and reeling organ. She sings of a touring musician’s longing for home, and a distant lover, with lyrical imagery of open skies, whistling winds, and sepia-toned rock formations: “Did you think I’d be out here feeling lonely? / If I said I thought so too it’d be a lie / When I talk to you it’s hard to be withholding / And I was born to chase this blue out of my eyes.In the still, I often wonder about your breathing / I rise and fall to its rhythm late at night / Clay canyons turn to plaster in my grieving / And our ceiling overtakes the sky.”

Using the physical world around her to paint metaphors from the soul, Valazza carries us through her mind and heart, ever the effortless narrator. “Watching Planes Go By” spins a cautionary tale about the dangers of standing still in life and accepting one’s own fate. The song sets a curious and cosmic atmosphere of psychedelic folk-rock as Valazza reflects on the struggles of moving on, “Autumn leaves turn to yellow / and green turns to jealousy / Watching days go by.”

On “Corners,” fingerpicked acoustic guitar dances with bounding bass and twinkling piano, as twanging telecaster and a gentle backing choir flow behind Valazza like a stream through a lonesome vista. “The clouds move slower than they ever seemed to / Still, they find a way to pass me by,”she sings on her breezy lament about the longing that comes with an unhealthy love, “My friends, though, they wonder what I’m used to / To love a man who never treats me right.”

“Smile” opens with a familiar telecaster honky-tonk squawk and a half-time trot, but Valazza sings in deference to traditional bar-room tales. Hers is about acceptance when love is not enough, about being satisfied having met someone at all, and keeping only a farewell note as a souvenir. “I guess I could have left the light on / Or stayed awake to see you home / But good intentions go unnoticed / And I fare better on my own.” In her careful hands, the typical loved-and-lost tale becomes an ode to self-realization and the liberating feeling of going it alone.

As her journey winds down to “Welcome Song” — the album’s final Valazza-original preceding a perfect closing cover of Michael Hurley’s “Wildegeeses” — tension from her nearly behind-the-beat band pushes and pulls the listener into a whirlwind of stream-of-consciousness lyricism. The opening verse, “As I was laying on my floor / Hiding dreams from the t.v. / I heard a knocking at my door / While my eyes faked sleeping,” paints an immaculate mental picture of both the physical surroundings of the narrator and what she’s feeling and thinking at the time. It’s clear that every line Valazza writes carries extreme weight, every simple word is carefully chosen and placed with intention.

Kassi Valazza Knows Nothingcaptures the romanticism of country crooners with the intuition of a realist poet. Exploring themes of love and longing through metaphors from the natural world, Valazza manages to cut straight to the heart of the human experience, her lucid songs full of delightfully languid characters that haunt the hallucinatory soundscapes her band creates.

 

Led by kindred spirit songwriters Steph Stewart and Mario Arnez, Blue Cactus got their start among the active honky-tonk circuit of North Carolina, developing an electrified twang that now branches out effortlessly into folk, alt-country, and psychedelic-tinged rock. Blue Cactus has supported a diverse set of artists over its eight-year history (The War & Treaty, Town Mountain, and Junior Brown, among others), Stewart’s introspective lyricism and Arnez’s skill for lush arrangements making the band potent in the studio and on stage. Praised by No Depression for their ability to paint “beautiful pictures of limitless possibility” in roots music, Blue Cactus has drawn comparisons to Gillian Welch and Emmylou Harris.

Their sophomore album, Stranger Again, released in 2021 on Sleepy Cat Records, nabbed enthusiastic attention from tastemakers including No Depression, American Songwriter, FLOOD Magazine, Talkhouse, and INDY Week among others. Following their critically acclaimed 2017 debut and a string of singles in 2020, Stranger Again saw the band taking their sound to an ambitious new plane, where country-rock and light psychedelia mingle, vocals soaring over twangy slide guitars and propulsive basslines. 

Between the comfort of classic country and the glamor of 70s rock, Blue Cactus resuscitate a fleeting style of honest-to-goodness country music considered valueless to a “new” country music where songwriting is officiated by financial analysts and teams of marketing plutocrats instead of woebegone troubadours. With a high lonesome twang, a Lucinda-like southern drawl, and blistering guitar techniques, Blue Cactus exercises the honky-tonk muscles to firmly bear the flag for a new generation of country music. 

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Adrienne Mack-Davis Presents: Stay Juicy w/ DJ 32French

JUNE 15 @ 10PM | DOORS 10PM | UPSTAIRS

A grown & sexy queer dance party.

Come join your host Adrienne Mack-Davis and her illustrious dj 32french for a night of queer joy and reverie. Let the beats take you higher as they weave you through a night of classic house mixed with her R&B vocals. Together these two create a unique party that celebrates the culture of dance music and queer expression. All are welcome, come be your best self. See you there!

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METABEAT

Father's Day Jazz Brunch: MetaBeat

JUNE 16 @ 11AM | DOORS 10:30AM | UPSTAIRS

A group of local jazz greats reinterpreting beloved Beatles songs on Father’s Day? Yes, please.

MetaBeat was formed over 10 years ago by Mark Shilansky and Les Harris Jr.

The initial idea came out of their weekly lunch discussions in which they often discussed their mutual love of The Beatles and the possibility of getting together to play their music. Taking it a step further, they’d also discuss songs that might go together well in medleys and could work with a jazz flavor while still remaining true to the original versions.

Mark Shilansky then put together some amazing musical arrangements doing exactly that! The next step was to ask like minded musicians (jazz musicians who also loved The Beatles), if they might be interested in getting together to play these great new charts written by Mark. MetaBeat’s first concert performance took place at The Berklee Performance Center in February of 2013.

The current lineup for tonight’s show consists of:

Taylor O’Donnell (Berklee faculty) on vocals;

Chris Klaxton (UNH faculty) on trumpet, guitar and vocals;

Mark Shilansky (Berklee, UNH faculty) on piano and vocals;

Les Harris Jr.(UNH, USM, Phillips Exeter faculty) on drums and vocals;

Eric Byers (Berklee faculty) on guitar and vocals;

Mark Poniatowski (Berklee Faculty) on bass

MetaBeat will take take you back to the music of the swinging 60’s with a new and original sound. Tonight’s set will include the music of The Beatles as well as solo material by the individual members of The Beatles (with a few other gems from the 60’s mixed in!), all with a jazz twist.

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TWEN

Twen w/ Raavi

JUNE 21 @ 7PM | DOORS 6PM | UPSTAIRS

These indie rockers are coming up fast.

18+

Twen is a van-lifeing rock band that emerged onto the east coast music scene in 2017 with their distinct blend of shoegaze, indie rock, and post-punk influences.  Though the band was formed in 2016 by lead vocalist Jane Fitzimmons and guitarist Ian Rollins Jones, their emergence post-pandemic has marked the beginning of what is essentially an entirely new project; save for their keeping the name “Twen”.

This latest chapter is marked by the band booking their own tours, designing and screen printing their own merch, directing and editing their own music videos, and producing and mixing their own albums; all to a degree which would seem impossible to believe, if you didn’t know that they also built their own mobile-home from scratch and have been living in it, traversing the North American continent for the past 3 years.

The duo-led 5 piece are readying their 3rd LP to be released in 2024, but have already debuted lead single ‘SeaStar’; an early 00’s throwback to Southern California beach anthems that finds the band further evolving from the coy, shoegaze aesthetics of ‘Awestruck’ (2019) – to a modern classicism; characterized on their 2nd LP ‘One Stop Shop’ (2022) by political (yet hopeful) lyrics, indelible hooks and a home-grown sonic mix that rewards the listener with each subsequent spin.

