DSO Fall 2015 Performance Magazine—Edition 1.2 by Detroit Symphony Orchestra

Fall 2015, Issue 2

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Volume XXIV 2015-16 Season

THE MAGAZINE OF THE DETROIT SYMPHONY ORCHESTRA

The Symphony in D World Premiere Page 12

I N S I D E

Meet Alexander Kinmonth | Making a Difference Program Notes | Donor Spotlights

REVIVING 5,000 YEARS OF CIVILIZATION

“Absolutely the No.1 show in the world !” —Kenn Wells, Former lead dancer of the English National Ballet

Jan 1-3, 2016 Detroit Opera House Detroit 844.MI.SHOWS | 888.974.3698

ShenYun.com/michigan

“ Absolutely the No.1 show in the world ! ”

Presented by: Michigan Falun Dafa Association

—Kenn Wells, Former lead dancer of the English National Ballet

Accompanied by a live orchestra: Shen Yun uses ancient Chinese instruments to lead the melody on top of a full Western orchestra, creating an enchanting new sound.

P E R F O R M A N C E D E T R O I T

S Y M P H O N Y

M A G A Z I N E O R C H E S T R A

The Detroit Symphony Orchestra, a leader in the world of classical music, embraces and inspires individuals, families and communities through unsurpassed musical experiences.

CONTENTS oneDSO

FEATURES

Detroit’s Sonic Portrait The Symphony in D World Premiere

Orchestra Roster

Board Leadership

Meet the Musician: Alexander Kinmonth 15

Governing Members

Making a Difference 19

Volunteer Council

Maximize Your Experience

DSO Administrative Staff

Donor Roster

Gabrilowitsch Society

Upcoming Concerts

Community & Learning 38

PROGRAMS Concerts, artist biographies and program notes begin on page 20.

Welcome from Chairman & Executive Vice President 4

Read program notes anytime in Performance magazine online at dso.org/performance

Why Subscribe?

The Best Value. The Most Flexibility. The Greatest Music. Packages start at $90 FREE CONCERTS. Subscribe today and get 6 concerts for the price of 5. It’s like getting Bolero or Brahms for free. CONVENIENCE AND FLEXIBILITY. Scheduling conflict? Looking for something a bit different? Simply call the Box Office to exchange your tickets, fee free, into another Classical, Pops or Paradise Jazz performance. PRIORITY ACCESS TO SPECIAL EVENTS. Be the first to know about—and get tickets for—DSO special event concerts. BUY WITH CONFIDENCE. A Money-back Guarantee means if you aren’t satisfied with your first concert, your entire series will be refunded. Guaranteed.

Learn more at dso.org or call the Box Office at 313.576.5111!

welcome

D E A R F R I E N D S, Welcome to Orchestra Hall at the newly renamed Max M. & Marjorie S. Fisher Music Center! By adding Marjorie’s name to our iconic hub for music, we pay homage to an extraordinary personal legacy of support of the DSO’s musicians and programs. As we begin this season, we reflect on those who have helped us get to this exciting point in our history. We honor many decades of support from long-time contributors Helen Wu and Jack A. Robinson who are no longer with us but who have left a strong legacy. Respectively, they helped create the Wu Family Academy For Learning And Engagement and the Jack A. and Aviva Robinson Chair, now held by new Principal Oboe Alex Kinmonth, who you can learn about on page 15. As the music reverberates in harmony with Orchestra Hall’s celebrated acoustics, remember that every concert presented, each student nurtured and all community partnerships are possible thanks to the support from the DSO’s more than 10,000 patrons. Truly, we are a community-supported orchestra. Our artistic powerhouse, led by Music Director Leonard Slatkin, has orchestrated a remarkable new season featuring the Brahms Festival in February and a staggering total of six world premieres; we also celebrate Elvis at 80 on the Pops series; Patti Austin on the Paradise Jazz series; a visit from Yo-Yo Ma and Kathryn Stott; the return of season favorite, Home for the Holidays; and our annual Classical Roots Celebration featuring soprano Jessye Norman! This fall features a truly unique highlight. After a year compiling sounds of Detroit—from the crack of a bat and the crowd’s roar at the Tigers’ Opening Day, to the click-clack of Henry Ford’s first engine, to the tens of thousands of sounds that Detroiters submitted—composer Tod Machover has written a symphony about Detroit, for Detroit and essentially by Detroit. Thanks to support from the John S. and James L. Knight Foundation and Rock Ventures, the DSO will bring you the world premiere performance of Symphony in D this November. Hear from the composer himself on the making of his first crowd-sourced symphony to be written for a U.S. orchestra on page 12. Symphony in D will appear on our Live From Orchestra Hall webcast series, brought to you by the Knight Foundation and the Ford Motor Company Fund. As a new benefit to those who donate $50 or more to the Annual Fund, over 100 works are now available for viewing on-demand via dso.org/replay. In fact, classical programs you hear at Orchestra Hall this season will be viewable just days after they’ve been performed. Thank you for joining us for another season of music on Woodward Avenue in the heart of America’s comeback city.

PHILLIP WM. FISHER PAUL HOGLE Chairman Executive Vice President

DETROIT SYMPHONY ORCHESTRA

G R A N D VA L L E Y S TAT E U N I V E R S I T Y P R E S E N T S T H E 1 3 t h A N N UA L

Fall Arts Celebration 2015 Enriching the Arts and Humanities in West Michigan

Grand Valley’s Fall Arts Celebration features distinguished writers, poets, musicians, artists, and scholars of our time. Please join us this fall for inspiring entertainment that is the hallmark of our signature events. Fall Arts Celebration events are free and open to the public.

ART

“Dusk to Dusk: Unsettled, Unraveled, Unreal” EXHIBITION RECEPTION THURSDAY, SEPTEMBER 10, 5–7 P.M. ART GALLERY PERFORMING ARTS CENTER ALLENDALE CAMPUS AUGUST 28–OCTOBER 31 EXHIBITION DATES

MUSIC

“Faculty Artistry Gems! Recognizing GVSU Music Faculty Performances in the Community” MONDAY, SEPTEMBER 21, 7:30 P.M. LOUIS ARMSTRONG THEATRE PERFORMING ARTS CENTER ALLENDALE CAMPUS

POETRY

“An Evening of Poetry and Conversation with Aimee Nezhukumatathil and Kwame Dawes” THURSDAY, OCTOBER 15, 7 P.M. L.V. EBERHARD CENTER, 2ND FLOOR ROBERT C. PEW GRAND RAPIDS CAMPUS

DANCE

Kun-Yang Lin/Dancers present “Meditations in Motion: Virtuosity and Imagination in Dance — Innovation and Modernity in Music” MONDAY, NOVEMBER 2, 7:30 P.M. LOUIS ARMSTRONG THEATRE PERFORMING ARTS CENTER ALLENDALE CAMPUS

LECTURE

Kip Thorne “Discovery and Collaboration” MONDAY, NOVEMBER 16, 7 P.M. L.V. EBERHARD CENTER, 2ND FLOOR ROBERT C. PEW GRAND RAPIDS CAMPUS

HOLIDAY CELEBRATION

“Stille Nacht: A Celebration of Holiday Music from Europe” MONDAY, DECEMBER 7, 7:30 P.M. FOUNTAIN STREET CHURCH 24 FOUNTAIN STREET NE GRAND RAPIDS, MI

Media Sponsor:

For event details, a complete list of sponsors, or to receive email alerts about upcoming events, visit www.gvsu.edu/fallarts or call (616) 331-2185.

PERFORMANCE MAGAZINE

behind the baton LEONARD SLATKIN Music Director Music Directorship endowed by the Kresge Foundation Internationally acclaimed conductor Leonard Slatkin is Music Director of the Detroit Symphony Orchestra (DSO) and the Orchestre National de Lyon (ONL). He also maintains a rigorous schedule of guest conducting and is active as a composer, author and educator. Highlights of the 2015-16 season include a three-week Brahms festival with the DSO in February; engagements with the St. Louis Symphony, Pittsburgh Symphony, Los Angeles Philharmonic and NHK Symphony in Tokyo; debuts with Beijing’s China Philharmonic Orchestra and the Shanghai Symphony Orchestra; and a summer tour of Japan and China with the ONL. Slatkin’s more than 100 recordings have garnered seven Grammy awards and 64 nominations. His recent Naxos recordings include works by SaintSaëns, Ravel and Berlioz (with the ONL) and music by Copland, Rachmaninoff, Borzova, McTee and John Williams (with the DSO). In addition, he has recorded the complete Beethoven and Tchaikovsky symphonies with the DSO (available online as digital downloads at dso.org/recordings).

A recipient of the prestigious National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has received Austria’s Declaration of Honor in Silver, the American Symphony Orchestra League’s Gold Baton Award and the 2013 ASCAP Deems Taylor Special Recognition Award for his book, Conducting Business. Slatkin has conducted virtually all of the leading orchestras in the world. As Music Director, he has held posts with the New Orleans, St. Louis, and National symphony orchestras, and he was Chief Conductor of the BBC Symphony Orchestra. He has served as Principal Guest Conductor of London’s Philharmonia and Royal Philharmonic, the Pittsburgh Symphony Orchestra, the Los Angeles Philharmonic at the Hollywood Bowl and the Minnesota Orchestra.

JEFF TYZIK Principal Pops Conductor

Grammy Award winner Jeff Tyzik is one of America’s most sought-after pops conductors. Alongside his role as the DSO’s Principal Pops Conductor, Tyzik holds The Dot and Paul Mason Principal Pops Conductor’s Podium at the Dallas Symphony Orchestra and also serves as Principal Pops Conductor of the Seattle Symphony, the Oregon Symphony, The Florida Orchestra and the Rochester Philharmonic Orchestra. Highly sought after as a guest conductor, Tyzik has appeared with the Boston Pops, Cincinnati Pops, Toronto Symphony, Indianapolis Symphony, Philadelphia Orchestra and the Los Angeles Philharmonic. In May 2007, the Harmonia Mundi label released his recording of works

DETROIT SYMPHONY ORCHESTRA

by Gershwin with pianist Jon Nakamatsu and the RPO, which stayed in the Top 10 on the Billboard classical chart for over 3 months. As an accomplished composer and arranger, Tyzik has had his compositions recorded by major orchestras. He has also produced and composed theme music for many of the major TV networks and released six of his own albums.

LEONARD SLATKIN, Music Director

Music Directorship endowed by the Kresge Foundation

JEFF TYZIK, Principal Pops Conductor TERENCE BLANCHARD

NEEME JÄRVI

MICHELLE MERRILL

GABRIELA LENA FRANK

FIRST VIOLIN Yoonshin Song

CELLO Wei Yu

ENGLISH HORN Monica Fosnaugh

TROMBONE Kenneth Thompkins

CLARINET Ralph Skiano

David Binder Randall Hawes

Marci Gurnow†

BASS TROMBONE Randall Hawes

Fred A. and Barbara M. Erb Jazz Creative Director Chair

CONCERTMASTER Katherine Tuck Chair

Kimberly Kaloyanides Kennedy ASSOCIATE CONCERTMASTER Alan and Marianne Schwartz and Jean Shapero (Shapero Foundation) Chair

Hai-Xin Wu

ASSISTANT CONCERTMASTER Walker L. Cisler/Detroit Edison Foundation Chair

Jennifer Wey

ASSISTANT CONCERTMASTER

Marguerite Deslippe* Laurie Landers Goldman* Rachel Harding Klaus* Eun Park Lee* Adrienne Rönmark* Laura Soto* Greg Staples* Jiamin Wang* Mingzhao Zhou* SECOND VIOLIN Adam Stepniewski

ACTING PRINCIPAL The Devereaux Family Chair

Ron Fischer* Will Haapaniemi* Hae Jeong Heidi Han* Sheryl Hwangbo* Hong-Yi Mo* Alexandros Sakarellos* Joseph Striplin* Marian Tanau* Jing Zhang*

Music Director Emeritus

PRINCIPAL James C. Gordon Chair

Robert Bergman* David LeDoux* Peter McCaffrey* Haden McKay* Úna O’Riordan* Paul Wingert*

Victor and Gale Girolami Chair

Dahae Kim~

ASSISTANT PRINCIPAL Dorothy and Herbert Graebner Chair

BASS Kevin Brown

PRINCIPAL Van Dusen Family Chair

Stephen Molina

ASSISTANT PRINCIPAL

Linton Bodwin Stephen Edwards Isaac Trapkus Larry Hutchinson HARP Patricia Masri-Fletcher PRINCIPAL Winifred E. Polk Chair

FLUTE David Buck

PRINCIPAL Women’s Association for the DSO Chair

Sharon Sparrow

ASSISTANT PRINCIPAL Bernard and Eleanor Robertson Chair

VIOLA James VanValkenburg

Jeffery Zook

Caroline Coade

PICCOLO Jeffery Zook

ACTING PRINCIPAL Julie and Ed Levy, Jr. Chair ACTING ASSISTANT PRINCIPAL

Hang Su Glenn Mellow Shanda Lowery-Sachs Hart Hollman Han Zheng Alexander Mishnaevski PRINCIPAL EMERITUS

OBOE Alexander Kinmonth PRINCIPAL Jack A. and Aviva Robinson Chair (Meet the Musician on page 15!)

Geoffrey Johnson†

Assistant Conductor, Phillip and Lauren Fisher Community Ambassador

PRINCIPAL Robert B. Semple Chair PVS Chemicals Inc./Jim and Ann Nicholson Chair

Laurence Liberson

ASSISTANT PRINCIPAL

Shannon Orme E-FLAT CLARINET Laurence Liberson BASS CLARINET Shannon Orme

Barbara Frankel and Ronald Michalak Chair

BASSOON Robert Williams PRINCIPAL

Victoria King Michael Ke Ma

ASSISTANT PRINCIPAL

Marcus Schoon CONTRABASSOON Marcus Schoon HORN Karl Pituch PRINCIPAL

Bryan Kennedy Scott Strong Johanna Yarbrough David Everson

ASSISTANT PRINCIPAL

Mark Abbott TRUMPET Hunter Eberly

PRINCIPAL Lee and Floy Barthel Chair

Kevin Good Stephen Anderson

ASSISTANT PRINCIPAL

William Lucas

Music Alive Composer-in-Residence

PRINCIPAL

TUBA Dennis Nulty PRINCIPAL

PERCUSSION Joseph Becker

PRINCIPAL Ruth Roby and Alfred R. Glancy III Chair

Andrés Pichardo-Rosenthal ASSISTANT PRINCIPAL William Cody Knicely Chair

Joshua Jones

African-American Orchestra Fellow

TIMPANI Jeremy Epp

PRINCIPAL Richard and Mona Alonzo Chair

LIBRARIANS Robert Stiles PRINCIPAL

Ethan Allen PERSONNEL MANAGERS Heather Hart Rochon ORCHESTRA PERSONNEL MANAGER

Patrick Peterson

ASSISTANT ORCHESTRA PERSONNEL MANAGER

STAGE PERSONNEL Dennis Rottell STAGE MANAGER

Steven Kemp

DEPARTMENT HEAD

Matthew Pons

DEPARTMENT HEAD

Michael Sarkissian DEPARTMENT HEAD

Maggie Miller Chair

Brian Ventura

ASSISTANT PRINCIPAL

Monica Fosnaugh For photos and full bios of DSO musicians, go to dso.org/orchestra

LEGEND * These members may voluntarily revolve seating within the section on a regular basis † substitute musician ^ on sabbatical ~ extended leave PERFORMANCE MAGAZINE

detroit symphony orchestra, inc. LIFETIME MEMBERS

Samuel Frankel† David Handleman, Sr.†

Dr. Arthur L. Johnson† Clyde Wu, M.D.†

CHAIRMEN EMERITI

Peter D. Cummings Stanley Frankel Alfred R. Glancy III

Steve Miller James B. Nicholson

DIRECTORS EMERITI

Robert A. Allesee Floy Barthel Mrs. Mandell L. Berman John A. Boll, Sr. Richard A. Brodie Lois and Avern Cohn Marianne Endicott Sidney Forbes Mrs. Harold Frank Barbara Frankel

OFFICERS Phillip Wm. Fisher

Herman Frankel Paul Ganson Mort and Brigitte Harris Gloria Heppner, Ph.D. Hon. Damon J. Keith Richard P. Kughn Harold Kulish Dr. Melvin A. Lester Robert E.L. Perkins, DDS Marilyn Pincus

Lloyd E. Reuss Jack A. Robinson † Marjorie S. Saulson Alan E. Schwartz Jean Shapero Jane Sherman David Usher Barbara Van Dusen Arthur A. Weiss, Esq.