With over 350 shows under their belt across North America and Europe, including arena appearances supporting Rainbow Kitten Surprise, Wet Leg, Whitney, Tacocat, & White Reaper, Twen’s live show exhibits their all-around relevance as a DIY rock band thriving in the digital age.

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horsegirl

Horsegirl w/ TV Buddha

JUNE 26 @ 8PM | DOORS 7PM | UPSTAIRS

Fuzzy indie rock meets swirly shoegaze.

All Ages

Horsegirl is a noisy rock trio from Chicago composed of Penelope Lowenstein (she/her), Nora Cheng (she/her), and Gigi Reece (they/them). Horsegirl draws inspiration from shoegaze and post-punk, in the realm of ‘90’s American and UK indie underground.

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MATT MICHIENZE BAND

Matt Michienzie Band

JUNE 27 @ 8PM | DOORS 7PM | UPSTAIRS

Award-winning bluegrass from California.

Matt Michienzie originally hails from Foxboro, MA. For the past five years, Matt has resided in Los Angeles, where he plays with his countrified, bluesified, and grassified band. His passion as a songwriter is vividly clear: Matt sings from his heart and gives it his all in everything he plays. Whether fronting a bluegrass group, jam band, or country band, Matt is able to combine his influential and eclectic music curiosities in a very tasteful and unique way.

Not unlike many California grass bands, MMB is a progressive bluegrass project. The roots of the band are in bluegrass…although they have a keen interest in incorporating other genres into their sound, such as jam, soul, or traditional country. The band currently consists of fiddle, mandolin, guitar, and bass. In December 2022, Matt Michienzie Band flew back east to Matt’s neck of the woods to open for Tim Reynolds and TR3 at the Narrows Center for the Arts in Fall River, MA. This would begin their travels as a band.

In summer 2022, the band made their Grass Valley debut at the Father’s Day Festival, hosted by the California Bluegrass Association.

Just recently, the band won 1st Place Band at the Topanga Banjo and Fiddle Contest – one of the longest running contests of it’s type. In October 2023, the band competed in the Battle of the Bands at Huck Finn Jubilee in SoCal and took home first place.

The band has most recently opened for the Kitchen Dwellers, AJ Lee and Blue Summit, Water Tower Band, etc…

On their 2024 slate, the band will be playing at the Long Beach Bluegrass Festival, Topanga Banjo Fiddle Contest, Rambling Peaks Festival, The Western Swingout Festival and more…

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The Nervous Eaters w/ Brad Marino Band & Tiger Bomb

JUNE 29 @ 6PM | DOORS 5PM | UPSTAIRS

Holy crap—Boston underground rock legends The Nervous Eaters! Make way for some true rock royalty.

8:00 PM – BRAD MARINO is back in Portsmouth (Yay!) and ready to deliver some straight-up hits from his vast catalogue of music. A multi-instrumentalist and songwriter, Brad possesses a calm and cool vocal delivery that combines elements of classic rock n roll, power pop, and a touch of punk. Along with Bobby Davis from The Connection, you can expect to hear some of their catchiest songs, sure to have you gyrating from the very first note! https://bradmarino.bandcamp.com/

7:00 PM – THE NERVOUS EATERS helped define the early underground rock scene in Boston. Inspired by Link Wray, Chicago Blues greats and British guitar legends Beck, Clapton and Page, the Nervous Eaters created a raw edgy style uniquely their own. Under the management of Jim Harold, owner of the legendary nightclub “The Rat”, the band released their first single, “Loretta”, which remains one of the city’s most endearing rock & roll anthems. The Eaters have opened for numerous national acts including Iggy Pop, Squeeze, Go Go’s, Pretenders, The Police, Ramones and more. In 1980, Ric Ocasek of The Cars produced a demo for the band that was picked up by Elektra Records and released nationally. They have also recorded for Penniman Records, No Tomorrow Records and Ace of Hearts Records. In 2021, the band was signed to Wicked Cool Records and new songs are being released regularly to rave reviews! The band is currently fronted by founding member Steve Cataldo on lead guitar & vocals, with Carissa Johnson on bass & vocals, Adam Sherman on guitar & vocals, Jim Sullivan on keyboards and David McLean (of Willie Alexander’s band) on drums. https://www.facebook.com/NervousEaters
https://www.nervouseaters.net/about
https://www.youtube.com/watch?v=qNOvr6HprYs

6:00 PM – TIGER BOMB is one of the hottest up & coming groups in the Northeastern area! With 3 albums of dynamic all-original songs to their credit, Tiger Bomb is setting stages and dance-floors ablaze with their electrifying live shows. These four fab femmes rock hard, but make no mistake, Tiger Bomb knows their way around a good pop song full of catchy hooks & harmonies. Come experience some of the most danceable sounds around today! “The Rock & Roll veterans of garage-pop band Tiger Bomb are the coolest female rockers here in Portland, Maine, featuring a big, bold and British sound, like the Who. With a retro visual aesthetic, Tiger Bomb is a true gem of our scene, regularly performing across New England.” -WMPG https://www.facebook.com/tigerbombband
https://www.youtube.com/@tigerbomb2640
https://tigerbomb2.bandcamp.com

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SHARON & JIM

Seacoast Jazz Society Presents: SHARON JONES and JIM PORCELLA (6pm)

JULY 5 @ 6PM-7:15PM | DOORS 5:30PM | UPSTAIRS

Music from “Ella Fitzgerald” to “Frank Sinatra” and “The Great American Songbook” sung by two legendary jazz vocalists.

Join us for a fabulous new show with two legendary jazz vocalists, Sharon Jones and Jim Porcella. They are teaming up for the first time to entertain you with a mix of jazz music from Ella Fitzgerald to Frank Sinatra and the “Great American Songbook.”

Hailing from New England, both Sharon and Jim have made their name in clubs and performances across the U.S. and internationally.

Sharon Jones

Sharon Jones is “Portsmouth’s Gem,” so named by “Portsmouth Spotlight Magazine” for her many shining performances over the years at The Music Hall, Jimmy’s Jazz and Blues Club, the

Seacoast Jazz Festival, Top of the Hub, and much more! She is admired and loved for her inimitable, energetic, multi-dimensional vocals, whether singing a ballad, a hard jazz tune, a funky blues composition, or a ‘60s rock song. A born performer, she infuses emotion into every song and draws you into the experience with her. Growing up in Portsmouth in a family of 13 children, she launched her career shortly after high school, traveling extensively with world renowned jazz organist, Johnny Hammond Smith and saxophonist Houston Person before settling in Los Angeles where she sang in popular clubs, was a studio backup singer, and studied voice. During the summers she performed at resorts from New York to LA to Boston and Montreal, before returning to New England to make Portsmouth her permanent home. In 2007 during Black History Month, the Portsmouth Postal Service presented Sharon with the “Ella Fitzgerald Commemorative Stamp” honoring Sharon’s community service as well as her tremendous talent.

Jim Porcella

Jim Porcella has been singing jazz since the early 1970s. Joe Williams said this about him: “Jim’s got the gift! He really swings!” And Diane Shur noted his “wonderful choices, beautifully sung!” Rex Reed said, “Jim’s singing is exquisite! I want to hear more!”

Jim grew up in Medford, Massachusetts, and started playing drums at age 14. Later, while attending the Berklee School of Music in Boston he began singing around the New England area.

His jazz vocal career took off and he went on to record seven critically acclaimed CDs, performing in jazz and cabaret settings in the Northeast, London, San Francisco, the Virgin Islands, and Vancouver. He was also the featured vocalist at Boston’s Ritz Carlton and Boston’s prestigious Bay Tower Room. He has been the featured vocalist with the Artie Shaw Orchestra and is the leader of the swing band Bombay Jim and the Swinging Sapphires. Jim was also lead vocalist with the group Primavera!, a tribute show to the music of Louis Prima and Keely Smith. And for several years he traveled the country with the show The 3 Swingin Tenors. He presently performs a show with his daughter Renee Legendre called “Just the Two of Us” and is the lead vocalist with “GUMBO,” presenting the music of New Orleans.

About the Seacoast Jazz Society

This event is cosponsored by the Seacoast Jazz Society, a 501(c)3 nonprofit organization dedicated to fostering a love of jazz in the community, supporting local musicians, and providing scholarships to young artists. For more information, visit www.seacoastjazz.org.

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SHARON & JIM

Seacoast Jazz Society Presents: SHARON JONES and JIM PORCELLA (8:15pm)

JULY 5 @ 8:15PM-9:30PM | DOORS 7:45PM | UPSTAIRS

Music from “Ella Fitzgerald” to “Frank Sinatra” and “The Great American Songbook” sung by two legendary jazz vocalists.

Join us for a fabulous new show with two legendary jazz vocalists, Sharon Jones and Jim Porcella. They are teaming up for the first time to entertain you with a mix of jazz music from Ella Fitzgerald to Frank Sinatra and the “Great American Songbook.”

Hailing from New England, both Sharon and Jim have made their name in clubs and performances across the U.S. and internationally.

Sharon Jones

Sharon Jones is “Portsmouth’s Gem,” so named by “Portsmouth Spotlight Magazine” for her many shining performances over the years at The Music Hall, Jimmy’s Jazz and Blues Club, the

Seacoast Jazz Festival, Top of the Hub, and much more! She is admired and loved for her inimitable, energetic, multi-dimensional vocals, whether singing a ballad, a hard jazz tune, a funky blues composition, or a ‘60s rock song. A born performer, she infuses emotion into every song and draws you into the experience with her. Growing up in Portsmouth in a family of 13 children, she launched her career shortly after high school, traveling extensively with world renowned jazz organist, Johnny Hammond Smith and saxophonist Houston Person before settling in Los Angeles where she sang in popular clubs, was a studio backup singer, and studied voice. During the summers she performed at resorts from New York to LA to Boston and Montreal, before returning to New England to make Portsmouth her permanent home. In 2007 during Black History Month, the Portsmouth Postal Service presented Sharon with the “Ella Fitzgerald Commemorative Stamp” honoring Sharon’s community service as well as her tremendous talent.

Jim Porcella

Jim Porcella has been singing jazz since the early 1970s. Joe Williams said this about him: “Jim’s got the gift! He really swings!” And Diane Shur noted his “wonderful choices, beautifully sung!” Rex Reed said, “Jim’s singing is exquisite! I want to hear more!”

Jim grew up in Medford, Massachusetts, and started playing drums at age 14. Later, while attending the Berklee School of Music in Boston he began singing around the New England area.

His jazz vocal career took off and he went on to record seven critically acclaimed CDs, performing in jazz and cabaret settings in the Northeast, London, San Francisco, the Virgin Islands, and Vancouver. He was also the featured vocalist at Boston’s Ritz Carlton and Boston’s prestigious Bay Tower Room. He has been the featured vocalist with the Artie Shaw Orchestra and is the leader of the swing band Bombay Jim and the Swinging Sapphires. Jim was also lead vocalist with the group Primavera!, a tribute show to the music of Louis Prima and Keely Smith. And for several years he traveled the country with the show The 3 Swingin Tenors. He presently performs a show with his daughter Renee Legendre called “Just the Two of Us” and is the lead vocalist with “GUMBO,” presenting the music of New Orleans.

About the Seacoast Jazz Society

This event is cosponsored by the Seacoast Jazz Society, a 501(c)3 nonprofit organization dedicated to fostering a love of jazz in the community, supporting local musicians, and providing scholarships to young artists. For more information, visit www.seacoastjazz.org.

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UNH JAZZ

Jazz Brunch: UNH Jazz Alumni Summit

JULY 7 @ 11AM | DOORS 10:30AM | UPSTAIRS

Multiple generations of UNH Jazz aces, together on one stage. And eggs!

Chris Klaxton – trumpet

Bill Humphrey – alto sax

Mark LaForce – tenor sax

Mark Shilansky – piano

Joshua Davis – bass

Les Harris, Jr – drums

One of the sources of the burgeoning Arts scene in the Seacoast Area is the small but excellent music department at the University of New Hampshire. The jazz department, helmed for 43 years by master educator and multiple wind instrument master David Seiler, and for the past 10 years led by the similarly talented and sagacious Nate Jorgensen, has trained some of today’s finest jazz educators and performers. The members of this band, spanning various generations of UNH musicians, are just such a group of artists.”Inventive, modern mainstream jazz pianist” (Jon Garelick, Boston Globe) Mark Shilansky (Piano) provides melodic improvisation and infectious compositions on his own and to a host of jazz luminaries, as well as to the classroom, as a professor at Berklee College of Music and the University of New Hampshire. Shilansky’s six recordings as a leader include 2007’s “Join the Club,” a mostly Latin Jazz affair featuring David Bowie saxist Donny McCaslin, and 2013’s “Fugue Mill,” the eponymous debut of his Jazz/Bluegrass/Celtic project featuring violin phenom Sara Caswell, and he is featured on over 60 recordings as a keyboardist, vocalist, composer/arranger, or producer, and in performance as band member for such artists as the New York Voices, Luciana Souza, and David Thorne Scott. As an artist he embraces the history of the styles in which he works, while seeking connections between them as a way of expressing a personal musical vision, characterized by lush harmonies, the exploration of the line between composition and improvisation, and an ever-present sense of humor. His works have been recorded by Robin McKelle, Kim Nazarian, and by Jazz All-State and College ensembles around the world. http://www.markshilansky.comDr. Joshua Davis (bass), faculty at Penn State, has devoted his career to performance and composition, and to ensemble, groove, bass, composition, and improvisation coaching. He was an awarded leader of curriculum development at Berklee College of Music and plays bass with Love Salad, Vardan Ovsepian, Tim Miller, the Fairbanks Summer Arts Festival Orchestra, the Pennsylvania Chamber Orchestra, the Williamsport Symphony Orchestra, the Penns’ Woods Festival Orchestra and others.

Les Harris Jr.(drums) is a 1983 graduate of the Berklee College of Music and is currently a faculty member at the University of New Hampshire, the University of Southern Maine, and Phillips Exeter Academy. Les is the son of retired Berklee College of Music professor and drummer Les Harris Sr. and he began playing the drums at a young age under the tutelage of his father. He was sitting in with jazz greats, Herb Pomeroy, Phil Wilson, John LaPorta, and Teddy Wilson by the time he was 14 and began playing professionally at 15 with Annie Bosteels’ trio. While attending Berklee, Les studied with Joe Hunt and Robert Kaufman and upon graduation studied with legendary drummer and educator Alan Dawson. From 1983-1996, Les was the drummer with the jazz vocal group, “The Ritz”, appearing on seven recordings and performing worldwide including engagements at The Sea Jazz Festival in Finland, The Blue Note Jazz Clubs in Tokyo, Fukuoka, Jakarta and NYC, The New Morning Club in Paris, The Village Vanguard and the Newport Jazz Festival in Japan. Les also toured with the Artie Shaw Orchestra,(under the direction of Dick Johnson), saxophonist Scott Hamilton, (including performances at The Subway Club in Cologne and the Montreal Jazz Festival), and worked with Diana Krall‘s trio in Boston throughout the early 90’s. Les was a longtime member of the Tommy Gallant Trio, the Paul Broadnax Trio and has played with some of the best known artists in jazz, including Clark TerryMilt JacksonPhil WoodsArt FarmerAnnie RossHank JonesMilt HintonRay BrownMarian McPartlandJimmy Heath, James Moody, Mark Murphy, Sheila Jordan and Bobby Watson.