Mark A. Davidoff

Anne Parsons

Vice Chair, Financial Operations & Sustainability

President & CEO (Ex-Officio)

Dr. Herman B. Gray

Arthur T. O’Reilly

Vice Chair, Philanthropy

Officer-at-large, Secretary

Michael J. Keegan

Glenda D. Price, Ph.D.

Vice Chair, Strategy & Innovation

Vice Chair, Governance & Human Resources

Chairman

BOARD OF DIRECTORS The Board of Directors is responsible for maintaining a culture of high engagement, accountability and strategic thinking. As fiduciaries, Directors oversee all DSO financial activities and assure that resources are aligned with the DSO mission.

Robert H. Bluestein

William P. Kingsley

Faye Alexander Nelson

Maureen T. D’Avanzo

Bonnie Larson

Úna O’Riordan

Richard L. DeVore

Matthew B. Lester

James Farber

Chairman, Board of Trustees

Stephen Polk

Chairman, Governing Members

Arthur C. Liebler

Bernard I. Robertson

Samuel Fogleman

Ginny Lundquist

Hon. Gerald E. Rosen

Ralph J. Gerson

Volunteer Council President

Janice Uhlig

Laura Marcero

James G. Vella

Orchestra Representative

Xavier Mosquet

Hon. Kurtis T. Wilder

Nicholas Hood, III

Joe Mullany

M. Roy Wilson

Ronald M. Horwitz

David Robert Nelson

Clyde Wu, M.D.

Randall Hawes

Orchestra Representative

† Deceased

DETROIT SYMPHONY ORCHESTRA

BOARD OF TRUSTEES Matthew B. Lester Chairman

The Board of Trustees is tasked with shepherding the long-term strategy of the DSO to fully implement the organization’s entrepreneurial capabilities while developing and presenting new strategies and objectives.

Ismael Ahmed Rosette Ajluni Devon Akmon Dan Angelucci Janet M. Ankers Penny B. Blumenstein Liz Boone Gwen Bowlby Kevin Brown Orchestra Representative

Joanne Danto Stephen D’Arcy Karen Davidson Linda Dresner Afa S. Dworkin J. Mikel Ellcessor Annmarie Erickson Jennifer Fischer Aaron Frankel Sven Gierlinger Robert Gillette Allan D. Gilmour Malik Goodwin Carol Goss

GOVERNING MEMBERS James C. Farber Chairperson

Governing Members is a philanthropic leadership group designed to provide unique, substantive, hands-on opportunities for leadership and access to a diverse group of valued stakeholders. Governing Members are ambassadors for the DSO and advocates for arts and culture in Detroit and throughout Southeast Michigan. This list reflects gifts received from September 1, 2014 through August 31, 2015. For more information about the Governing Members program, please call Dan Coleman at 313.576.5451

Antoinette G. Green Leslie Green Deirdre Greene Groves Michele Hodges Ric Huttenlocher Sharad P. Jain Renee Janovsky Joey Jonna Joel D. Kellman James Lentini Jack Liang Josh Linkner Florine Mark Tonya Matthews Peter McCaffrey Orchestra Representative

David McCammon Lois A. Miller Daniel Millward James C. Mitchell, Jr. Scott Monty Sean M. Neall Tom O’Brien Maury Okun

William F. Pickard Fair Radom Gerrit Reepmeyer Rick Robinson Chad Rochkind Laura Hernandez-Romine Veronika Scott Lois L. Shaevsky Tom Shafer Margo Shulman Cathryn Skedel Stephen Strome Mark Tapper Ray Telang Michael R. Tyson Dana Warg Gwen Weiner Jennifer Whitteaker R. Jamison Williams Margaret Winters Ellen Hill-Zeringue

Arthur T. O’Reilly

Jan Bernick, Vice Chair

Janet and Norm Ankers

Bonnie Larson

Chairman Emeritus

Co-Chairs, Gabrilowitsch Society

Jiehan Alonzo

Vice Chair, Engagement Committee

Maureen D’Avanzo Vice Chair, Outreach & Recruitment

Philanthropy & Stewardship

Member-at-Large

Frederick J. Morsches Member-at-Large

Ken Thompkins Musician Liaison

Johanna Yarbrough Musician Liaison

GOVERNING MEMBERS Howard Abrams & Nina Dodge Abrams Dr. Roger & Mrs. Rosette Ajluni Mr. & Mrs. Robert A. Allesee Mr. & Mrs. Richard L. Alonzo Richard & Jiehan Alonzo Dr. Lourdes V. Andaya Daniel & Rose Angelucci Mr. & Mrs. Norman Ankers Mr. & Mrs. Robert L. Anthony Mr. & Mrs. Eugene Applebaum Dr. & Mrs. Ali-Reza R. Armin Mr. & Mrs. Robert Armstrong

Mr. David Assemany & Mr. Jeffery Zook Mr. Joseph Aviv & Mrs. Linda Wasserman Aviv Mr. & Mrs. John Axe Mrs. Jean Azar Ms. Sharon Backstrom Nora Lee & Guy Barron Mr. & Mrs. Lee Barthel Mr. Mark Bartnik & Ms. Sandra J. Collins David & Kay Basler Mr. & Mrs. Martin S. Baum

Mary Beattie Mr. & Mrs. Richard Beaubien Ms. Margaret Beck Mr. Chuck Becker Mrs. Cecilia Benner Mrs. Harriett Berg Mandell & Madeleine Berman Foundation Mr. & Mrs. Jeffrey A. Berner Drs. John & Janice Bernick Mr. and Mrs. Joseph A. Bloch Mr. & Mrs. Robert H. Bluestein Dr. George & Joyce Blum

Penny & Harold Blumenstein Mr. & Mrs. Lawrence Bluth Mr. & Mrs. John A. Boll, Sr. Mr. & Mrs. Jim Bonahoom Dr. & Mrs. Rudrick E. Boucher Don & Marilyn Bowerman Gwen & Richard Bowlby Mr. Anthony F. Brinkman Mr. & Mrs. Richard A. Brodie Mr. Scott Brooks Bowden & Elaine Brown Mr. & Mrs. Mark R. Buchanan Michael & Geraldine Buckles

PERFORMANCE MAGAZINE

GOVERNING MEMBERS Dr. Carol S. Chadwick & Mr. H. Taylor Burleson Ms. Evelyn Burton Julie Byczynski & Angus Gray Philip & Carol Campbell Dr. & Mrs. Thomas E. Carson Mr. & Mrs. Francois Castaing Gloria & Fred Clark Mr. & Mrs. Robert W. Clark Dr. Thomas Clark & Annette Clark Nina & Richard Cohan Lois & Avern Cohn Jack, Evelyn & Richard Cole Family Foundation Dr. & Mrs. Charles G. Colombo Mrs. RoseAnn Comstock Mr. & Mrs. Thomas W. Cook Dr. & Mrs. Ivan Louis Cotman Mr. & Mrs. Gary L. Cowger Mr. Gary Cone & Ms. Aimée Cowher Mr. & Mrs. Raymond M. Cracchiolo Thomas and Melissa Cragg Dorothy M. Craig Julie & Peter Cummings Mrs. Barbara Cunningham Suzanne Dalton & Clyde Foles Marvin & Betty Danto Family Foundation Joanne Danto & Arnold Weingarden Deborah & Stephen D’Arcy Fund Jerry P. & Maureen T. D’Avanzo Barbara A. David Margie Dunn & Mark Davidoff Barbara Davidson Lillian & Walter Dean Beck Demery Mr. Kevin S. Dennis & Mr. Jeremy J. Zeltzer Ms. Leslie Devereaux Mr. & Mrs. Richard L. DeVore Adel & Walter Dissett Mr. & Mrs. Mark Domin Donato Enterprises Linda Dresner & Ed Levy, Jr. Peggy Dufault Mr. Michael J. Dul Mr. & Mrs. Robert Dunn Mr. Roger Dye & Ms. Jeanne A. Bakale Edwin & Rosemarie Dyer Dr. Leo & Mrs. Mira Eisenberg Dr. & Mrs. A. Bradley Eisenbrey Marianne Endicott Donald & Marjory Epstein Mr. & Mrs. John M. Erb Mr. Sanford Hansell & Dr. Raina Ernstoff Mary Sue & Paul Ewing Jim & Margo Farber Mr. & Mrs. Anthony C. Fielek Mrs. Kathryn L. Fife Mr. & Mrs. David Fischer Ron Fischer & Kyoko Kashiwagi Max M. & Marjorie S. Fisher Foundation Mrs. Marjorie S. Fisher Mr. & Mrs. Phillip Wm. Fisher Dr. Marjorie M. Fisher Ms. Mary D. Fisher Mr. Michael J. Fisher

Mr. Jay Fishman Mr. David Fleitz Mr. & Mrs. Samuel Fogleman Sidney & Madeline Forbes Mr. & Mrs. Edsel B. Ford II Dr. Saul & Mrs. Helen Forman Mr. & Mrs. Mark Frank Mr. Samuel Frank Barbara Frankel & Ronald Michalak Dale & Bruce Frankel Herman & Sharon Frankel Mr. & Mrs. Stanley Frankel Ms. Carol A. Friend & Mr. Mark T. Kilbourn Mr. & Mrs. Daniel E. Frohardt-Lane Sharyn & Alan Gallatin Lynn & Bharat Gandhi Mr. & Mrs. Eugene A. Gargaro, Jr. Mrs. Dorothy Gerson Mr. & Mrs. Ralph J. Gerson Drs. Lynda & Conrad Giles Mr. & Mrs. Robert W. Gillette Allan D. Gilmour & Eric C. Jirgens Mrs. Gale Girolami Dr. Kenneth & Roslyne Gitlin Ruth & Al Glancy Dr. & Mrs. Theodore Golden Dr. Robert T. Goldman Mr. Nathaniel Good Goodman Family Charitable Trust Dr. Allen Goodman & Dr. Janet Hankin Dr. & Mrs. Paul Goodman Mary Ann & Robert Gorlin Mr. Jason Gourley & Mrs. Rebekah Page-Gourley Ms. Jacqueline Graham Mr. & Mrs. Luke Ponder Dr. & Mrs. Herman Gray, Jr. Mrs. Jere Green Dr. & Mrs. Steven Grekin Mr. Jeffrey Groehn Ms. Janet Groening-Marsh Mr. & Mrs. James Grosfeld Mr. & Mrs. Robert Hage Alice Berberian Haidostian Judy & Kenneth Hale Robert & Elizabeth Hamel Randall L. & Nancy Caine Harbour Ms. Albertine Harmon Mrs. Betty J. Harrell Mr. & Mrs. Morton E. Harris Scott Harrison & Angela Detlor Mr. Lee V. Hart & Mr. Charles L. Dunlap Cheryl A. Harvey Dr. & Mrs. Gerhardt Hein Ms. Nancy Henk Dr. Gloria Heppner Ms. Doreen Hermelin Mr. & Mrs. Ross Herron Mr. Eric J. Hespenheide & Ms. Judith V. Hicks Jeremiah & Brooke Hess Michael E. Hinsky & Tyrus N. Curtis Mr. & Mrs. Norman H. Hofley Lauri & Paul Hogle Dr. Deanna & Mr. David B. Holtzman

DETROIT SYMPHONY ORCHESTRA

Jack & Anne Hommes Ms. Barbara Honner The Honorable Denise Page Hood & Reverend Nicholas Hood III Mr. & Mrs. Ronald Horwitz Mr. Matthew Howell & Mrs. Julie Wagner Mr. F. Robert Hozian Mr. & Mrs. Joseph L. Hudson, Jr. Richard H. & Carola Huttenlocher Mr. & Mrs. A. E. Igleheart Nicki & Brian Inman Steven & Sarah Jackson Mr. James A. Jacob Ira & Brenda Jaffe Mr. Sharad P. Jain Mr. & Mrs. Richard J. Jessup Mr. John S. Johns Chacona W. Johnson Mr. George Johnson Lenard & Connie Johnston Mr. & Mrs. Joseph Jonna Mrs. Ellen D. Kahn Faye & Austin Kanter Ms. Cathleen Kapatos Danialle & Peter Karmanos, Jr. Mr. & Mrs. David Karp Mr. & Mrs. Norman D. Katz Dr. Laura Katz Mike & Katy Keegan Betsy & Joel Kellman Martin & Cis Maisel Kellman Michael E. Smerza & Nancy Keppelman Patrick J. Kerzic & Stephanie Germack Kerzic Dr. David & Mrs. Elizabeth Kessel The Stephanie & Frederic Keywell Family Fund Mrs. Frances King Mr. & Mrs. William P. Kingsley Mr. & Mrs. Harvey Kleiman Thomas & Linda Klein Mr. & Mrs. Ludvik F. Koci Ms. Margot Kohler Mr. David Kolodziej Dr. Harry & Mrs. Katherine Kotsis Robert C. & Margaret A. Kotz Barbara & Michael Kratchman Richard & Sally Krugel Mr. & Mrs. Harold Kulish Dr. Arnold Kummerow Mr. John Kunz Dr. Raymond Landes & Dr. Melissa McBrien-Landes Drs. Lisa & Scott Langenburg Ms. Sandra Lapadot Ms. Anne T. Larin Mrs. Bonnie Larson Dolores & Paul Lavins Mr. Henry P. Lee Marguerite & David Lentz Allan S. Leonard Max Lepler & Rex L. Dotson Mr. & Mrs. Ralph LeRoy, Jr. Dr. Melvin A. Lester Mr. & Mrs. Matthew Lester Mr. Daniel Lewis Mr. & Mrs. John D. Lewis Bud & Nancy Liebler