Marc LaForce (tenor sax) is a 1990 graduate of the University of New Hampshire where he studied saxophone with Stanley Hettinger and David Seiler, and jazz improvisation with NH Seacoast legend Charlie Jennison. Marc has played saxophone in the Seacoast area since the late 1980’s, performing with such legends as Clark Terry, Bob Mintzer, Peter Erskine, Ed Shaughnessy and Louis Bellson. Marc has also been an active member on the local scene for a long time performing with the Seacoast Big Band, State Street Rhythm and Blues and the Portland Symphony Pops. From 2007-12 he joined forces with Maine’s premiere big band, the Portland Jazz Orchestra where he performed with such jazz greats as the New York Voices, Wayne Bergeron (lead trumpet player for Gordon Goodwin’s Big Phat Band) and Denis DiBlasio. Marc was a faculty member of the University of New Hampshire’s Summer Youth School (SYMS) from 1987-2017, teaching Saxophone, Jazz Band and Jazz Improvisation. Since 1991 he has been the director of music at Oyster River High School in Durham, NH where his jazz ensembles have collected numerous accolades over the years

New England native, Chris Klaxton has developed a reputation as a gifted multi-instrumentalist, an imaginative composer, and an effective educator. With degrees in both classical and jazz trumpet, Klaxton has received a rich and varied education, studying with: Brian Lynch, Terence Blanchard, Jason Carder, Dr. Robert Stibler, Stephen Guerra, Whit Sidener, and Gary Lindsay. Perhaps the most significant musical relationship of Klaxton’s career is that with famed trumpeter, Clark Terry. Years of study, several years as valet / travel manager, and more than a decade of friendship with Clark, has left Chris saturated with lessons and anecdotes (musical and otherwise). Chris is proud to pass on a repertoire unique to Clark, a system of phrasing and rhythmic pronunciation, and a means of conveyance handed down directly from one of the founding fathers of the music. As a performer, Klaxton contributes trumpet, keyboards, guitar, and percussion to a variety of projects running the stylistic gamut. His self-led 8-piece ensemble has recorded two albums of original music (STARCODE and COLLAGE) which display Klaxton’s eclectic palette, a unique approach to the jazz tradition, and a fertile imagination.In 2015 Klaxton founded OURBIGBAND, a New England-based large ensemble dedicated to performing new music. The band’s 2016 collaboration with famed trumpeter / composer, Dave Douglas, featured a program of Douglas’ large ensemble music as well as a premiere of Self Portrait in Four Dimensions (dedicated to Charles Mingus). Equal to Klaxton’s passion for performing is a commitment to education. On faculty at Portsmouth Music and Arts Center (PMAC), and University of New Hampshire, Klaxton teaches jazz and classical trumpet, jazz piano, composition, theory, and coaches ensembles.

We are especially excited to have as our most special guest Dover, NH’s own, by way of Queens, NY, Mr. William “Bill” Humphrey (alto saxophone). Bill’s studies with Dave Seiler and Charlie Jennison at UNH and dozens of performances with jazz legends Clark Terry led him to grad work with Jimmy Heath at Queens College, and a creative career with his own William Humphrey Quartet, along with the group miXed Company, dedicated to gospel-infused soul jazz and which he co-leads with his wife, soprano Jessica Rechner.

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JEWEL HOUSE

Jewel House

JULY 10 @ 8PM | DOORS 7PM | UPSTAIRS

Disco-Pop! Legally obligated to groove.

Jewel House (formerly Monk Gyatso) is a Denver-based disco-pop band with all the glitter and nostalgia of the ‘70s and the fresh, colorful sounds of right now.

Since the group’s formation in 2018, these six soulful gentlemen have performed their original songs for audiences nationwide, released all kinds of recordings of their funky music, and connected with a devoted fan base that’s down to groove the night away right alongside them. Jewel House’s intoxicating sound will get you moving the second you hear it.

@JewelHouseMusic everywhere.

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illiterate light

Illiterate Light: Slow Down Time Tour w/ NOVA ONE

JULY 11 @ 8PM | DOORS 7PM | UPSTAIRS

A real rock and roll show.

21+

Illiterate Light thrives on subverting expectations. Though just a duo, singer-guitarist JeffGorman and drummer Jake Cochran make surprisingly pummeling and catchy alternativerock. Since the band’s 2015 inception, they’ve intently focused on their unorthodox liveshow with Cochran standing behind his kit and Gorman playing synth bass with his foot ashe sings and strums his guitar. Fiercely egalitarian and independent, the two not only splitup songwriting duties and arrangement ideas, they even built bike-powered stages:bringing the fans into the live experience and envisioning a greener future for shows.But with their latest albumSunburned, out January 27 via Thirty Tigers, Gorman and Cochranhave turned their attention inward to their songwriting and studio craft. It’s their most fully-realized and ambitious LP yet, one that’s full of immediate songs that update and revolutionizethe band’s approach to making music. There are rich keyboard and programmed percussiontextures now populating their songs, as well as soaringly anthemic choruses, and hefty dosesof fuzz. “On our first record, we were very live-focused and wanted to make sure whatever wewere writing was translated in person,” says Gorman. “Without that crutch, we could be moreadventurous and take more risks. We definitely weren’t timid in the studio.

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THE THING

The Thing

JULY 12 @ 8PM | DOORS 7PM | UPSTAIRS

LONG LIVE THE THING.

The Thing is a four piece from New York City.

The band originated in High School when Michael Carter, Jack Bradley, and Zane Acord bonded over a shared love for rock & roll. Over the years they honed their craft, self recording and writing songs influenced by 60’s pioneers such as the Kinks, Grand Funk Railroad, and artists of The Nuggets Compilation. As they progressed in skill and knowledge the band started to envision a career inspired by the likes of Brian Jonestown Massacre, King Gizzard, and The Black Keys.

The Thing started playing shows and creating a buzz around New York City in the Winter of 2022. Shortly after, the band embarked on small tours up and down the east coast. Their energetic live performances earned the attention of honest music lovers.

Their debut record “Here’s The Thing” was released in April 2023. The record is a compilation of songs written throughout the early years of the band. It was self recorded and produced deep in the hills of Sharon, CT, continued in their Crown Heights apartment, then finished in the band’s East Williamsburg studio, Onion Records. While each environment was set up with humble equipment, the band’s commitment for authentic recording and their passion for rock & roll is what makes the album unique.

With the album out in the wild and the addition of Lucas Ebeling on the kit, The Thing is relentlessly touring, recording new music, and breaching the modern world of rock & roll.

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DROWN YOUR BOOTS

Drown Your Boots w/ Alex Preston

JULY 13 @ 7PM | DOORS 6PM | UPSTAIRS

Like early Modest Mouse x The Tallest Man On Earth. In other words, fantastic.