Mr. Joseph Lile Mr. Gregory Liposky The Locniskar Group Mr. & Mrs. Eric C. Lundquist Daniel & Linda Lutz Mr. Robert A. Lutz Mrs. Sandra MacLeod Mr. & Mrs. Charles W. Manke, Jr. Mervyn & Elaine Manning Mr. & Mrs. David S. Maquera, Esq. Michael & Laura Marcero Ms. Florine Mark Maureen & Mauri Marshall David & Valerie McCammon Dr. & Mrs. Peter M. McCann, M.D. Mr. & Mrs. Alonzo McDonald Alexander & Evelyn McKeen Patricia A. & Patrick G. McKeever Susanne O. McMillan Dr. & Mrs. Donald A. Meier Dr. & Mrs. David Mendelson Mrs. Thomas Meyer Ms. Deborah Miesel John & Marcia Miller Mr. & Mrs. Eugene A. Miller Mr. & Mrs. Robert S. Miller Dr. Robert & Dr. Mary Mobley J.J. & Liz Modell Dr. Susan & Mr. Stephen Molina Eugene & Sheila Mondry Foundation Mr. Lane J. Moore Mr. & Mrs. Craig R. Morgan Ms. Florence Morris Mr. Frederick Morsches Cyril Moscow Xavier & Maeva Mosquet Mr. Joseph Mullany Dr. Stephen & Dr. Barbara Munk Joy & Allan Nachman Edward & Judith Narens Geoffrey S. Nathan & Margaret E. Winters David Robert & Sylvia Jean Nelson Mr. & Mrs. Albert T. Nelson, Jr. Mr. & Mrs. James B. Nicholson Jim & Mary Beth Nicholson Patricia & Henry Nickol Mr. & Mrs. David E. Nims Mariam C. Noland & James A. Kelly Bruce & Katherine Nyberg Mr. & Mrs. Stanley Nycek Mrs. Jo Elyn Nyman Mr. John J. O’Brien Dr. & Mrs. Dongwhan Oh Dr. William Oppat Mr. & Mrs. Joshua Opperer Mr & Mrs. Arthur T. O’Reilly Mrs. Andrea Page Mr. Randall Pappal Mrs. Margot Parker Anne Parsons & Donald Dietz Mr. & Mrs. Richard G. Partrich Mrs. Sophie Pearlstein Mr. & Mrs. Roger S. Penske Mr. Charles Peters Mr. & Mrs. Bruce D. Peterson Mr. & Mrs. Kris Pfaehler Dr. William F. Pickard Mrs. Helen F. Pippin

Dr. Klaudia Plawny-Lebenbom The Polk Family Mr. & Mrs. William Powers Dr. Glenda D. Price Reimer Priester Mr. & Mrs. David Provost Charlene & Michael Prysak Mr. Ronald Puchalski Fair & Steven Radom Mr. & Mrs. Richard Rappleye Mr. Richard Rapson Drs. Stuart & Hilary Ratner Ms. Ruth Rattner Drs. Yaddanapudi Ravindranath & Kanta Bhambhani Carol & Foster Redding Mr. & Mrs. Dave Redfield Mr. & Mrs. Gerrit Reepmeyer Dr. Claude & Mrs. Sandra Reitelman Denise Reske Mr. & Mrs. Lloyd E. Reuss Barbara Gage Rex Dr. & Mrs. John Roberts Bernard & Eleanor Robertson Jack & Aviva Robinson Mrs. Ann C. Rohr Seth & Laura Romine Dr. Erik Rönmark & Mrs. Adrienne Rönmark* Mrs. Dulcie Rosenfeld Mr. & Mrs. Robert B. Rosowski Mr. & Mrs. Gerald F. Ross Mr. R. Desmond Rowan Jane & Curt Russell Dr. & Mrs. Alexander Ruthven Mrs. Lois J. Ryan Mr. & Mrs. James P. Ryan

Martie & Bob Sachs Dr. Mark & Peggy Saffer Mr. David Salisbury & Mrs. Terese Ireland Salisbury Hershel & Dorothy Sandberg Marjorie & Saul Saulson Mr. Robert Schaerer Ms. Martha A. Scharchburg & Mr. Bruce Beyer Dr. Sandy Koltonow & Dr. Mary Schlaff David & Carol Schoch Mr. & Mrs. Alan E. Schwartz & Mrs. Jean Shapero Mr. & Mrs. Alan S. Schwartz Mr. & Mrs. Kingsley G. Sears Mr. & Mrs. Ken Seawell Mr. & Mrs. Fred Secrest Mr. Merton J. & Mrs. Beverly Segal Elaine & Michael Serling Mark & Lois Shaevsky Mr. Igal Shaham & Ms. Linda Zlotoff Mr. & Mrs. Alan E. Schwartz & Mrs. Jean Shapero Mrs. Patricia Finnegan Sharf Ms. Cynthia Shaw Mr. & Mrs. Larry Sherman Mr. & Mrs. James H. Sherman Ms. Margaret Shulman Dr. Les & Mrs. Ellen Siegel Coco & Robert Siewert Mr. & Mrs. Donald R. Simon William & Cherie Sirois Dr. Cathryn Skedel & Mr. Daniel Skedel Cindy & Leonard Slatkin Mr. & Mrs. Leonard W. Smith

William H. Smith John J. Solecki Richard Sonenklar & Gregory Haynes Renate & Richard Soulen Dr. Gregory Stephens Mr. & Mrs. C. F. Stimpson Dr. Mack Stirling Dr. & Mrs. Charles D. Stocking Mrs. Kathleen Straus & Mr. Walter Shapero Mr. & Mrs. John Stroh III Stephen & Phyllis Strome Mrs. Susan Svoboda & Mr. Bill Kishler Dorothy I. Tarpinian Shelley & Joel Tauber Dr. & Mrs. Howard Terebelo Mr. & Mrs. James W. Throop Carol & Larry Tibbitts Alice & Paul Tomboulian Dr. Doris Tong & Dr. Teck M. Soo Mr. Gary Torgow Barbara & Stuart Trager Mrs. Sandra Tucker Mark & Janice Uhlig David Usher Dr. Vainutis Vaitkevicius Amanda Van Dusen & Curtis Blessing Mrs. Richard C. Van Dusen Mr. & Mrs. Charles B. Van Dusen Mr. James G. Vella Mr. & Mrs. George C. Vincent Mr. Bill Vlasic Mr. & Mrs. William Waak Dr. & Mrs. Ronald W. Wadle Captain Joseph F. Walsh, USN (Ret.)

Mr. Michael A. Walch & Ms. Joyce Keller Mr. & Mrs. Jonathan T. Walton Mr. Gary L. Wasserman & Mr. Charlie Kashner Mr. Patrick Webster S. Evan & Gwen Weiner Mr. Herman W. Weinreich Mr. & Mrs. Lawrence Weisberg Ambassador & Mrs. Ronald N. Weiser Arthur & Trudy Weiss Mr. Brian Wenzel Janis & William Wetsman/ The Wetsman Foundation Mr. & Mrs. R. Jamison Williams Beverly & Barry Williams Dr. M. Roy & Mrs. Jacqueline Wilson Rissa & Sheldon Winkelman Dr. & Mrs. Ned Winkelman Mr. John Wolak Mr. Jonathan Wolman & Mrs. Deborah Lamm Mr. Warren G. Wood Dr. Clyde Wu † David & Bernadine Wu Ms. Andrea L. Wulf Mrs. Judith G. Yaker Mr. Michael Yessian Margaret S. York The Yousif Family Mr. & Mrs. Alan Zekelman Erwin & Isabelle Ziegelman Foundation Mr. & Mrs. Paul M. Zlotoff Milton & Lois Zussman

spotlight XAVIER & MAEVA MOSQUET BOARD OF DIRECTORS AND GOVERNING MEMBERS Xavier Mosquet has always had a listening ear, which he first developed when his father introduced him to orchestral music. This is one of the many reasons the Mosquets have attended concerts at the DSO since 2006 and are now supporters of the orchestra. The couple finds the DSO to be a unique asset and the place to be for musical entertainment in Detroit. They value the excellence in the way the DSO not only performs music but also creates it. They also see the significance in the orchestra’s ability to reach patrons far beyond Detroit with the international outreach of the webcasts, touring and Leonard Slatkin’s artistic vision. In addition to the worldwide presence, Xavier has observed an inspiring culture of collaboration between the musicians and staff during his time on the Board of Directors.

Outside of the DSO the Mosquets support the French American Chamber of Commerce owing to their belief in the importance of strong business in Detroit. Xavier and Maeva also support Loaves and Fishes along with the Detroit Public Theatre, which makes its home at the Max M. and Marjorie S. Fisher Music Center with performances opening Oct. 30. Recalling their favorite DSO memory of the past nine years, the Mosquets said definitively, “The Heroes Gala where John Williams and Steven Spielberg were onstage. We regretted not bringing 200 friends with us that day.” PERFORMANCE MAGAZINE

VOLUNTEER COUNCIL EXECUTIVE COMMITTEE Ginny Lundquist President

VOLUNTEER COUNCIL BOARD OF DIRECTORS

Jill Jordan

Chief Financial Officer

Diane Ekizian

Ellie Tholen

V. P. for Communications/ Public Relations

Recording Secretary

Beverly Williams

Esther Lyons

V. P. for Membership

Carol Marti

V. P. for Special Events

Marlene Bihlmeyer

V. P. for Youth Music Education

V.P. for Administrative/ Office Services

E. Jane Talia

Mary Beattie Gwen Bowlby Drew Esslinger Sandie Knollenberg Magda Moss

Dolores Reese Ann Marie Rowley Charlotte Worthen

STAFF LIAISON

Eleanor (Coco) Siewert

Mark Abbott Dave Everson

V. P. for Neighborhood/ Residency Ambassador

Parliamentarian

Holly Allen ORCHESTRA REPRESENTATIVES

Learn more about the Volunteer Council at dso.org/volunteercouncil

Nutcracker Luncheon & Boutique 33rd Annual

TUESDAY, NOVEMBER 17 The Detroit Athletic Club

10:30 a.m. Welcome & boutique shopping 12-2 p.m. Luncheon, entertainment by Ballet Detroit & raffle 2-3 p.m. Boutique shopping resumes Tickets range from $85 - $500 with all proceeds benefiting the DSO. Please contact the Volunteer Council Office at 313.576.5154 or volunteercouncil@dso.org.

DETROIT SYMPHONY ORCHESTRA

Thoughts on Symphony in D BY TOD MACHOVER Composer, Massachusetts Institute of Technology Media Lab

I first thought of the idea of creating a sonic portrait of a city through collaborating with its citizens when the Toronto Symphony Orchestra approached me about a commission in 2012. I was inspired by that request to think about how the real sounds of the city could be combined with – and transformed into – a musical discourse of notes, rhythms and colors, and how sharing the composition process with everyone might help close the gap between the mystery of musical creation and the pleasure of listening. I truly enjoyed working with the Toronto Symphony to develop this model of community composition and we presented A Toronto Symphony in March 2013, followed later that year by Festival City for Edinburgh, Scotland, then Between the Desert and the Deep Blue Sea for Perth, Australia (2014) and most recently Eine Sinfonie für Luzern for Lucerne, Switzerland (2015). Through each of these projects, we learned how to establish community dialogue through “listening” to a city, how to bring people from diverse backgrounds together through sound and music, and how to create a symphony that is both rich for its process as well as for its musical result. None of these previous experiences, however, prepared me for the excitement and power of creating a collaborative city symphony here in Detroit. Symphony in D came about because Dennis Scholl—then head of arts at the John S. and James L. Knight Foundation—heard about the To-

ronto project and arranged to attend the premiere of Festival City at the 2013 Edinburgh Festival. Dennis felt strongly about bringing the project to the U.S. and proposed that we think about Detroit, because of the incredible dynamism of the city as well as the adventurous spirit of the Detroit Symphony Orchestra. Fortunately, the DSO was interested, so together we planned the project and launched it last November. Since then, the community response has been simply overwhelming, from the generous sharing of sounds, to numerous exploration and improvisation sessions of making music together, to listening to unforgettable stories and memories, and to meeting some of the most imaginative, independent, visionary and passionate people on the planet. To me, it feels as if Detroit was the place I had in mind—without knowing it at the time—when I first imagined these City Symphonies. We launched the project last November with an invitation to the public to record and share favorite, most indelible sounds of Detroit, and with my colleagues at the MIT Media Lab, we created a special mobile app—conveniently called Symphony in D—to make this as easy as possible. Recorded sounds were also automatically marked by geographical location, and a growing “sound map” of the city emerged, which the community could listen to, comment on and recombine into soundscapes using another app we created called “Constellation.” Over the following months, we received far more sound submissions from Detroit citizens than in any other city so far: iconic PERFORMANCE MAGAZINE

sounds from the People Mover to sporting events laboration. (winning or losing:); personal sounds such as It is thanks to these amazing people that the stirrings in someone’s backyard to a child’s mu- “story” of Symphony in D has taken shape over sic practice session; mechanical sounds from these past months. I have listened to this mulautomobile assembly plants to metal sculpture titude of sounds and have attempted to craft a workshops; nature sounds from boating at Belle work that juxtaposes the many—sometimes reinIsle to wandering in a blizzard; to cars, cars and forcing, other times wildly conflicting—rhythms more cars, from historic to most recent models, of the city that alternatively mesh and clash, that lovingly recorded zipping by on a city street or listens to the beauty of melody often rising resoGrand Prix raceway to meticulouslutely from the bass, that acknowledges the ly recorded from the driver’s seat importance of voice and the word or from under the hood. Many of in this city of talking and writing, these sounds were sent to us by and that seeks to express this individuals, but—unlike in the particular, special moment in Deother cities we have visited— troit’s history when anything seems some were recorded by groups, possible although the stakes are such as Ringside Media and very high indeed. As I write these Doner, that went way beyond notes in mid-September, I am putthe call of duty to help share ting the finishing touches on this special aspects of the city they composition while also keeping open love. I also spent much time in the conversation with my colleagues Detroit exploring many corners at the DSO and my friends in the of the city, listening and recordcommunity about precisely how all ing, and then re-experiencing these diverse forces should be back at MIT, or in my 18th-century balanced, how the many sounds barn studio in Waltham, Mass. should be “tuned,” how the Beyond the actual sounds of emotional arc of the composition Detroit have been the amazing should be carefully crafted, and people I have met here this year, how the ending must be uplifting from kids at Detroit Achievement but also complex, just like the richly Academy, to senior residents of rewarding work-in-progress that DeAmerican House, to musicians troit is at this moment. at the DSO, to teens studying And as I had always hoped would beat-making and DJ-ing at Youthhappen when I first envisioned Ville, to entrepreneurs, poets and this concept of City Symphonies, I performance artists, civic leaders, believe that Symphony in D feels urban gardeners, and musicians both like my composition—someof the most diverse backgrounds, thing in which I have invested styles and instrumentations. I heart and soul, imagination and have found that people in Detroit— craftsmanship for over a year— whether they have been there for and our composition to which so generations or have arrived recentmany have contributed. ly from near and far—are deeply devoted to the I believe that together we have captured city’s rich and proud history, are thoughtful and something essential, important and moving about articulate about its many conflicts and problems, Detroit through sound and through music and I and are energized and optimistic about building hope that you will agree when you hear the world a future based on creativity, community and col- premiere of Symphony in D in November. Photography by Corinne Wiseman