Since the 2018 release of their debut full-length album, Hello, Below, Drown Your Boots have taken their energetic fusion of rock, folk, and americana to some of the best music clubs across the country.

They have headlined and packed out venues on both coasts, from Brooklyn Bowl and Mercury Lounge in New York City, to Timewarp Records and Brick & Mortar Music Hall in California. With a sound reminiscent of early Modest Mouse and The Tallest Man On Earth, the trio of Brooklyn transplants mix self-reflective songwriting with spirited improvisation and musical virtuosity. Their sophomore album is due for release in Winter 2024.

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portBOWIE

portBOWIE w/ John Hughes Radio

JULY 18 @ 8PM | DOORS 7PM | UPSTAIRS

Finally—a Bowie party in Portsmouth.

portBOWIE is Maine’s premier homage to the music of David Bowie. It’s not a band that stresses the visuals and costumes; rather, this band focuses on Bowie’s MUSIC, diving deep and bringing out the essence of his songs, whether it’s a big hit or a deep cut.

In 2015, singer Mat Zaro was invited to assemble a group for a battle of the bands playing David Bowie’s music. It went so well that he approached drummer Luc Bergeron about forming a permanent group.

In January of 2017, this new group, at the time named “The Blackstar White Duke Band,” played Bowie’s last album, “Blackstar,” in its entirety, gaining respect from YouTube commenters from around the world.

Zaro and Bergeron co-lead the group, which was renamed portBOWIE in 2018; other members include Scott Hughes and Jerry Perron on guitars, Jim Goss on keyboards, Jason Marshall on bass, and Andrew Doody on saxophones. They’ve performed themed shows through the years, and have done full performances of the albums “Ziggy Stardust,” “The Man Who Sold the World,’ “Liveandwell.com,” “Stage,” “Station to Station,” “Hunky Dory,” and “Blackstar.”

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katy kirby

Katy Kirby w/ Mei Semones

JULY 25 @ 8PM | DOORS 7PM | UPSTAIRS

Holy smokes, I’m in love

All Ages

Let’s face it: There’s no such thing as “real life”. There is only experience and the negotiations we undertake in order to share it with other people. On her second album Blue Raspberry, the New York-based songwriter Katy Kirby dives headlong into the artifice of intimacy: the glitter smeared across eyelid creases, the smiles switched on with an electric buzz, the synthetic rose scent all over someone who’s made herself smell nice just for you. An exegesis of Kirby’s first queer relationship, Blue Raspberry traces the crescendo and collapse of new love, savoring each gleaming shard of rock candy and broken glass along the way.

Originally from Spicewood, Texas, Kirby was living in Nashville when she started writing Blue Raspberry’s title track, the first of the album’s songs to take shape. “‘Blue Raspberry’ is the oldest song on the record. I began to write it a month or so before I realized, I think I’m queer,” she says. “There’s a tradition of yearning in country love songs. I like the male yearning songs better, usually. I started writing ‘Blue Raspberry,’ and I was thinking about, if I was in love with a woman, what would I love about her? Especially if she was someone that I couldn’t touch, but that I was pining for. What would I be caught on? And I thought that I would probably be particularly charmed by the choices she made on how to look after she woke up in the morning. I thought about tackiness, and the ways that’s a dirty word. That’s where the title comes from—loving someone for those choices, for the artificiality.”

Blue Raspberry follows Kirby’s acclaimed debut album Cool Dry Place, which was also recorded in Nashville and released in February of 2021. While the songs on that record unfold amidst Kirby finding her voice, Blue Raspberry is a polished and confident sophomore effort that deepens the questions that bubbled through Cool Dry Place about how people can reach each other despite all the hazard zones where human connection caves in.

After realizing that her romantic interest in women went beyond the confines of a songwriting exercise, Kirby kept writing songs that sought to untangle that false binary between the real and the fake, to celebrate the spectacles people put on for each other when they’re falling in and out of love. She committed herself completely to the work of drawing out these songs, often stealing away to her van to write immediately after playing an opening set while on a 2021 tour with Waxahatchee. For the first time since she started writing songs, Kirby stopped tamping down on her impulse to craft ornate, generously embellished music. “I felt less embarrassed about just wanting to write really gorgeous songs,” she says. She started weaving more intricate chord progressions and melodies into her work, and in turn she felt emboldened to hold onto the more baroque flourishes of her lyrics without whittling them down into plainer lines.

Many of the songs that make up Blue Raspberry stemmed from a single page of lyrical fragments, words and phrases that kept their hold on Kirby even as she slipped them into multiple settings. Images repeat on different songs throughout the album: cubic zirconia gleaming at a woman’s throat, the lab-grown substitute indistinguishable from earth-crushed diamonds; salt crystallizing as seawater dries on reddened skin; teeth that shine in a grin and then bite till they bruise. These refrains and reprises lend a tight narrative cohesion to the record, elevating its sharp queries into all the unlikely shapes love takes as it surges through you.

To underscore Blue Raspberry’s lyrical themes, Kirby worked with her band to develop a newly lush sonic palette replete with orchestral gestures arranged by her friend Rowen Merrill. “I felt like I was intending to write love songs for the first time. Once I realized they were queer love songs and celebrating artificiality, I wanted them to sound like they were bidding for a spot in the wedding reception canon,” she says. “It was more fun to just go for it than to try to restrain ourselves. Especially if we were just accepting the fact that we were trying to make objectively beautiful music, whatever that means.”

Together with producers Alberto Sewald and Logan Chung, Kirby looked to albums like Andy Shauf’s The Party and Lomelda’s Hannah as models for Blue Raspberry’s abundant but spacious gorgeousness. Piano and strings echo together on the gentle ballad “Salt Crystal,” while scrapes of cello punctuate each heartbroken line of “Alexandria,” a song about the dissolution of Kirby’s first queer relationship and recorded live in one take. Cymbals and organs stagger across the offbeat “Drop Dead,” one of the album’s most playful songs that highlights the sly humor in Kirby’s lyrics: “There’s no virgin territory for a body like hers.” On the album’s title track, Kirby sings trailed by a pitch-lowered echo of her own voice, her guitar chords hanging in the air like question marks. Her imagery seizes upon the bright, garish colors of mass-produced material, homing in on its sensory intensity while casting aside any judgment about its source. “Her eyes burn white as Styrofoam right into me,” she sings, rendering a cheap, disposable substance into shocking magic.

“Why wouldn’t that be enough?” Kirby sings throughout the album, a question that’s never answered and never drops. Every attempt at love strains toward the idea of the real thing, that totalizing force that makes everything around it perfect forever. But if no one ever gets there, why wouldn’t the straining itself suffice? Blue Raspberry shivers with the idea that the key to the treasure is itself the treasure—even if it’s plastic, even if its gold coating flakes off at your touch, even if despite all your searching you never find the lock.

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dub apocalypse

Dub Apocalypse

JULY 26 @ 9PM | DOORS 8PM | UPSTAIRS

Get riddim before you get the blues.

Dub Apocalypse is an instrumental dub reggae band from Boston, MA. Band members are Tommy Benedetti-drums,Van Martin-guitar,Johnny Trama-guitar,Aaron Bellamy-bass,and Timo Shanko-sax/bass. The band came together in 2007, led by drummer Tommy Benedetti and guitarist, Johnny Trama.Tommy Benedetti is one of the founding members of American Reggae Pioneers,John Brown’s Body. He brings a wealth of experience from the reggae/dub scene to the table,having recorded albums for the legendary Shanachie Label,John Zorn’s Tzadik Label (mixed by Bill Laswell),and is currently with John Brown’s Body on Easy Star Records. This history is combined with almost 2 decades of International touring,as well as backing some of the giants of Jamaican music,including The Meditations and Justin Hinds.