DETROIT SYMPHONY ORCHESTRA

meet the musician

ALEXANDER KINMONTH Principal Oboe Jack A. and Aviva Robinson Chair

At the age of 21, Alexander Kinmonth was named Principal Oboe of the DSO before he even graduated from the Juilliard School. But that’s not his only accomplishment. Although music is the main focus of his life, he also enjoys a balance of athletic, social and academic interests. In fact, he credits his athleticism for making him a better musician. “The amount of focus you need while careening down a mountain on a bicycle is similar to performing,” Kinmonth said. “I try to apply that focus to every phrase I play. I find a small goal to make every phrase special in some way.” Kinmonth participated in the 2010 National Junior Olympics for fencing and enjoys soccer, pole-vaulting and downhill mountain biking. He said being athletic helps him to not only build endurance but also to think more deeply about the physical aspects of playing music. “When I used to run track, people would get into so much detail about the way every part of their bodies moved. That detail-oriented way of thinking applies to playing your instrument too.” Kinmonth brings his own excitement to the DSO while also hoping to learn from his incredible colleagues. “Performing in an orchestra definitely has its similarities to team sports,” he said. “You need a lot of collaboration and have to be able to understand how each person can play their part. It’s a

cooperation between people working toward one common goal.” Kinmonth has anticipated joining the DSO’s team since he successfully completed the audition process in March. “I’m most excited to play with such an inspiring orchestra every single day,” he said. “It will open a lot of doors for me to improve. It’s also exciting to see the orchestra grow just like the city, and I’m excited to find my place here.” Kinmonth moved to Downtown Detroit this fall. As he has done in other cities where he performed, he plans to explore the wilderness and find kindred spirits who enjoy one of his many athletic interests. When traveling during the summers for performances at music festivals such as Aspen and Tanglewood, Kinmonth said he looked forward to exploring nature in each new location. He even planned ahead and brought his mountain bike on his flight to Aspen so he could experience the Colorado trails. “Plus, during the summer festivals, there is always someone to play soccer or frisbee with!” he said. This summer Kinmonth participated in the Mainly Mozart Festival and has substituted in the Metropolitan Opera on both oboe and English horn. Learn more about Alex Kinmonth at dso.org/orchestra. PERFORMANCE MAGAZINE

maximize your experience OFFERINGS Volume XXIV Fall 2015, Issue 2

•

2015-16 Season

EDITOR

Asia Rapai arapai@dso.org 313.576.5196 P R O G R A M N O T E S A N N O T AT O R

Charles Greenwell C O V E R I L L U S T R AT I O N

Skidmore Studio D S O A D M I N I S T R AT I V E O F F I C E S

Max M. and Marjorie S. Fisher Music Center 3711 Woodward Ave. Detroit, MI 48201 Phone: 313.576.5111 Fax: 313.576.5101 DSO Box Office: 313.576.5111 Box Office Fax: 313.576.5101 DSO Group Sales: 313.576.5130 Rental Info: 313.576.5050 Email: info@dso.org Website: dso.org Subscribe to our e-newlsetter via our website to receive updates and special offers. dso.org/performance Performance is published by the DSO and Design Scholar. To advertise in Performance, visit dsomag.com or email Linda Longe at linda@designscholar.com. ————————

To report an emergency during a concert, call 313.576.5119. To make special arrangements to receive emergency phone calls during a concert, ask for the house manager. Activities of the DSO are made possible in part with the support of the National Endowment for the Arts and the Michigan Council for Arts and Cultural Affairs.

Priority Service for Our Members Subscribers and donors who make a gift of $1,000 or more annually receive priority assistance. Just visit the Patron Services Center on the second floor of the Max M. and Marjorie S. Fisher Music Center Atrium for help with tickets, exchanges, donations or any other DSO needs. Herman and Sharon Frankel Donor Lounge Governing Members who make a gift of $3,000 or more annually enjoy complimentary beverages, appetizers and desserts in the Donor Lounge, open 90 minutes prior to each concert through the end of intermission. For more information on becoming a Governing Member, contact Dan Coleman at 313.576.5451 or dcoleman@dso.org. Dine at the DSO Located on the second floor of Orchestra Hall, Paradise Lounge is open prior to most concerts featuring gourmet dinners, decadent desserts, classic cocktails, small production wines and craft beers. Bars are available throughout the Max M. and Marjorie S. Fisher Music Center prior to concerts and during intermission. For your convenience, you may place your beverage orders pre-concert and your drink will be waiting for you at intermission. Gift Certificates Give friends and loved ones a gift that ignites their soul—the experience of a DSO performance. Gift certificates are available in any denomination and may be used toward the purchase of DSO concert tickets. Visit the DSO Box Office or call 313.576.5111 for more information. RENT THE MAX The Max M. and Marjorie S. Fisher Music Center is an ideal setting for a variety of events and performances, including weddings, corporate gatherings, concerts and more. For information on renting the facility, please call 313.576.5050 or visit dso.org/rent. The elegance and versatility of The Max creates outstanding settings for a variety of special events—from galas & conventions to concerts, meetings and more!

MAX M. & MARJORIE S. FISHER MUSIC CENTER Home of the Detroit Symphony Orchestra

DETROIT SYMPHONY ORCHESTRA

POLICIES Parking, Security and Lost & Found During M-1 Rail construction, valet parking is available for most concerts for $12 with vehicle drop-off and pick-up on Parsons Street near the corner of Woodward Avenue. Donor valet and pickup, (patrons who give $7,500+), is available at the stage door behind the Max M. and Marjorie S. Fisher Music Center. Parking is available for $7 in the Orchestra Place Parking Structure located on Parsons Street, with overflow in a nearby DSO lot. Handicap accessible parking is also available. Other parking options include Woodward Gardens on Woodward Avenue near Alexandrine Street and Wayne State University Parking near Whole Foods on John R Street. The DSO offers shuttle bus service to Coffee Concerts from select locations for $12. Please call 313.576.5130 for information. When purchasing tickets at the Box Office, DSO offers patrons one hour of free parking in the Orchestra Place Parking Structure during daytime box office hours. Lost & Found is located at the security desk by the stage entrance, and can be contacted at 313.576.5199. Accessibility Parking is available in the Orchestra Place Parking Structure for patrons with applicable permits. There are elevators, barrier-free restrooms and accessible seating in all areas of the Max M. and Marjorie S. Fisher Music Center. Security personnel are available at the entrances to help patrons requiring extra assistance in and out of vehicles. Hearing assistance devices are also available. Please see the House Manager or any usher for additional assistance. A Smoke-Free Environment The DSO is pleased to offer a smoke-free environment at the Max M. and Marjorie S. Fisher Music Center. Patrons who wish to smoke must do so outside the building. This policy also applies to electronic smoking devices such as e-cigarettes and personal vaporizers. An outdoor patio is also available on the second level of the Atrium Lobby.

House and Seating Policies All patrons must have a ticket to attend concerts at the Max M. and Marjorie S. Fisher Music Center, including children. The Max opens two hours prior to most DSO concerts. Most classical concerts feature free pre-concert talks or performances in Orchestra Hall for all ticket holders. The DSO makes every attempt to begin concerts on time. In deference to the comfort and listening pleasure of the audience, latecomers will be seated at an appropriate pause in the music at the discretion of the house staff. Patrons who leave the hall before or during a piece will be reseated after the piece is completed. Latecomers may watch the performance on closed circuit television in the Atrium. Please silence cell phones, alarms and other electronic devices. Patrons should speak to the House Manager to make special arrangements to receive emergency phone calls during a performance. Emergency Evacuation Procedure In the event of an emergency, locate the nearest exit sign and listen for announcements on the PA system. Please follow the directions of Orchestra Hall ushers and staff. For safety reasons, everyone should leave in an orderly fashion and please remain calm. Guests with disabilities will be escorted to the nearest exits by an usher. Elevators will not operate during an evacuation. Once you exit the building, proceed as far away from the premises as possible. Thank you for being prepared to respond calmly in the event of an emergency. Concert Cancellations In the case of inclement weather or other emergencies, visit dso.org or facebook.com/detroitsymphony, call the Box Office at 313.576.5111, or tune in to WJR 760 AM and WWJ 950 AM. Patrons will be notified of exchange options. The DSO is unable to offer refunds.

PERFORMANCE MAGAZINE

spotlight

The Detroit Symphony Orchestra proudly spotlights Fiat Chrysler Automobiles (FCA) for its many decades of partnership in bringing world-class orchestral music to Detroit. FCA’s investment extends to many cultural and charitable organizations that empower people and build strong, viable communities. FCA’s generous history of support ranges from annual operations, capital campaigns, endowment campaigns, special events, international touring and the life-changing restoration campaign to save Orchestra Hall. FCA’s commitment to their employees includes offering a free DSO concert in recognition of service from the production line and beyond. These appreciation concerts have happened in many non-traditional spaces including their Tech Center atrium and outside world headquarters on the lawn - all sharing the gift of music while celebrating the positive impact of corporate DETROIT SYMPHONY ORCHESTRA

investment in our community’s most treasured cultural organizations. FCA and the DSO also work together in fun and creative ways such as the “May the Fourth” project—a recent video in honor of Star Wars Day that showcased DSO Assistant Conductor Michelle Merrill conducting an ensemble of automobile engines humming the popular theme tune. The DSO extends its tremendous gratitude to Fiat Chrysler Automobiles and looks forward to another season of making unforgettable music made possible by their support.

making a difference Students with Special Needs Welcomed to DSO’s First Rehearsal The DSO’s first rehearsal of the season was far from typical. “September 24 will go down as the most inspirational first rehearsal for those in Orchestra Hall,” said Music Director Leonard Slatkin. The orchestra began rehearsal performing not for an empty concert hall but for students with special needs from the Glen Peters School of Macomb Intermediate School District, in memory of Nathan Suida who passed away at DMC Children’s Hospital of Michigan in June. Nathan’s love of music and desire to see the DSO sparked a conversation about making performances at Orchestra Hall more accessible. Music therapist Laura Duda, formerly of Children’s Hospital of Michigan and now manager of community engagement for the DSO, was an essential contact in planning this event. “Reaching our seats and being able to look down the line of students sitting so close to the stage immediately began to bring tears of joy to our eyes,” said Nathan’s father, Jerry Suida, who attended the rehearsal with his wife, Vicki. “I was stunned beyond words, as I looked at that front row in Orchestra Hall—a beautiful rainbow of children in wheelchairs arched front and center before the stage—and with the first note played, watched as hands took immediate flight into the air,” Vicki said. “I knew instantly that Nate’s energy was there. After all, music moves souls to dance.” Following rehearsal, percussionists Joseph Becker and Andrés Pichardo-Rosenthal demonstrated Nathan’s favorite instrument, the tambourine. Finally, for the grand finale, an audience member was selected to lead “The Stars and Stripes Forever.” The DSO invited a boy with autism named Connor who, with the help of his father, joined

them onstage. When Connor stepped onto the podium, he was hunched over and clutching a security pillow that was made for the event by the Detroit chapter of Ryan’s Case for Smiles. Slatkin encouraged Connor to stand up straight so the orchestra could see him. Connor stood upright and looked for his favorite instrument, the trumpet, played by Hunter Eberly, who rose to his feet to welcome him. “I placed a baton in Connor’s hand. Together we gave the downbeat, and the march began,” Slatkin said. “The consummate joy on this young man’s face, the tears coming from members of the orchestra, and the sheer realization that music does make a difference has never been so present. By the time the music ended, we all had been transformed.” Jerry said he and his wife enjoyed the performance on a deeply touching level. “The sincerity and compassion shown by each person, along with everyone’s willingness to learn more about Nathan, had a therapeutic effect that helped to ease us into the day,” Jerry said. “We met and witnessed beautiful people providing a wonderful new experience for those that love and experience the magic of music on a level the rest of us cannot comprehend. Thank you, thank you!” Slatkin said he and the musicians will replay this rehearsal in their minds. “And young Connor, well, we do not know how this experience affected him,” Slatkin said. “But for a little while, he was the king of the world. We could not ask for a braver leader.” Thanks to the support of patrons like you, this life-changing opportunity was realized. Every dollar you generously give to the Annual Fund makes an impact. PERFORMANCE MAGAZINE

Leonard Slatkin, Music Director Jeff Tyzik, Principal Pops Conductor Neeme Järvi, Music Director Emeritus

CLASSICAL SERIES

Mozart’s “Little Night Music” Friday, October 23, 2015 at 10:45 a.m. Saturday, October 24, 2015 at 8 p.m. Sunday, October 25, 2015 at 3 p.m. in Orchestra Hall LEONARD SLATKIN, conductor NADIA SIROTA, viola

Wolfgang Amadeus Mozart Serenade in G Major, K. 525 (Eine Kleine Nachtmusik) (1756-1791) Allegro Romance: Andante Menuetto: Allegretto Rondo: Allegro Nico Muhly Concerto for Viola and Orchestra (b. 1981) Part One Part Two Part Three Nadia Sirota, viola —INTERMISSION—

Aaron Copland Symphony No. 3 (1900-1990) Molto moderato, with simple expression Allegro molto Andantino quasi allegretto Molto deliberato - Allegro risoluto

This Classical series performance is generously sponsored by PVS Chemicals This performance will be webcast at dso.org/live Experience the concert again at dso.org/replay Get the most out of each Classical concert by attending pre-concert presentations, one hour prior to performances (excluding Coffee Concerts). The presentations are informal and may include special guests, lectures and music that reveal interesting facts about the program and provide a behind-the-scenes look at the art of making music. The DSO can be heard on the Live From Orchestra Hall, Chandos, London, Mercury Records, Naxos and RCA labels.

DETROIT SYMPHONY ORCHESTRA

profiles NADIA SIROTA

Violist Nadia Sirota is best known for her singular sound and expressive execution, coaxing works and collaborations. Her debut album First Things First was named a record of the year by The New York Times. This season, Sirota premieres both a new concerto written for her by longtime collaborator Nico Muhly (on tonight’s performance) and a new podcast, Meet the Composer on Q2 Music, exploring the work of living composers through her interviews and musical selections. She was awarded the 2010 ASCAP Deems Taylor Award in Radio and Internet Broadcasting. Sirota is a member of yMusic, Alarm Will Sound and ACME and has lent her sound to recording and concert projects by such artists and songwriters as Grizzly Bear, Jónsi and Arcade Fire. In 2013 she won Southern Methodist University’s 2013 Meadows Prize, awarded to pioneering artists and scholars with an emerging international profile. She received her undergraduate and Master’s degrees from the Juilliard School where she created the Juilliard Plays Juilliard program for student composers and performers. As a chamber musician, Sirota has collaborated with such artists as Joseph Kalichstein, Itzhak Perlman, and the Silk Road Ensemble, as well as with members of Kronos Quaret, the Chiara Quartet and the Peabody Trio. In the fall of 2007, Sirota joined the faculty of the Manhattan School of Music for its new Master’s Program in Contemporary Music Performance. For Leonard Slatkin’s profile, see page 6

program notes Serenade in G Major, K. 525 (Eine Kleine Nachtmusik) WOLFGANG AMADEUS MOZART B. January 27, 1756 in Salzburg, Austria D. December 5, 1791 in Vienna, Austria

SCORED FOR STRINGS. (APPROX. 16 MINUTES) The serenade, divertimento and cassation (suite) of the 18th century were instrumental compositions usually written for festive occasion and usually intended for outdoor performance. Unfortunately, the wide variety and inconsistent use of the names which Mozart and his contemporaries gave to these compositions has been a problem for scholars to the present day. Generally speaking, the term divertimento is now used to encompass most of this music written primarily for entertainment value, along with other names such as serenade, referring variously to ensemble size, number of movements, or the circumstances for which the pieces were written. The instruments used in these works varied considerably, but for obvious reasons, keyboard instruments were not used, and a large number of winds was usually in evidence in an attempt to drown out any natural outdoor noises. The musical style was invariably light, appealing and entertaining, with familiar dance movements such as marches and minuets, at least one lovely slow movement, and a number of other short, simply-structured movements which did not tax the listeners’ concentration. With the exception of the present work, all of Mozart’s serenades and divertimentos were written in his native Salzburg prior to 1782. The Viennese public, on the other hand, preferred contradances (country dances) and minuets, and Mozart gave them a great number of such works. As for K. 525, the occasion and circumstances surrounding this famous and popular work remain a mystery to this day. Unlike the situation for so many of his other works, Mozart’s letters contain not a single refer-

PERFORMANCE MAGAZINE

program notes

Nico Muhly’s much-anticipated

Viola Concerto was commissioned by

an international consortium consisting of the Spanish National Orchestra,

the Detroit Symphony Orchestra,

——————

Arts Centre Orchestra of Canada.

Viola Concerto

ence, either directly or indirectly. What we do know is that it was written in Vienna in August of 1787 while he was hard at work on the second act of his opera Don Giovanni, but there is no record of a first performance, not even in Mozart’s own autograph catalogue. That catalogue, by the way, contains a tantalizing mystery, in that it shows the work as having five movements, with not one but two Minuet and Trio movements. This other movement has long been thought lost, perhaps having been removed from the original manuscript by Mozart or someone else, but the noted Mozart scholar Alfred Einstein has suggested that a minuet in the Piano Sonata in Bb, K. 498a, is the missing movement. This minuet has been recorded in an arrangement for strings by the English musicologist Jonathan Del Mar, but very few scholars have agreed on this point. Einstein also makes a dubious assertion that Mozart wrote this Serenade simply to please himself, but if this were the case, it would be a remarkable exception for a composer who rarely produced any significant work without some kind of external motivation, financial or otherwise. Whatever the case, Mozart’s widow Constanze sold the work—along with a large number of her husband’s compositions—to a German publisher in 1799, but it was not in fact published until 1827 (curiously, the same year in which Beethoven died). In sum, it can be said that hardly any other work in music history is so closely identified with its composer as this glorious masterpiece, which is con-

SCORED FOR SOLO VIOLA, 2 FLUTES, PICCOLO, 2 OBOES, ENGLISH HORN, 2 CLARINETS, BASS CLARINET, 2 BASSOONS, 4 HORNS, 3 TRUMPETS, 3 TROMBONES, TIMPANI, PERCUSSION (VIBRAPHONE, GLOCKENSPIEL, CROTALES, KICK DRUM, BASS DRUM, WOOD BLOCK, CHIMES, TRIANGLE, TAMTAM & RATCHET), PIANO, CELESTA AND STRINGS. (APPROX. 24 MINUTES)

the Festival of St. Denis and the National

sidered one of the most perfect pieces ever penned. The DSO last performed this piece in May 2014 at a Young People’s Family Concert with Teddy Abrams conducting. The DSO first performed this piece in March 1921 with Ossip Gabrilowitsch conducting.

DETROIT SYMPHONY ORCHESTRA

NICO MUHLY B. August 26, 1981 in Randolph, Vermont

Nico Muhly is an American classical composer and arranger who has worked and recorded with both classical and pop/rock musicians. Born in Vermont and raised in Providence, Rhode Island, he sang in the choir at Grace Episcopal Church, and began piano studies at age 10. He went on to study at The Wheeler School, then attended Columbia University where he received a degree in English Literature, and the Juilliard School where he was awarded an M.Mus. degree. At Juilliard he studied with John Corigliano and Christopher Rouse. While in college, he also worked for Philip Glass for six years as a MIDI programmer and editor. Muhly has written in a wide variety of genres, including chamber music, orchestral music, sacred music, opera, ballet and vocal music. Organizations and individuals which have commissioned works from him include the American Ballet Theatre, the American Symphony Orchestra, the Boston Pops Orchestra, the Chicago Symphony Orchestra, the New York City Ballet,

program notes the New York Philharmonic, the Opera Company of Philadelphia, the Royal Ballet (England), the Tallis Scholars, the Hilliard Ensemble, pianist Simone Dinnerstein, violinist Hilary Hahn, and mezzo-soprano Anne Sofie von Otter. His first full-scale opera, Two Boys, was commissioned by the Metropolitan Opera in 2010, and received its world premiere at the English National Opera in June of 2011. Set to a libretto by Craig Lucas, and loosely inspired by actual events, it recounts the police investigation of a tragic on-line relationship involving two male teenagers, one of whom kills the other. The Met Opera debut took place in October of 2013, and the following year a recording of the Met production was released on Nonesuch Records. The Met has also commissioned Muhly to write an opera for its 2019-2020 season called Marnie, based on Winston Graham’s 1961 novel which in turn was made into a movie in 1964 by Alfred Hitchcock. The Los Angeles Master Chorale has released an entire disc of Muhly’s choral music titled A Good Understanding. His film credits include scores for Joshua (2007), Margaret (2009), and Kill Your Darlings (2013), but perhaps his finest score to date is that for the fascinating 2008 British-German film The Reader, which received a Best Picture nomination as well as an Oscar for Kate Winslet, and garnered much critical acclaim for Muhly’s strikingly original music. In this regard, it is probably no accident that his father, Frank Muhly, is a well-known writer, producer and film maker. In a 2007 interview, Nico explained that while he considers himself primarily a classical composer, he also enjoys working in other musical genres. Muhly is currently working on a major work for the Utah Symphony to be premiered in December. One day before the premiere of the Viola Concerto, Muhly’s new work entitled Slow was given its premiere in

London by the viol consort Fretwork, which had commissioned it. This was part of the Minimalism Unwrapped series running throughout 2015. Muhly’s much-anticipated Viola Concerto was commissioned by an international consortium consisting of the Spanish National Orchestra, the Detroit Symphony Orchestra, the Festival of St. Denis and the National Arts Centre Orchestra of Canada, and was given its first performance in Madrid on February 6th of this year by violist Nadia Sirota with the Spanish National Orchestra conducted by Nicholas Collon. Sirota and Muhly first met some 15 years ago when they were students at the Juilliard School, and this concerto had been in their minds ever since. It took some 10 years to bring the idea to fruition, and along the way they built up a unique and productive composer-performer relationship as well as a close personal and professional one. Creating the concerto was, in Muhly’s words, “a natural and easy collaboration,” and Sirota’s input in fashioning the music was considerable. As the concerto begins, the viola enters right away with a vigorous, angular theme, which is then taken up by the harp, piano and percussion, with the viola adding new material. The brass play variants of this music which leads to a new section with the viola in a more lyrical vein with punctuations by the winds. Then the viola is heard playing an extended passage on just two notes, G and Eb, with comments by the strings and other instruments. The viola begins another lyrical section which the orchestra accompanies with more rhythmic figures, then, as the orchestral part gradually becomes more lyrical, the first part ends quietly and leads directly into the second part. It is a slower section beginning with lovely music by the viola backed by the string section. The music then speeds up, with

Creating the concerto was, in Muhly’s words, “a natural and easy collaboration,” and Sirota’s input in fashioning the music was considerable.

PERFORMANCE MAGAZINE

program notes more intense rhythmic activity by both the viola and the orchestra. This leads to a new aleatoric section with the strings, meaning that, instead of precisely notated music, the players are asked to in effect improvise within certain guidelines. This fades into the closing section featuring the three trumpets, as the music gradually slows down and becomes softer. As the third part begins, we are returned to the vigorous tempo of the first part, now featuring music generally in triple meter, very spiky and rhythmic. Soon the viola and bassoon are heard in a duet with rhythmic punctuations by the rest of the orchestra, and then the viola and the English horn play together. As the rhythmic punctuations continue, the viola presents a new section with accented, repeated notes. This in turn becomes a kind of perpetual motion in which the strings and winds play fragments along with the viola. This breaks off suddenly and leads to a very rhythmic passage for the whole orchestra, which then ushers in a major cadenza for the solo viola, featuring the timpani at the beginning and two flutes at the end. The perpetual motion idea returns in the strings with the viola playing a new figure, joined soon by the second violins. Some previous material returns, and this is followed by a short second cadenza featuring double stops which continue into a new, faster section. The final portion of the concerto brings back earlier music with the brass and timpani adding comments, and then the viola plays a short, sustained figure with interjections from the orchestra, and then after one final chord in the flutes and trumpets and piano, the viola and strings sustain a soft last note which fades away. These performances of the Viola Concerto are a U.S. premiere. ——————

Symphony No. 3

AARON COPLAND B. November 14, 1900, Brooklyn, New York D. December 2, 1990, North Tarrytown, New York

DETROIT SYMPHONY ORCHESTRA

SCORED FOR PICCOLO, 3 FLUTES, 1 DOUBLING ON PICCOLO, 3 OBOES, 1 DOUBLING ON ENGLISH HORN, E-FLAT CLARINET, 2 CLARINETS, BASS CLARINET, 2 BASSOONS, CONTRABASSOON, 4 HORNS, 4 TRUMPETS, 3 TROMBONES, TUBA, TIMPANI, BASS DRUM, CYMBALS, SUSPENDED CYMBALS, TENOR DRUM, TRIANGLE, TAM-TAM, GLOCKENSPIEL, XYLOPHONE, CHIMES, WOOD BLOCK, SLAPSTICK, RATCHET, CLAVES, ANVIL, TWO HARPS, CELESTE, PIANO AND STRINGS. (APPROX. 38 MINUTES) Serge Koussevitzky and the Boston Symphony orchestra premiered Copland’s Third Symphony in October 1946, a year after the end of World War II. In his autobiography Copland avoided giving a program, but called the work “a wartime piece— or, more accurately, an end-of-war piece—intended to reflect the euphoric spirit of the country at the time.” Although this characterization is accurate, the narrative path traced in the 40 minutes of this symphony suggests that this euphoria is achieved only after private reflection and collective struggle. The symphony begins with a serene, prayerful melody played in triple octaves by the high strings and winds, which gradually builds in lyrical intensity. American composer Charles Ives was one of the first to include preexistent or newly composed hymn tunes within the symphonic texture to evoke nostalgia for another era; by Copland’s time the device had almost become commonplace for American symphonic music. The first movement is notable for its tight, integrated construction and unusual form. It cycles twice through three closely related themes, following a large-scale pitch scheme that grows naturally out of the melodic intervals in the opening. The violas and English horn introduce a tender second theme, which later appears in counterpoint with the first, and the trombones introduce a stern and more dissonant third theme. The movement builds and leads to an extended coda, in which the strings play an elongated statement of the opening hymn against a new bass line.

program notes

Aaron Copland’s Third Symphony premiered in October 1946, which was one year after the end of World War II, almost 70 years ago. Composer David Del Tredici remarked that Copland was skilled at suggesting “that the music was as loud as it could possibly be...while at the same time saving something in reserve for an even stronger second and third repetition.” This compositional strategy is clearly evident in the second movement, which opens with a bold ascending gesture in the French horn characterized by a lydian (or raised) fourth. This motto reappears two more times; each time it is given expanded instrumentation and is stretched in time to sound even bigger. The middle section of the movement begins with a gentle oboe melody that recalls Copland’s musical evocation of the Western landscape in his ballet Billy the Kid. The third movement is in a loose ternary form. At its opening the strings play an elegiac transformation of the third theme from the first movement. The following section contains a graceful dance, introduced by the flute, and dissolves back into the veiled texture and melodies from the opening, leaving the orchestra in a state of uncertainty. The movement proceeds without a pause to the finale, which opens by quoting one of Copland’s most well-known pieces, “Fanfare for the Common Man,” first quietly in the winds, and then forcefully in the brass. Copland wrote the “Fanfare” in 1943 at the request of Eugene Goossens, director of the Cincinnati Symphony orchestra. Goossens had solicited several composers for brief fanfares in support of soldiers, and Copland decided on his unique title after concluding that the common man was “doing all the dirty work in the war,” and was therefore his most

deserving dedicatee. He probably drew the phrase “common man” from a 1942 speech by Vice Ppresident Henry Wallace, which challenged Americans to look beyond merely defeating Nazism as a goal of the War and pursue broader social ideals. The fanfare acts as an introduction to an extended sonata movement. The first thematic material includes scatlike, syncopated passages that recall Copland’s earlier jazz-influenced compositions. Fragments of the fanfare, played by the brass, provide a transition to a second theme, which is more song-like and marked by irregular rhythms. The development combines elements from the first theme and fanfare and builds to a point of crisis: a stinging, dissonant chord played by the entire orchestra. The piccolo tentatively reasserts material from the first theme, and other instruments, including the celeste, join in an ethereal recapitulation that weaves fragments of the fanfare with the opening theme of the first movement, giving a sense of returning full circle to close the whole symphony. The movement concludes with a statement of the second theme, now transformed into a stirring anthem in even rhythms. It is accompanied by a busy texture that combines the three themes heard previously with clanging anvils and other percussion instruments. Elizabeth Crist has suggested that the integration of the fanfare into the accompaniment, along with the unexpected transformation of a previous idea into something singable by many people, suggests that the end of the symphony creates “victory without conquest”—that is, it translates into musical terms Wallace’s ideal of moving beyond military victory to an era of social cooperation. The DSO last performed Copland’s Symphony No. 3 in September 2009 with Leonard Slatkin conducting. The DSO first performed the piece in January 1957 with Paul Paray conducting. Program notes by David Heetderks.