Guitarist Johnny Trama adds a soulful blues touch to the Dub Apocalypse signature sound.Trama has spent time on the road with the great Ron Levy, BB King’s organ player, as well as many other regional rock and soul/r&b acts. Not long after Dub Apocalypse came together, longtime friend Timo Shanko entered the fold.A dual threat on both bass and saxophone,Shanko is a veteran of the blues and free jazz scene.He spent many years on the road with Blues legend, Eddie Kirkland, as well as with G. Love and Special Sauce. Shanko is also a prolific composer,and his improvisational stylings are an integral part of the Dub Apocalypse sound. Although DA started out as more of a collective,in the past few years the lineup has solidified with the addition of bassist Aaron Bellamy and guitarist Van Martin. Bellamy is a longtime fixture in the Boston funk scene,and in combination with Benedetti ,they form the deep,militant sound at the core of Dub Apocalypse.

Originally hailing from Chicago,Van Martin rounds out the lineup on guitar. Martin has much touring experience as well, including appearances with Bernie Worrell and Big Daddy Kane. His sonic textures,adventurous playing and songwriting have helped Dub Apocalypse take their sound to a new level. The DA sound is an evolving mix of original compositions and their own interpretations of classic Jamaican and UK songs and dub plates. Heavy hitting drum and bass grooves set the table. A twin guitar attack, with Trama’s rhythmic anchor,and Martin’s dub sonics, swirl in and out in tandem. These pieces, combined with Timo Shanko’s Coltrane inspired sax approach, give Dub Apocalypse a sound that is truly their own.

The band has appeared at many clubs and festivals throughout New England.They’ve won a Boston Music Award,were named “One of 10 Local Acts You Need To Hear Now” by The Improper Bostonian,and have one of the most popular and longest running weekly residencies in Boston.Dub Apocalypse released their first cd, “Road To Oblivion” in March 2015.The cd release will be followed by an International release on vinyl through Mnemonic Dojo Records out of the UK.

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El Dorado

JULY 28 @ 8PM | DOORS 7PM | UPSTAIRS

True, honest Country music.

We can talk about their beginnings, their roots, their lineage and their heritage, but that does not even begin to scratch the surface that is the iceberg of El Dorodo. Before the age of woefully crafted template songs that littered radio all across America, there was an age of radio and song craft that spoke to everyone on a common level. These words tell stories — stories of heartache, stories of past good times…but mostly heartache. A universal understanding of the human emotion coupled with every great sound that music has to offer, all in one place.

El Dorodo is all of these things and all of these things are Country music. El Dorodo appreciates, respects and loves all types of “good” music. You may hear aspects of these different genres represented in our music. We are fans first. Our hearts lie in Country/Western/Old Time music and culture. We represent true, honest Country music to be consumed by the masses and we do so with full hearts. Our aim is to get back to the basics of love…El Dorodo is country music.

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DUNTON & SLOAN

M. Dunton & Jack Sloan w/ Kate Possi

JULY 31 @ 8PM | DOORS 7PM | UPSTAIRS

Indie folk from Nashville + indie rock from Brooklyn + one of our favorite locals.

M. Dunton

M. Dunton is a Nashville-based artist by way of Idaho. He blends melodic storytelling with flavors of indie-folk and alt-rock to create a unique form of Americana music. He has lead guitar credits with Paul McDonald & The Mourning Doves, Sam Outlaw, Ross Cooper, and many others under his belt. His self-titled debut album was produced by Aaron Shafer-Haiss and consists of 8 solely penned tracks that clock in at just over 30 minutes. Aside from Philippe Bronchtein’s ambient pedal steel, Dunton and Shafer-Haiss recorded the entire album themselves at Vacationland Sound in Nashville, TN.

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Jack Sloan

Jack Sloan is an indie rock artist based in Brooklyn. Recently transplanted from Nashville, he marries the songwriting sensibilities of Music City with the breakneck pace of NYC. His budding catalog draws on a diverse set of influences—reviews have compared his tracks to those of David Bowie, The Hives, and Jeff Buckley. He has just released a folk EP, Sloanly, and will tour his electrifying live act throughout the Northeast later this summer.

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Kate Possi

Kate Possi, a Boston native, has been playing around the Seacoast New Hampshire music scene for a couple of years now. Starting with the cello at 9 and later transitioning to guitar at 13, Possi has captivated audiences across New England with her indie-folk sound, both solo and with her band. Through her live performances, she shares her music with its themes like loss, heartbreak, and love. Thank you for being a part in this musical journey!

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john cruz

John Cruz w/ Gooseberry

August 2 @ 7PM | DOORS 6PM | UPSTAIRS

Legendary indigenous Hawaiian singer-songwriter John Cruz makes his Press Room debut w/ bluesy NYC indie rockers Gooseberry opening up.

John Cruz

John Cruz (Hawaiian/Chamorro/Native American-Cherokee/ Japanese/Caucasian) has distinguished himself as one of the most talented artists to come from Hawai‘i, known for his heartfelt melodies and passionate, soulful vocals that his fans have grown to love. His song “Island Style” has become one of the most cherished themes of Hawai‘i.

He engages audiences with his rich storytelling through songs ranging from Hawaiian to Blues, Folk, Americana, Roots and Country. He delivers spellbinding performances, with music that references Hawaiian roots and “Island style” life, while incorporating

contemporary folk-rock rhythms and virtuosic riffs. Captivating guitar, soulful vocals and a compassionate, genuine heart make Cruz one of Hawai’i’s most talented and beloved Artists.

Cruz is multi-Na Hoku Hanohano Award-winner (Hawai‘i’s

“Grammys”), and was featured on the Grammy Award-winning album Slack Key Guitar, Vol. 2, the first album to win in the newly-created “Hawaiian Music” category (now retired) at the Grammys, and the first-ever Hawaiian album to win a Grammy.

“John is a great songwriter and a great singer…he’s one of the best.” — Jackson Browne 

one of the finest contemporary singer songwriter-musicians you’ll hear, Hawaii-based or otherwise… Cruz’s honeyed, husky voice is a marvel — real world honest whether touching on subjects painfully personal or sweetly hopeful” — Hawai’i Magazine 

Gooseberry

Gooseberry is a trio from Brooklyn, New York born during the Fall of 2019. Their combination of alternative rock, indie, and blues is a recipe for a unique sound that Gooseberry delivers in each song. The band consists of Asa Daniels (guitar, vocals), Evin Rossington (drums), and Will Hammond (bass).

Since the release of their 2022 debut EP, Broken Dance, Brooklyn, NY indie rock trio Gooseberry has been busy. Their eminently engaging music has tickled the ears and stirred the hearts of both music fans and the industry itself. The band has racked up hundreds of thousands of streams, garnered praise from editorial stalwarts Under the Radar, Ones to Watch, and more.

Yet, more than anything, in the ten months since the release, Gooseberry has been focused on doing what they do best: playing shows. Deeply connected to the scene in NYC and Brooklyn, they have dazzled crowds from the iconic Baby’s All Right to the legendary Knitting Factory. “We are super fortunate to call a lot of really great – and buzzing – NYC bands our friends” says Daniels. “We feel ourselves part of that community and eternally grateful for being welcomed with such open arms. Our hometown has truly shaped what this band has become.” Gooseberry has played all along the east coast, often with local heartthrobs (My Son The Doctor, Meyru, Cab Ellis) and major touring acts (BabyJakeGrady Spencer & The WorkTanner Usrey, Maybird) alike.