PERFORMANCE MAGAZINE

profiles These are return performances following the DSO US orchestra premiere of the program. Leonard Slatkin, Music Director Jeff Tyzik, Principal Pops Conductor Neeme Järvi, Music Director Emeritus

POPS SERIES

TED SPERLING

Friday, October 30, 2015 at 8 p.m. Saturday, Octorber 31, 2015 at 8 p.m. in Orchestra Hall TED SPERLING, conductor BRYCE YUNG, boy soprano ^ THE ADRIAN COLLEGE CHOIR | Thomas Hodgman, director*

Danny Elfman Charlie and the Chocolate Factory* (b. 1953)

Pee-Wee’s Big Adventure Beetlejuice* Sleepy Hollow ^* Mars Attacks!* Big Fish* Batman/Batman Returns ^* —INTERMISSION—

Planet of the Apes Tim Burton’s Corpse Bride* Dark Shadows* Frankenweenie ^* Tim Burton’s The Nightmare Before Christmas Edward Scissorhands ^*

ENCORE: Alice in Wonderland ^* ^ piece to include boy soprano * piece to include The Adrian College Choir Concert Produced by: Tim Fox & Alison Ahart Williams of Columbia Artists Management LLC Richard Kraft & Laura Engel of Kraft-Engel Management *Program Subject to Change*

This Pops series performance is generously sponsored by with additional support by

The DSO can be heard on the Live From Orchestra Hall, Chandos, London, Mercury Records, Naxos and RCA labels. DETROIT SYMPHONY ORCHESTRA

Ted Sperling has maintained a successful career in the theater and concert worlds for over 30 years. A multi-faceted artist, he is a director, music director, conductor, orchestrator, singer, pianist, violinist and violist. He is the Artistic Director of MasterVoices and Principal Conductor of the Westchester Philharmonic. Sperling won the 2005 Tony and Drama Desk Awards for his orchestrations of The Light in the Piazza, for which he was also music director. Other Broadway credits as music director/ conductor/pianist include the Tony Award-winning revivals of The King and I and South Pacific, Guys and Dolls, Dirty Rotten Scoundrels, The Full Monty, Angels in America and Les Misérables. Sperling’s work as a stage director includes the world premieres of five musicals including Red Eye of Love, The Other Josh Cohen, and See What I Wanna See. He has conducted the scores for the films The Manchurian Candidate and Everything Is Illuminated, and directed the short film, Love Mom, which has been shown in five international festivals. Sperling has an active concert career, working with many major symphony orchestras, and singers Audra McDonald, Victoria Clark, Patti LuPone, Kelli O’Hara, Nathan Gunn, Idina Menzel, Paulo Szot and Deborah Voigt. He has conducted multiple concerts with the New York Philharmonic for Live at Lincoln Center.

profiles BRYCE YUNG

Bryce Yung is 11 years old and is in the 6th grade. Yung has been singing in the Boychoir of Ann Arbor since the 3rd grade; he has had numerous solos with the Boychoir of Ann Arbor and was named a team captain this year. Yung started playing violin when he was three years old, and has been a member of Detroit Symphony Youth Ensembles for the last two years. He has earned a co-concert master position in the Concert Orchestra this year. In addition to singing and violin, Yung also plays piano, clarinet and erhu. Yung enjoys music and swimming. A NOTE FROM JOHNNY DEPP

Danny and Tim, without doubt, are the two greatest gifts this job ever gave me. I would be neither here, there, nor probably anywhere without them and their general magnificence. Now, the world is fully aware of the individual genius to be found betwixt the two, but what is more important here is the way in which these unique talents combine and ultimately complement one another, allowing the other’s work to bloom in a way unforeseen independently. Essentially, Danny’s darkly sonorous creations are the audio manifestations of Tim’s singularly shadowy visions. He is the Ralph Steadman to Tim’s Hunter S. Thompson. Together they breathe color into one another’s worlds – from my initial experience, working alongside them both – on Edward Scissorhands, throughout the many projects that constitute a relationship, which now spans some 20 years…and counting. His music, so warm and inviting, yet somehow unnerving, ultimately manages to sound both elegant and haunting, perfectly defining the character of that very first collaboration. Having then unearthed the precise mood of Tim’s film, within the divine notes of his celestial score, Danny soundtracked the tale’s soul deep into the hearts of millions. Subsequently, their working relationship has never floundered. Time after time, their industry gives birth to new beings of wonder and weirdness, charged to delight and excite cinema goers the planet ‘round. So, a match made in the stars, you might say. Tim and Danny, it was simply meant to be.

ADRIAN COLLEGE CONCERT CHOIR

Madelyn Abraham Victoria Alvarado Lauren Baerlin Logan Balcom Chris Bearer Ashleigh Beauchamp Kai Bernhardt Tarryn Blankinship Julia Borst Nicole Brokas Ashley Bruce Kaysie Burnside Alexandra Carone Lee Christopher Kristina Crimmins Samantha Cushard Isabel Delgado Joel Dowker Alexander Drews Micaela Dunbar-Gaynor Aaron Ellis Tristen Epling Jessica Feutz Kristen Fink Alexandra Fredrich Charley Garlock Nicholas Garvey Amanda Gasior Nicole Gestwite Emily Gibbons Jordan Golomb Darnell Hamilton Hannah Hawkins Sydney Heasley Isaac Henry Kortnie Hickman Jessica Huber Kevin Johnson Sierra Johnson Jonathon Jones

Laurel Jordan Kenna Keiser Koral Lavasseur Justin Kohlruss Frances Kromminga Alyssa Larson Cady Lewis Baylee Malinowski John Miller Karla Moore Alyssa Mosby Dana Musial Ian O’Banion Rachel Oldfield Claire Ollila Ashley Palmer Megan Palmer Megan Parsell Sarah Ramirez Inocencia Ramirez-Gorski Joe Richards Jessica Sarch Ashley Simon Amanda Simpson Tyaira Smith Kali Snead Cameron Snyder-Pitts Shelby Thornton Katherine Timm Shelby Underwood Josh VanCampen Caleb Vanderlugt Justine Vlisides Dale White Robbie Williams Michael Williams Matthew Wilson Patrick Yee

PERFORMANCE MAGAZINE

program notes

DANNY ELFMAN

TIM BURTON

Over the last 30 years, four-time Oscar nominee Danny Elfman has established himself as one of the most versatile and accomplished film composers in the industry. He has collaborated with such directors as Tim Burton, Gus Van Sant, Sam Raimi, Paul Haggis, Ang Lee, Rob Marshall, Guillermo del Toro, Brian De Palma and Peter Jackson. Beginning with his first score on Tim Burton’s Pee-wee’s Big Adventure, Elfman has scored a broad range of films, including: Milk (Oscar nominated), Good Will Hunting (Oscar nominated), Big Fish (Oscar nominated), Men in Black (Oscar nominated), Edward Scissorhands, Wanted, Charlie and the Chocolate Factory, Mission: Impossible, Planet of the Apes, A Simple Plan, To Die For, Spider-Man (1 & 2), Batman, Dolores Claiborne, Sommersby, Chicago, Dick Tracy, The Nightmare Before Christmas, Alice in Wonderland, David O. Russell’s award-winning films Silver Linings Playbook and American Hustle, Sam Raimi’s Oz: The Great and Powerful, Mr. Peabody and Sherman, the Errol Morris documentary The Unknown Known: The Life and Times of Donald Rumsfeld, and Tim Burton’s Big Eyes. Most recently he has provided the music for Fifty Shades of Grey and Marvel’s Avengers: Age of Ultron. A native of Los Angeles, Elfman grew up loving film music. He travelled the world as a young man, absorbing its musical diversity. He helped found the band Oingo Boingo, and came to the attention of a young Tim Burton, who asked him to write the score for Pee-wee’s Big Adventure. Twenty-five years later, the two have forged one of the most fruitful composer-director collaborations in film history. In addition to his film work, Elfman wrote the iconic theme music for the television series The Simpsons and Desperate Housewives. He also composed a ballet, Rabbit and Rogue, choreographed by Twyla Tharp, a symphony entitled Serenada Schizophrana for Carnegie Hall, an overture called The Overeager Overture for the Hollywood Bowl, and, Iris—a Cirque du Soleil show. “Having a particular style is not bad,” says Elfman, “but I prefer to push myself in the direction of being a composer who you never know what he’s doing next.”

Tim Burton, widely regarded as one of the cinema’s most imaginative filmmakers, has enjoyed great success in both the live-action and animation arenas. Most recently Burton directed Big Eyes and the critically acclaimed Frankenweenie, which was a 2012 Academy Award® nominee for Best Animated Picture. Earlier in 2012 Burton directed Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter and Eva Green in the gothic thriller Dark Shadows, based on the cult favorite television show. He also produced the fantasy horror Abraham Lincoln: Vampire Hunter, which was directed by Timur Behmambetov. In 2010, he directed Alice in Wonderland, an epic fantasy based on the classic story by Lewis Carroll, and starring Johnny Depp, Helena Bonham Carter, Anne Hathaway and Mia Wasikowska in the title role. The film earned more than a billion dollars at the worldwide box office, making it the second -highest-grossing release of 2010. Alice in Wonderland also received a Golden Globe nomination for Best Picture—Musical or Comedy, and won two Academy Awards®, for Best Art Direction and Best Costume Design. Burton was previously honored with an Academy Award® nomination for Best Animated Feature for the 2005 stop-motion film Corpse Bride, which he directed and produced. He earlier received BAFTA Award and Critics’ Choice Award nominations for Best Director for the acclaimed fantasy drama Big Fish. More recently, Burton won a National Board of Review Award and garnered Golden Globe and Critics’ Choice Award nominations for his directing work on Sweeney Todd: The Demon Barber of Fleet Street, which also won the Golden Globe for Best Film—Musical or Comedy. Depp earned an Oscar®nomination for his performance in the title role of Burton’s 2007 film adaptation of the Stephen Sondheim musical thriller, also starring Bonham Carter and Alan Rickman. Burton began his film career in animation, and, in 1982, directed the stop-motion animated short Vincent, narrated by Vincent Price, which was an award winner on the film festival circuit. He made his feature film directorial debut in 1985

DETROIT SYMPHONY ORCHESTRA

program notes with the hit comedy Pee-Wee’s Big Adventure. In 1988, Burton helmed the inventive comedy hit Beetlejuice, starring Michael Keaton as the title character. He then reteamed with Keaton on the action blockbusters Batman, which became the top-grossing film of 1989 and also starred Jack Nicholson as the Joker, and Batman Returns, also starring Michelle Pfeiffer and Danny DeVito. In 1990, Burton directed, co-wrote and produced the romantic fantasy Edward Scissorhands, which was acclaimed by both critics and audiences. The film also marked the start of his successful cinematic partnership with Johnny Depp, who delivered a poignant performance in the title role. Their subsequent collaborations include the Burton-directed films Ed Wood, also starring Martin Landau in an Oscar®-winning portrayal of Bela Lugosi; Sleepy Hollow, adapted from the classic tale by Washington Irving; and the 2005 worldwide smash Charlie and the Chocolate Factory, which was based on Roald Dahl’s beloved book and grossed more than $470 million worldwide. Burton’s additional directing credits include the all-star sci-fi comedy Mars Attacks!, which he also produced, and the 2001 remake of Planet of the Apes, which marked his first collaboration with producer Richard Zanuck. Burton also conceived and produced the stop-motion animated feature The Nightmare Before Christmas, which remains an enduring holiday favorite. In addition, he has produced such films as Cabin Boy, Batman Forever, and the animated features James and the Giant Peach and 9. In 2010, the filmmaker released The Art of Tim Burton, a 430-page book comprising more than 40 years of his personal and project artwork. In November of that year, the Museum of Modern Art (MoMA) opened an extensive exhibit of his work, which went on to tour in Melbourne, Toronto, Los Angeles , Paris, Seoul, Prague, Tokyo and Osaka.

CREDITS: Music Composed and Arranged by Danny Elfman Films & Artwork by Tim Burton Concert Produced by Tim Fox & Alison Ahart Williams of Columbia Artists Management LLC, Richard Kraft & Laura Engel of Kraft-Engel Management Supervising Orchestrator: Steve Bartek Orchestrations: Steve Bartek, Edgardo Simone, David Slonaker, Jeff Atmajian Additional Orchestrations: Scott Dunn Music Production Supervisor: Melisa McGregor Midi Supervision & Choir Music Preparation: Marc Mann Synth Programming & Technical Supervision: TJ Lindgren Score Proofreading: Misha Morgovsky, Tim Rodier Music Preparation: Dakota Music Services - David Hage, Reprise Music Services - Rob Skinnell Assistant to Mr. Elfman: Melissa Karaban Pre-record Mix Engineer: Noah Snyder Chief Studio Tech: Greg Maloney Transcriptions: Tim Rodier Midi Mock-ups: Dan Negovan, Peter Bateman, Miles Bergsma Technical Directors: Mike Edelman, Brendon Boyd, John Kinsner Audio Consultant: Paul Bevan Librarians: Travis Hendra, Scott McRae Sibelius Set-up: Sandra Schneiders Project Interns: Alex Arntzen, Seth Kaplan, Sergei Stern Video Editing: Todd Miller & Chris Lebenzon Concert Producers’ Assistants: Jonathan Clark, Sarah Kovacs, Sarah Davis, Dan North Special thanks to: Derek Frey, Holly Kempf Keller and Leah Gallo at Tim Burton Productions, Bill Abbott, Bob Badami, Paul Bevan, Peter Cobbin, Bobby Fernandez, Isobel Griffiths, Mike Higham, Doug Mark, Shawn Murphy, Bobbi Page, Shie Rozow, Dennis Sands, Steve Savitsky, Ellen Segal, Thiago Tiberio , Nick Woolidge, Gina Zimmitti, Patti Zimmitti, Cinesamples, Thomas DiGiovanni In Loving Memory of Richard Zanuck Assets from ALICE IN WONDERLAND, FRANKENWEENIE and THE NIGHTMARE BEFORE CHRISTMAS courtesy of Disney Enterprises, Inc. Footage and Stills from PLANET OF THE APES (2001) and EDWARD SCISSORHANDS courtesy of Twentieth Century Fox. All rights reserved. SLEEPY HOLLOW courtesy of Paramount Pictures BIG FISH courtesy of Columbia Pictures CORPSE BRIDE, PEE-WEE’S BIG ADVENTURE, BATMAN & BATMAN RETURNS, MARS ATTACKS, CHARLIE AND THE CHOCOLATE FACOTRY, DARK SHADOWS AND BEETLEJUICE courtesy of Warner Brothers. Music provided for: A LICE IN WONDERLAND, FRANKENWEENIE and THE NIGHTMARE BEFORE CHRISTMAS courtesy of Wonderland Music Company, Inc. and Buena Vista Music Company EDWARD SCISSORHANDS and PLANET OF THE APES courtesy of JoAnn Kane Music Service SLEEPY HOLLOW and BIG FISH courtesy of Mandalay Entertainment Group & Sony/ATV Music Publishing LLC Licensing of copyrighted material for CORPSE BRIDE, PEE-WEE’S BIG ADVENTURE, BATMAN & BATMAN RETURNS, MARS ATTACKS, CHARLIE AND THE CHOCOLATE FACOTRY, DARK SHADOWS AND BEETLEJUICE provided by Alfred Music on behalf of Warner Bros. Entertainment

PERFORMANCE MAGAZINE

Leonard Slatkin, Music Director Jeff Tyzik, Principal Pops Conductor Neeme Järvi, Music Director Emeritus

CLASSICAL SERIES

Romantic Schumann Friday, November 6, 2015 at 8 p.m. Saturday, November 7, 2015 at 8 p.m. in Orchestra Hall ANDREW GRAMS, conductor SIMONE PORTER, violin

William Bolcom Commedia for (almost) 18th-Century Orchestra (b. 1938) Max Bruch Violin Concerto No. 1 in G minor, Op. 26 (1838-1920) Prelude: Allegro moderato Adagio Finale: Allegro energico Simone Porter, violin —INTERMISSION—

Robert Schumann Symphony No. 2 in C major, Op. 61 (1810-1856) Sostenuto assai - Allegro ma non troppo Scherzo: Allegro vivace Adagio expressivo Allegro molto vivace

DETROIT SYMPHONY ORCHESTRA

profiles ANDREW GRAMS

SIMONE PORTER

With a unique combination of intensity, enthusiasm and technical clarity, American conductor Andrew Grams has steadily built a reputation for his dynamic concerts and long-term orchestra building. Grams has led orchestras throughout the U.S. including The Philadelphia Orchestra, Chicago Symphony, Detroit Symphony, National Symphony Orchestra, St. Louis Symphony, Cincinnati Symphony, Baltimore Symphony Orchestra, The Dallas Symphony and the Houston Symphony. He served as Assistant Conductor of The Cleveland Orchestra from 2004-2007 where he worked under the guidance of Franz Welser-Möst, and has since returned for several engagements. Grams has worked extensively with orchestras abroad, including the Montreal Symphony Orchestra, Vancouver Symphony Orchestra, National Arts Centre Orchestra Ottawa, Orchestre National de Lyon, BBC Symphony Orchestra London, BBC Scottish Symphony Orchestra, Royal Scottish National Orchestra and BBC National Orchestra of Wales. 2015-2016 marks Grams’ third season as Music Director of the Elgin Symphony Orchestra. He returns to the Dallas, Toronto, North Carolina, Phoenix, Tucson and Charlotte Symphonies and makes debuts with the Seattle Symphony, Louisiana Philharmonic and Boise Philharmonic. He will also lead a Gershwin festival with the Orquestra Simfonica de Barcelona before returning to Australia to work with the Tasmanian Symphony Orchestra and Western Australia Symphony Orchestra. As an accomplished violinist, Grams was a member of the New York City Ballet Orchestra from 1998-2004, serving as acting associate principal second violin in 2002 and 2004. Additionally, he has performed with ensembles including the Orpheus Chamber Orchestra, Orchestra of Luke’s and Brooklyn Philharmonic.

Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, musical integrity and vibrant sound. At 18 years of age, she has already appeared with the New York Philharmonic, the Philadelphia Orchestra and the Los Angeles Philharmonic. Porter made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra at age 13. In March 2015, Simone Porter was named a recipient of an Avery Fisher Career grant. This prestigious honor comes in a year that includes her upcoming return engagements with the Seattle Symphony and conductor Mikhail Agrest and Aspen Music Festival with conductor David Robertson. Porter has made several important and highly acclaimed debuts, starting with her professional debut at the Aspen Music Festival with conductor Thomas Søndergård. Previous engagements include an appearance with the New York Philharmonic on their Young People’s Concerts series, and performances with the Nashville, New West, Olympia and Utah Symphonies and the Young Musician Foundation’s Debut Orchestra in California, among others. Porter had the honor of performing for the Dalai Lama at the opening ceremony of a five-day symposium on compassion in Seattle in 2008. Internationally, Porter has performed with the City Chamber Orchestra of Hong Kong and the Northern Sinfonia and the Milton Keynes City Orchestra in the United Kingdom. She also appeared in Singapore at the 2010 Great Eastern International Kids Performing Festival.

PERFORMANCE MAGAZINE

program notes Commedia for “Almost” 18th-Century Orchestra

WILLIAM BOLCOM B. May 26, 1938 in Seattle, Washington SCORED FOR FLUTE, PICCOLO, 2 OBOES, CLARINET, E-FLAT CLARINET, 2 BASSOONS, 2 HORNS, 4 TRUMPETS, TIMPANI, PIANO AND STRINGS. (APPROX. 10 MINUTES)

William Bolcom composed Circus Overture in honor of Leonard Slatkin’s 70th birthday last year.

Lee Finney Distinguished University Professor of Composition in 1994, and retired from the University in 2008 after some 35 years on the faculty. He has received commissions from many of this William Bolcom is among the most versatile con- country’s most distinguished musical organizatemporary American composers, and his output tions, among them the orchestras of Philadelphia, is amazingly large: he has written just about ev- St. Louis, Seattle, Detroit, New York and Boston, erything from solo piano works, vocal works and and the Lyric Opera of Chicago. Among his many chamber works to film music, symphony and op- awards and prizes are the Pulitzer Prize for Music, era, in the process displaying a mastery of many investiture in the American Academy of Arts and different compositional styles, among them pop, Letters, four Grammys, several honorary Doctor of ragtime, jazz, cabaret, and classical, and incorpo- Music degrees, and being named Composer of the rating into the mix his own unique and personal Year in 2007 by Musical America. The paths of Bolcom and Leonard Slatkin have voice. Poetry, song and the theater have been crossed many times since central to his works from the the early 1960s when they beginning of his career, and “I was a fledgling kid were both students at Aspen. he describes Charles Ives as About this first encounter, his greatest influence. As and Bill was clearly a Slatkin has written, “I was well, in his operas and stage a fledgling kid and Bill was works he has chosen to set composer to watch. clearly a composer to watch. stories about American charIn that year I did the first of acters by American authors, In that year I did the what would be several works and his works often display a unique sense of humor, for first of what would be by this most important of American composers. What example his song Lime Jello always attracted me about Marshmallow Cottage Cheese several works by this Bill’s music was that he was Surprise. Bolcom’s early comdoing multiculturalism before positions employed a rather most important of anyone else was doing it.” severe 12-tone technique, American composers.” One of the reasons for chambut in the 1960s he began to pioning Bolcom’s music was employ a wider variety of mu—LEONARD SLATKIN what Slatkin once referred to sical styles in an attempt to as “his anti-academic view erase the boundaries between of how music should sound.” popular and classical music, and reach out to as wide an audience as possible. One piece which Slatkin has performed repeatIn 1973 he joined the faculty of the University of edly over the years is this Commedia for “Almost” Michigan’s School of Music, was named the Ross 18th-Century Orchestra, which was commissioned

DETROIT SYMPHONY ORCHESTRA

program notes by the then-new St. Paul Chamber Orchestra and first performed by that ensemble under Sydney Hodkinson’s direction in May of 1972. About the work, Bolcom has written, “Commedia was written soon after my composition Frescoes, and is its polar opposite in every way—except that both works were somewhat inspired (albeit distantly) by things Italian. In the case of Commedia, as the title suggests, the influence is commedia dell’arte—the stock characters tossed against each other in a variety of situations, often comic but, as evidenced in the paintings of Longhi or Magnasco, not without a dark side. Much of the piece consists of a tarantella or saltarello in fast 6/8 time.” The pastiche idea starts right at the beginning, and along the way there are quotes and quasi-quotes from The Magic Flute, Petrushka and Chopsticks, among others. The core of the work is a fast saltarello, a sprightly and vigorous dance of Italian origin. The first and last time the DSO performed this piece was April 1989 with Stephen Stein conducting. ——————

Violin Concerto No. 1 in G minor, Op. 26 MAX BRUCH B. January 6, 1838, Cologne [then Prussia, now part of Germany] D. October 2, 1920, Friedenau, Berlin

SCORED FOR SOLO VIOLIN, PAIRS OF FLUTES, OBOES, CLARINETS AND BASSOONS, 4 HORNS, 2 TRUMPETS, TIMPANI AND STRINGS. (APPROX. 23 MINS) For some classical music lovers, the name Max Bruch usually invokes one work, his Violin Concerto in G minor, making Bruch the 19th century equivalent of a “one-hit wonder.” However, Bruch hit his stride as a composer much sooner than many of his contemporaries (including Brahms), composing an award-winning symphony in 1852

(at the tender age of 14) and achieving international acclaim as a conductor by his 30th birthday. Yet despite Bruch’s success, only the first of his three violin concertos, and a Scottish Fantasy for violin and orchestra, remain firmly ensconced in today’s concert repertoire, thus obscuring Bruch in the long and broad shadows of Brahms, Liszt and Wagner. Bruch served as music director for the court at Koblenz, a German city located on the banks of the Rhine, from 1865 to 1867. It was during this time that he composed his Violin Concerto in G minor. Although he was not a performing violinist, friendships with those such as David, Joachim, Sarasate and Willy Hess influenced and inspired Bruch to write nine concertos or concerto-like works for the instrument. Bruch’s ever-popular Concerto in G minor, however, did not come easily. After working on the piece for nearly two years, it was publicly premiered, but Bruch was dissatisfied with the result. Determined to succeed, he reworked several sections. Bruch’s friend Joseph Joachim, one of Europe’s greatest violin virtuosos, offered suggestions regarding the instrument’s technical possibilities as well as the music’s melodic contouring. He also served as a sort of compositional consultant for the concertos by Brahms, Schumann and Dvo˘rák. Bruch eagerly followed Joachim’s advice, going as far as to dedicate the score in his honor. When the concerto was premiered for a second time, in 1868, with Joachim as soloist, it was clear that the advice had reaped dividends. The Concerto is as much an unrestrained fantasy as a traditional three-movement form, and it defies audience expectations by linking the first and second movements with a single bassoon note—a technique first used by Beethoven in his “emperor” Piano Concerto. The first movement is a prelude, both in title and mood. Instead of the weighty orchestral opening listeners might expect, the concerto begins with a free fantasia-like dialogue between orchestra and violin, which builds into a virtuoso display for the soloist, including four short cadenzas. The slow second movement, PERFORMANCE MAGAZINE

program notes which follows without pause, provides an intensely rich and expansive set of themes that soar above the orchestral accompaniment. In fact, the soloist is asked to play nearly non-stop throughout, creating a true test of the performer’s long-range phrasing and endurance. After an understated orchestral introduction, the final movement launches into the soloist’s exuberant theme, complete with colorful double-stops. The folk-inspired sound world presented here may even have inspired the third movement of Brahms’s own Violin Concerto, written nearly 20 years after Bruch’s. The work ends not with a substantive cadenza, as one might expect, but instead with a fiery race to the finish that concludes with a pair of stately chords. The DSO last performed this piece in July 2014 at Meadow Brook Music Festival with Michael Stern conducting and Joshua Bell as soloist. The DSO first performed this piece in March 1917 at Detroit Opera House with Weston Gales conducting and William Grafing King as soloist. ——————

Symphony No. 2 in C major, Op. 61 ROBERT ALEXANDER SCHUMANN B. June 8, 1810, Zwickau, Saxony D. July 29, 1856, Endenich, near Bonn

SCORED FOR 2 FLUTES, 2 OBOES, 2 CLARINETS, 2 BASSOONS, 2 HORNS, 2 TRUMPETS, 3 TROMBONES, TIMPANI AND STRINGS. (APPROX. 34 MINUTES) Robert Schumann was a German composer, aesthete and influential music critic. In many ways, Schumann represents the quintessential Romantic composer, with his emphasis on self-expression, pronounced lyricism and interest in extra-musical associations (particularly those of a literary nature). Schumann had originally intended to pursue a career as a virtuoso pianist, having been assured by his teacher, Friedrich Wieck, that he could become one of the finest keyboard artists in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, after which he decided to focus his energies on composition. Until 1840, Schumann’s published compositions were written exclusively for the piano. Later, he composed works for piano and orchestra, songs, four symphonies, an opera and other orchestral, choral and chamber works. He also wrote extensively, and his writings about music appeared primarily in the Neue Zeitschrift für Musik (“New Journal for Music”), a Leipzig-based publication that he co-founded. In 1840, after a protracted and bitter court battle with his teacher (Wieck), Schumann married

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program notes

Robert Schumann married his teacher’s daughter, Clara. As a pianist and composer, Clara would go on to give premieres of many of his piano works. Wieck’s daughter, Clara, herself a concert pianist and composer. She would later give the premieres of many of Schumann’s piano works. In a letter to Mendelssohn dated September, 1845, Schumann closed by saying “For days my head has been a whirl of trumpets and drums in C. I don’t know what will come of it.” What eventually came of it was his Second Symphony in C major, which was fully sketched by the end of December and which received its first performance (with Mendelssohn conducting) on November 5, 1846. The Second Symphony was written at a time when the composer was making a determined effort to recover his mental health, which had suffered its first major blow in 1844. Schumann’s fear of insanity and his struggle against mental illness were transmuted by his sheer genius into a work which has at its core an inner struggle against the

forces of darkness and fear which threaten to overpower the individual. In the opening bars of the slow introduction, an uncertain balance is struck between the two primary motives, which are played simultaneously: the motive of light and hope is played by the brass, while the motive of darkness and doubt is heard in the strings. Many of the later themes evolve from these two motives. The Allegro is constructed from two strong, vigorous themes. The mood of the development section is one of great conflict; here the battle of the will to survive is at its height. The struggle continues in the quicksilver Scherzo, which is pervaded by an atmosphere of agitation and uncertainty. Two contrasting trio sections appear, both of which are influenced by the “darkness” motive, but the movement closes triumphantly, with the brass quoting the motive of light. The lovely Adagio that follows is tinged with romantic charm and yearning melancholy. In the finale, the spirit of hope wins the day, as the motive of light brings the work to a confident close. The DSO last performed Robert Schumann’s Second Symphony in December 2007 with Sir Roger Norrington conducting. The DSO first performed the piece in December 1920 with Ossip Gabrilowitsch conducting.

PERFORMANCE MAGAZINE

administrative staff EXECUTIVE OFFICE Anne Parsons

President and CEO James B. and Ann V. Nicholson Chair

Paul W. Hogle

Executive Vice President

Linda Lutz

Chief Financial Officer

Anne Wilczak

Managing Director of Special Events and Projects

Orchestra Operations Kathryn Ginsburg

Director of Operations

Heather Hart Rochon

Orchestra Personnel Manager

Dennis Rottell

General Manager and Artistic Administrator

Audience Development

Patrick Peterson

Advancement Assistant

Artistic Coordinator

Clare Valenti

Popular & Special Programming Coordinator

Frederico Augustin Martez Duncan

Advancement Services and Prospect Research Manager

Maintenance Technician

Will Broner

Maintenance Technician

Advancement Services Coordinator

Caitlin Bush

Gabrielle Poshadlo

Director of Communications and Media Relations

Asia Rapai

Public Relations Coordinator

Michelle Koning

Web and Mobile Content Manager

Teresa Alden

Community And Learning Caen Thomason-Redus

Galas and Volunteerism Holly Allen

Ryan Ensman

William Guilbault

Maintenance Technician

Crystal King

Greg Schimizzi Chief of Security Melvin Dismukes Security Officer

Norris Jackson Security Officer

Ronald Martin Security Officer

Johnnie Scott Security Officer

Laura Duda

Don Killinger

Live From Orchestra Hall Eric Woodhams

Director of Digital Initiatives

Advancement Benefits Coordinator

Institutional Giving Danielle Manley

Director of Advancement for Institutional Giving

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Audience Development Associate

Sharon Gardner Carr

Assistant Manager of Tessitura and Ticketing Operations

Director of Catering and Retail Services

Kyle Hanley

Executive Chef

Nate Richter Bar Manager

Kelsey Karl

Retail Manager

Events And Rentals Holly Clement

Senior Manager of Events and Rentals

Ashley Powers

Senior Accountant

Event Sales Representative

Patron Sales And Service

Dawn Kronell

Juanda Pack

LaHeidra Marshall

Linda Kunath

Dan Coleman

Education Coordinator

Audience Development Coordinator

Manager of Event Sales and Administration

Nelson Rodriguez-Parada Elizabeth Lanni

Mallory Schirr

Connie Campbell

Sandra Mazza

Governing Members Gift Officer and Assistant Director of Planned Giving

Group Sales Manager

Senior Director of Accounting & Finance

Lindsey Wendland

General Manager of Training Ensembles

DeRon Wilson

Jeremiah Hess

Operations and Community Engagement Coordinator

Advancement Projects Manager

Front of House Manager

Christina Williams

Maintenance Technician

Individual Giving Director of Advancement for Individual Giving

Margaret Cassetto

Catering And Retail Services

Leah Celebi

Cassie Brenske

Director of Audience Development

Daniel Speights

FINANCE

Manager of Community Engagement

Christopher Harrington

Maintenance Technician

Director of Advancement for Galas and Volunteerism

Manager of Education

Maintenance Supervisor

Bree Kneisler

Digital Communications Coordinator

Director of Community and Learning

Larry Ensman

Facility Engineer

Communications

Katherine Curatolo

FACILITY OPERATIONS

Advancement Services

Jessica Ruiz

Managing Director of Paradise Jazz Series

Nicki Inman

Rachel Szymanski

Executive Assistant to the Music Director

Artistic Planning

Christopher Harrington

PATRON DEVELOPMENT & ENGAGEMENT Senior Director of Patron Development and Engagement

oneDSO Campaign Director

Advancement Services Coordinator

Manager of Artistic Planning

Human Resources Director

Julie Byczynski

Elaine Curvin

Erik RĂśnmark

Foundation and Government Relations Coordinator

Denise Ousley

Leslie Karr

PATRON ADVANCEMENT & EXTERNAL RELATIONS

OFFICE OF THE GENERAL MANAGER

Anneke Leunk

HUMAN RESOURCES

oneDSO Campaign

Assistant Orchestra Personnel Manager

Executive Assistant to the Executive Vice President

Manager of Sponsor Benefits and Relations

Stage Manager

Joy Crawford

Executive Assistant to the President and CEO

Chelsea Kotula

Senior Accountant

Molly Fidler

Senior Accountant

Manager, Patron Sales & Service

Karen McCombs

Michelle Marshall

Accounting Specialist

INFORMATION TECHNOLOGY Jody Harper

Director of Information Technology

Raâ&#x20AC;&#x2122;Jon Taylor Help Desk Administrator

Assistant Manager, Patron Sales & Service

Taryn Sanford

Lead Ticketing Specialist

Natalie Boettcher

Lead Ticketing Specialist

Chicago Symphony Orchestra Riccardo Muti, music director and conductor Thursday, October 29 // 7:30 pm Hill Auditorium PROGRAM