Now, the power trio is back with a new slate of songs born in Greenpoint and honed to perfection on the road. Conceived and fleshed out over the course of a year, Validate Me as a cohesive piece of art eloquently showcases the unique alternative rock sound that is wholly Gooseberry. “Life as a trio allows us to really lean into dynamics,” explains Daniels. “We can hit you with a squall of distortion and guttural shouts, then shift on a dime and sing you a lullaby.”

Thematically, Validate Me grapples with the relationship between love and making art, magnifying the sacrifices and leaps of faith both require. “Anger as a device can lead to both polished and rough expressions of passion,” says Daniels. “Much of that anger manifests from fear, which drives us down many wayward paths, whether it be fear of rejection, fear of too much understanding, or fear of losing control.”

In addition to Daniels, Rossington, and Hammond, the record features performances by honorary fourth member, Dan Janis, on saxophone and flute. Tracked at two Manhattan studios, Precision Sound Studios and Orbital Music & Sound, the record was produced by the band along with Grammy-nominated engineer Colin Bryson. Longtime collaborator and Grammy-award winning engineer James Meslin (Dream Theater, Liquid Tension, John Petrucci) mixed the record.

What the trio created during these sessions is a record that is foundationally, fundamentally, whole-heartedly Gooseberry. No more, no less. Daniels’s dynamic songwriting soaring over Rossington’s bombastic drums; Hammond’s fluid bass lines the glue holding it all together. Road-keen musicianship wrapped around witty lyricism. More than anything, though, Validate Me proves that Gooseberry knows exactly who they are – gritty rock born at the nexus of DIY and arena-ready pop – and good god they are unapologetic about it.

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TYSK TYSK TASK

Tysk Tysk Task w/ Grub Lord, Hell Beach, & 2000s

AUGUST 9 @ 8PM | DOORS 7PM | UPSTAIRS

A stacked Fri night for indie rock fans.

Tysk Tysk Task is woodland grunge from the woods of Lowell, Mass. with heavily distorted guitars and dreamy vocals influenced by shoegaze and indie sensibilities.

 

Grub Lord is a band that demands to be taken as unseriously as possible. Described as “Riot grrrl meets pop punk with fantastically silly lyrics and a nuclear blast of stage energy” they come out swinging with their antics and shenanigans whether you’re ready or not. Based in the NH Seacoast, Grub Lord derives inspiration from the likes of Mannequin Pussy, Ghost, Bikini Kill and even TOOL. Just recently out of the studio with their second EP in progress, keep an ear out for the yet-to-be-titled EP, coming out (hopefully) mid-2024.

 

Hell Beach is a diabolical quartet hailing from Manchester, New Hampshire, creating tsunamis of sound with red-hot rock ‘n roll in their blood.

 

2000s are hard rock punk.

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MOON WALKER

Moon Walker w/ The Moon City Masters

AUGUST 14 @ 8PM | DOORS 7PM | UPSTAIRS

Brooklyn-based indie rocker Moon Walker has already conquered TikTok. Next up? Portsmouth, NH, baby.

Harry Springer may compose, produce and perform all of Moon Walker’s music in his bedroom, but the electrifying and uniquely eclectic sound undeniably feels more fitting for a stadium.

When Springer formed Moon Walker at the height of the COVID-19 Pandemic, he was merely looking for a way to pass time and make some extra money selling songs to music libraries. “I sold some, and it was going fine, but then I wrote some songs, and I was like, ‘I really don’t want to give these ones away.”

Those songs that Springer just couldn’t part with ended up becoming his critically acclaimed debut record Truth to Power. Thanks to sudden viral success on TikTok and praise from the likes of The Darkness’s Justin Hawkins, the 7-track album quickly established Moon Walker as one of rock’s most promising acts. Less than a year later, Springer released his sophomore effort The Attack of Mirrors with great fanfare and coverage, resulting in 25 million streams across platforms in 2022. In 2023, Moon Walker continued the hot streak; signing to a co-publishing deal with Warner Chappell Music and Limited-Edition Publishing, releasing his third album “Apocalypticism” on October 20th, and going out on his first tour playing shows across the country with sellouts in Chicago, Nashville, Denver, and Columbus.

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MO LOWDA

Mo Lowda & The Humble

AUGUST 16 @ 8PM | DOORS 7PM | UPSTAIRS

These Philly indie rockers are back to melt some faces.

Mo Lowda & the Humble are a self-produced indie rock band hailing from Philadelphia. The band just finished up their fourth LP, to be self-titled and released March 3, 2023 with five singles leading up. Since releasing their debut album in 2013, they’ve vastly expanded the sonic exploration of their recorded material whilst developing a dialed-in, yet energetic live show through persistent touring. In turn, they’ve built a ravenous and loyal following across the country, selling out clubs and theaters throughout the US each year. Mo Lowda’s upcoming self-titled album is their most versatile and ambitious work yet. It visits some previously uncharted sonic territory for the band, while still providing the thoughtful, creative songwriting their fans have grown to love. Visit www.molowda.com for all tickets.

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Gaud w/ Big Scary Indian, Clean Freak, & Jiddo

AUGUST 18 @ 8PM | DOORS 7PM | UPSTAIRS

4 killer indie rock bands to make you forget about Monday morning.

Gaud

Gaud is a music and arts project from New England that uses sound and storytelling to explore the human social ecosystem. Finding fairytales in the study of change over time, and remaining “joyful even when all the facts have been considered.”

 

Big Scary Indian

Big Scary Indian is the art-rock outfit created by Brooklyn based musician and public school music teacher Roshan Reddy. Combining orchestral textures with dense digital manipulation, this project combines intention and spontaneity, attempting to push guitar driven music into unknown territory.

Two years in the making, Big Scary Indian’s debut album Be Holding No Bodies is a blend of live drums, erratic electric guitar, nylon string guitar techniques, and sample-based elements. A concoction of improvised demos and obsessive deliberation, each track is layered with intentional drums and the instruments woven throughout via trial and error. For fans of artists such as Spirit of the Beehive, Dungen, and Battles.

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ARCANTICA

Arcantica w/ Novakoi, Trading Tombstones, & Riverside Drive

AUGUST 25 @ 7PM | DOORS 6PM | UPSTAIRS

Kiss the weekend goodbye w/ a stacked bill of some great heavy bands.

Arcantica:

Formed in 2021 in the heart of New England, Arcantica entered the scene with their debut EP “Withered” released the same year. The band quickly made a mark with their raw and emotive sound, as they showcased their ability to blend aggressive riffs with haunting melodies, garnering attention and embarking on multiple short tours all over the northeast. Currently working on new music, Arcantica continues to evolve, promising even more depth and intensity in their upcoming releases.

Riverside Drive:

Riverside Drive, a pop-punk outfit originating from Windsor, Ontario, Canada, has been steadily making waves since their formation in 2019. With a string of successful hometown shows and notable performances alongside bands like Rarity and Like Pacific, they’re gradually gaining recognition in the Ontario music scene. Their music has found an audience, accumulating over 55,000 streams on Spotify and earning occasional radio airplay. They’ve also received nods from respected media outlets such as BrooklynVegan and Distorted Sound Magazine. This summer marks their debut venture into the U.S., as they aim to extend their reach from the midwest to the northeast, continuing their journey of growth and exploration.

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Green Lion Crew

AUGUST 31 @ 10PM | DOORS 10PM | UPSTAIRS

Dance to the riddim.

From an early age, Green Lion Crew’s Zeke Stern and Dana Knowles became students of the sounds of Caribbean Culture. After a decade of producing in Jamaica, St. Croix, and the United States their collaboration list features some of the top acts in Reggae music. From producing for modern artists like Collie Buddz, Chronixx, Kabaka Pyramid, Jesse Royal, and Roe Summerz to working with legendary acts like Beenie Man, Capleton, Busy Signal, Akae Beka, and Lee “Scratch” Perry. Green Lion Crew continues to push the boundaries of sonics and style while madly celebrating the culture of Jamaica.

As anyone who is familiar with Reggae knows, the true thrill is in the live performance. With authentic knowledge of sound system culture, Green Lion Crew captures the audience with their addictive beats and rhythms, often having a guest vocalist double as the emcee and toastmaster.

They have been a staple in the east coast reggae scene for over a decade while sharing the stage with artists like Stephen Marley, Lee “Scratch” Perry, Stick Figure, Anthony B, and many more. They have entertained large crowds at festivals like Cali Roots from Mexico to Zimbabwe.

Since their inception, the music of Green Lion Crew has been heard on ESPN, Vice TV, and the X-Games. The group has been supported by tropical tastemakers like Walshy Fire of Major Lazer, David Rodigan from BBC 1xtra, and Yaadcore from Jamaica. In 2019 they teamed up with Ineffable Records to help elevate their releases and since then, their streaming catalog has surpassed 20 million lifetime streams. With a critically acclaimed album called Riddim Full of Culture released in 2022 and new production credits for Sizzla, Anthony B, Busy Signal, Bugle, The Movement, Yaadcore and more they show no signs of slowing down.

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FRANKIE BOY

Frankie Boy & The Blues Express + Rumboat Chili

SEPTEMBER 5 @ 8PM | DOORS 7PM | UPSTAIRS

Chicago blues + classic rock = a pretty hot Thursday night.

Frankie Boy & The Blues Express is a New England-based blues band led by frontman, guitarist, and songwriter Frankie Boy Blues. The group consists of three core members, sometimes expanding to four or more, delivering a unique blend of new blues and cherished covers. Their styles range from traditional blues to funk, and even extend to hip-hop, featuring authentic, home-grown south side Chicago roots inspired by Chicago Blues Legend Luther “Guitar Junior” Johnson. In addition to frontman Frankie Boy Blues, the band includes Mickey Maguire on bass and vocals, handling both backups and leads, Harrison Foti on drums and backing vocals, and a rotating cast of exceptional musicians who occasionally join their performances.

Frankie Boy & the Blues Express proudly earned the title of winner at the 2019 and 2022 Granite State Blues Society Blues Challenge. They represented New Hampshire at the International Blues Challenge finals in 2020 and 2023, reaching the semi-finals in the latter year. The group has had the privilege of sitting in and playing with blues greats, including serving as Luther “Guitar Junior” Johnson’s backing band. They’ve also jammed alongside notable figures such as Joe Lewis Walker, Buddy Guy, Duke Robillard, Papa Chubby, Albert Castiglia, Ronnie Earl, James Montgomery, Jerry The Reverend Paquette & The Kan-Tu Blues Band. Notably, Frankie has toured the world with Blues-rock singer Eliza Neals.

Highlighting their ongoing musical evolution, Frankie Boy & The Blues Express released their highly anticipated album, “Young Man’s Blues” in January 2024. This latest endeavor showcases their dedication to pushing the boundaries of blues music while staying true to its authentic essence.

 

Rumboat Chili is an original, classic rock inspired band from New Hampshire. Influenced by past rock and roll greats such as Deep Purple, Led Zeppelin and The Allman Brothers Band, Rumboat Chili’s variety of influences separates themselves from any other rock band.

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mule variations

Mule Variations

SEPTEMBER 8 @ 6PM | DOORS 5PM | UPSTAIRS

Swampy blues from some of Boston’s best musicians.

An exciting blend of the best Americana songs, musical styles, and songwriters! Inspired by musical heroes Tom Waits, JJ Cale, Van Morrison, Muddy Waters, Pops Staples, singer-songwriter Kevin Connolly (voted “Best of Boston”) has put together a powerful approach to playing their songs, along with several complimentary originals. Covering blues, pop, soul, and country, Mule Variations pays tribute and gets down to the serious business of having fun and features some of Boston’s best musicians! We call it LO-FI-SWAMP-GROOVE.

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BOMBAY RICKEY

Bombay Rickey

SEPTEMBER 29 @ 6PM | DOORS 5PM | UPSTAIRS

“A true treat for the adventurous ear” -TimeOut NY

Praised as “a true treat for the adventurous ear” ( TimeOut NY) , Bombay Rickey is a five-piece band with a unique sound evocative of 1960s movie soundscapes. The group plays both covers and original music that borrow equally from the worlds of surf rock, cumbia, spaghetti-Western, and Bollywood, balanced out with soaring operatic vocals.
Since its inception in 2012, Bombay Rickey has become a fixture at Brooklyn mainstay Barbés, as well as having played live on WFMU, opened up for Cambodian psychedelic band Dengue Fever, and having been featured in an ad for Citibank. Bombay Rickey’s debut album, Cinefonia, was named best debut of 2014 by New York Music Daily and received the Vox Pop Award for Best Eclectic Album from the International Music Awards. Most recently, Bombay Rickey was invited to create an opera cabaret based on the life of Yma Sumac for the prestigious PROTOTYPE Festival in New York City. The show ran for seven sold-out performances and was hailed as a “rocking musical show” by the Wall Street Journal.
The band features Kamala Sankaram: vocals, accordion; Drew Fleming: guitar, vocals; and Jeff Hudgins: alto saxophone, vocals; with Nick Cudahy: bass; and Brian Shankar Adler: percussion. All longtime NY musicians, the five members of Bombay Rickey have done previous work with John Zorn, Anthony Braxton, Chicha Libre, and Alarm Will Sound, to name a few.
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BENNY

Benny Sharoni Quintet w/ Jerry Bergonzi

NOVEMBER 24 @ 6PM | DOORS 5PM | UPSTAIRS

A one-of-a-kind bebop tour de force of the highest calibre.

Tenor saxophonist Benny Sharoni is a bandleader, composer and arranger who is a mainstay on the North American and European jazz scenes. Fusing together classic straight-ahead influences of Sonny Rollins, Dexter Gordon and Steve Grossman, Sharoni flavors his music with Latin rhythms and an energetic drive that delights audiences worldwide. The repertoire includes unique arrangements of standards from the American Songbook, as well as dynamic original compositions.

Benny’s most recent recordings, “Eternal Elixir” and “Slant Signature”, captured the hearts and ears of jazz listeners and critics, earning tremendous acclaim in the jazz world:

“…Sharoni’s crack quartet brings [an] exhilarating groove……..he’ll let out an r&b-style honked bell note amidst nimble lines, and wax free in climax to an otherwise rail-running foray” -Michael Jackson, DownBeat Magazine

“filled with talent and verve and amazing music on top. It’s one of a kind, a bebop tour de force of the highest calibre” -Reuben Klein, The Ear

“…a voice quite his own, demanding to be heard on common ground with other practicing giants” -Raul D’Gama Rose, All About Jazz

“…a tenor saxophonist with a big tone and a hard-driving style” -Scott Yanow’s LA Jazz Scene

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