Beethoven Mahler

Symphony No. 5 in c minor, Op. 67 Symphony No. 1 (“Titan”)

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Photo by Todd Rosenberg

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Royal Philharmonic Orchestra Pinchas Zukerman, principal guest conductor and violin Monday, January 11 // 7:30 pm Hill Auditorium PROGRAM

Beethoven Beethoven Elgar

Egmont Overture, Op. 84 Violin Concerto in D Major, Op. 61 “Enigma” Variations, Op. 36

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Gil Omenn and Martha Darling and by Max Wicha and Sheila Crowley

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UNIVERSITY OF MICHIGAN | ANN ARBOR PERFORMANCE MAGAZINE

learning & engagement D E A R F R I E N D S, It is my distinct honor and pleasure to introduce you to the new Community and Learning leadership at the DSO! This new department unifies our education and community engagement staff to provide a broad range of transformative musical experiences for our communities both near and far. The exceptional team you see below has been recruited from around Detroit and across the country as we searched for the skills, experience and passion necessary to deliver the education and community programs you have already come to love, such as the Wu Family Academy for Learning and Engagement and the William Davidson Neighborhood Concert Series.

You will also soon be excited to see new opportunities including early childhood music groups, programs for special needs communities and weekend workshops for adults to rekindle their joy in music making! We are serious about our commitment to being the most accessible orchestra on the planet and it is our job to make the DSO a meaningful part of your life and your community. If you have an idea or want to be a part of supporting this work, I hope you will be in touch with us. Thank you for your support of the arts in Detroit and welcome to another great season of incredible music!

CAEN THOMASON-REDUS

Director of Community & Learning

COMMUNITY AND LEARNING TEAM

NELSON RODRIGUEZ-PARADA General Manager of Training Ensembles

LEAH CELEBI

Education Manager

ELIZABETH LANNI

Education Coordinator

C______________________ IVIC YOUTH ENSEMBLES

upcoming events

LAURA DUDA

Community Engagement Manager

Civic Jazz Live! Civic Jazz Orchestra Fri., Oct. 23 at 6:30 PM CYE Experience Performances Philharmonic Orchestra, Concert Orchestra, String Sinfonia Orchestra, String Orchestra Arco, Symphonic Band, Jazz Band, Creative Jazz Ensemble, Jazz Combos, Piano Lab Sun., Nov. 8 at 2 PM

DON KILLINGER

Community Engagement & Operations Coordinator

DETROIT SYMPHONY Y________________ OUTH ORCHESTRA DSYO Showcase Fri., Nov. 13 at 7 PM Nutcracker Fri., Dec. 4 at 8 PM Sat., Dec. 5 at 1 PM and 7 PM Young Peopleâ&#x20AC;&#x2122;s Family Concert Holiday Performance Sat., Dec. 12 at 11 AM

TICKETS START AT $15. Call 313.576.5111 or visit dso.org for full program details and tickets

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G O B B L E U P A G R E AT S P OT TO S E E AMERICA’S THANKSGIVING DAY PARADE

Gobble up a good time and kick off the holidays with the DSO at our Thanksgiving Day Parade viewing party. Watch the parade from a dedicated viewing area in the warmth of Orchestra Hall.

Thursday, November 27th from 7am-11am Viewing space is limited. Subscribers and donors, please RSVP to your Advancement Benefits Coordinator Juanda Pack at 313.576.5450 by Nov. 24

Super Saturdays at the DSO

Presented by:

HALLOWEEN SPOOKTACULAR

SANTA’S LITTLE HELPERS

ROCK O’WEEN WITH CANDY BAND

GRATITUDE STEEL BAND’S CARIBBEAN CHRISTMAS

Featuring the Detroit Symphony Orchestra Saturday, October 24, 2015 at 11 a.m. in Orchestra Hall Michelle Merrill, conductor

Saturday, October 24, 2015 at 10 a.m. in the Music Box Michelle Merrill, conductor

Saturday, December 12, 2015 at 11 a.m. in Orchestra Hall featuring: The Detroit Symphony Youth Orchestra Michelle Merrill, conductor

Saturday, December 12, 2015 at 10 a.m. in the Music Box Michelle Merrill, conductor

Get a free child subscription with every adult Young 313.576.5111 * People’s Family Concerts subscription purchased. PERFORMANCE MAGAZINE

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What is the point of the Humanities? Kwame Anthony Appiah New York University Friday, November 13, 4-6 p.m. Community Arts Auditorium Wayne State University A public philosophy lecture

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DETROIT SYMPHONY ORCHESTRA

1887 society

BARBARA VAN DUSEN, Honorary Chair

The 1887 Society is a tribute to the storied past of the Detroit Symphony Orchestra and recognizes those among our patrons with unique DSO histories who have made a legacy commitment to our work. Members receive recognition in each issue of Performance magazine and an annual society luncheon, as well as enjoying a special package of benefits throughout the DSO season. If you have arranged for a legacy gift, or for more information on ways to do so, please contact Julie Byczynski at 313.576.5191. The Detroit Symphony Orchestra Board of Directors is pleased to honor the 1887 Society. These patrons, friends and subscribers have named the Orchestra in their estate plans. Ms. Doris Adler Dr. & Mrs. William C. Albert Mr. & Mrs. Robert A. Allesee Dr. Lourdes A. Andaya Mr. & Mrs. Eugene Applebaum Dr. Augustin & Nancy Arbulu Ms. Sharon Backstrom Sally & Donald Baker Mr. & Mrs. Lee Barthel Mr. & Mrs. Mandell L. Berman Mrs. John G. Bielawski† Mrs. Betty Blair Robert T. Bomier Gwen & Richard Bowlby Mr. Harry G. Bowles† William & Julia Bugera Dr. & Mrs. Victor J. Cervenak Eleanor A. Christie Ms. Mary Christner Lois & Avern Cohn Mrs. RoseAnn Comstock Mr. & Mrs. Thomas W. Cook Dorothy M. Craig Mr. & Mrs. John Cruikshank Ms. Leslie C. Devereaux Mr. John Diebel Mr. Roger Dye & Ms. Jeanne A. Bakale Ms. Bette J. Dyer Mr. & Mrs. Robert G. Eidson Marianne T. Endicott Mr. & Mrs. Stephan† Sharf Ms. Dorothy Fisher Mrs. Marjorie S. Fisher

Mr. Emory Ford, Jr.† Dr. Saul & Mrs. Helen Forman Barbara Frankel & Ron Michalak Herman & Sharon Frankel Mrs. Rema Frankel† Jane French Dr. Byron P. & Marilyn Georgeson Mr. Joseph & Mrs. Lois Gilmore Ruth & Al Glancy Donna & Eugene Hartwig Dr. & Mrs. Gerhardt Hein Ms. Nancy B. Henk Mr. & Mrs. Thomas N. Hitchman Mrs. Patricia Hobar† Mr. & Mrs. Richard N. Holloway Paul M. Huxley & Cynthia Pasky David & Sheri Jaffa Mr. & Mrs. Thomas H. Jeffs II Richard & Involut Jessup Lenard & Connie Johnston Ms. Carol Johnston Carol M. Jonson Drs. Anthony & Joyce Kales Faye & Austin Kanter Norb† & Carole Keller Dr. Mark & Mrs. Gail Kelley June K. Kendall Dimitri† & Suzanne Kosacheff Mr. & Mrs. Arthur J. Krolikowski Mary Clippert LaMont

Mrs. Bonnie Larson Ann C. Lawson Mr. Phillip Leon† Allan S. Leonard Dr. Melvin A. Lester Harold Lundquist & Elizabeth Brockhaus Lundquist Mr. & Mrs. Eric C. Lundquist Roberta Maki Eileen & Ralph Mandarino Mr. Glenn Maxwell Mr. Leonard Mazerov Mary Joy McMachen, Ph. D. Rhoda A. Milgrim John & Marcia Miller Jerald A. & Marilyn H. Mitchell Mr. & Mrs. L. William† Moll Craig & Shari Morgan Beverley Anne Pack Mr. Dale J. Pangonis Ms. Mary W. Parker Sophie Pearlstein Helen & Wesley Pelling Dr. William F. Pickard Mrs. Bernard E. Pincus Ms. Christina Pitts Mrs. Robert Plummer Mr. & Mrs. P. T. Ponta Ms. Linda Rankin & Mr. Daniel Graschuck Mr. & Mrs. Douglas J. Rasmussen Mr. & Mrs. Lloyd E. Reuss Barbara Gage Rex

† Deceased

Ms. Marianne Reye Katherine D. Rines Bernard & Eleanor Robertson Ms. Barbara Robins Jack & Aviva Robinson Dr. Margaret Ryan Mr. & Mrs. Donald & Janet Schenk Stephanie & Fred Secrest Ms. Marla Shelton Ms. June Siebert Mr. & Mrs. Walter Stuecken Mr. & Mrs. Alexander C. Suczek Alice & Paul Tomboulian Mr. David Patria & Ms. Barbara Underwood Mrs. Richard C. Van Dusen Mr. & Mrs. Melvin VanderBrug Mr. & Mrs. George C. Vincent Mr. & Mrs. Keith C. Weber Mr. Herman Weinreich John & Joanne Werner Mr. & Mrs. Arthur Wilhelm Mr. Michel Williams Ms. Nancy S. Williams† Mr. Robert S. Williams Ms. Barbara Wojtas Ms. Treva Womble Elizabeth B. Work Dr. & Mrs. Clyde Wu† Ms. Andrea L. Wulf Mr. Milton Zussman

PERFORMANCE MAGAZINE

the annual fund Gifts received between September 1, 2014 and August 31, 2015

Being a community-supported orchestra means you can play your part through frequent ticket purchases and generous annual donations. Your tax-deductible Annual Fund donation is an investment in the wonderful music at Orchestra Hall, around the neighborhoods and across the community. This honor roll celebrates those generous donors who made a gift of $1,500 or more to the DSO Annual Fund Campaign. If you have questions about this roster, or to make a donation, please contact 313.576.5114 or go to dso.org/donate. The Gabrilowitsch Society honors individuals who support us most generously at the $10,000 level and above.

JANET AND NORM ANKERS Co-Chairs

GIVING OF $250,000 & MORE

DSO MUSIC DIRECTOR OSSIP GABRILOWITSCH (1918 - 1936) Ossip Gabrilowitsch was an internationally known Russian pianist whose presence gave the DSO instant credibility. Additionally, he inspired the construction of Orchestra Hall. The building was erected in four months and 23 days after Gabrilowitsch threatened to quit unless he and his musicians had a permanent home. A friend to Mahler and Rachmaninoff, and son-in-law of Mark Twain, Gabrilowitsch himself possessed greatness.

Mandell & Madeleine Berman Foundation

Mr. & Mrs. Stanley Frankel

Penny & Harold Blumenstein

Mr. & Mrs. Morton E. Harris

Julie & Peter Cummings

Danialle & Peter Karmanos, Jr.

Marvin & Betty Danto Family Foundation

Mr. & Mrs. James B. Nicholson

Max M. & Marjorie S. Fisher Foundation

Mrs. Richard C. Van Dusen

Ruth & Al Glancy

Mrs. Marjorie S. Fisher

GIVING OF $100,000 & MORE

Ms. Leslie Devereaux Mr. & Mrs. Phillip Wm. Fisher Emory M. Ford, Jr.â&#x20AC; Endowment Mrs. Sophie Pearlstein

The Polk Family Cindy & Leonard Slatkin Dr. Clyde Wu â&#x20AC;

GIVING OF $50,000 & MORE

Mr. & Mrs. Richard L. Alonzo Mr. & Mrs. Eugene Applebaum Mr. & Mrs. Lee Barthel Mrs. Cecilia Benner Mrs. RoseAnn Comstock

Linda Dresner & Ed Levy, Jr. Mrs. Bonnie Larson Ms. Deborah Miesel Bernard & Eleanor Robertson

GIVING OF $25,000 & MORE

Ms. Sharon Backstrom Mr. & Mrs. John A. Boll, Sr. Mr. & Mrs. Richard A. Brodie Mr. & Mrs. Raymond M. Cracchiolo Joanne Danto & Arnold Weingarden Mrs. Kathryn L. Fife Mr. & Mrs. David Fischer Sidney & Madeline Forbes Barbara Frankel & Ronald Michalak

Mr. & Mrs. Ralph J. Gerson Mr. & Mrs. Eugene A. Miller Mr. & Mrs. Bruce D. Peterson Mr. & Mrs. Lloyd E. Reuss Mr. & Mrs. Alan E. Schwartz & Mrs. Jean Shapero Mr. & Mrs. Larry Sherman Mr. & Mrs. Donald R. Simon Mr. James G. Vella

DETROIT SYMPHONY ORCHESTRA

the annual fund GIVING OF $10,000 & MORE Mr. & Mrs. Robert A. Allesee Daniel & Rose Angelucci Mr. & Mrs. Norman Ankers Mr. Chuck Becker Mr. & Mrs. Robert H. Bluestein Mr. & Mrs. Jim Bonahoom Gwen & Richard Bowlby Lois & Avern Cohn Mr. Gary Cone & Ms. Aimée Cowher Margie Dunn & Mark Davidoff Mr. & Mrs. Richard L. DeVore Marianne Endicott Jim & Margo Farber Dr. Marjorie M. Fisher Mr. Michael J. Fisher Mr. & Mrs. Samuel Fogleman Mr. & Mrs. Edsel B. Ford II

GIVING OF $5,000 & MORE Richard & Jiehan Alonzo Dr. Lourdes V. Andaya Drs. John & Janice Bernick Michael & Geraldine Buckles Mr. & Mrs. Francois Castaing Mr. & Mrs. Gary L. Cowger Deborah & Stephen D’Arcy Fund Jerry P. & Maureen T. D’Avanzo Beck Demery Mr. & Mrs. John M. Erb Ron Fischer* & Kyoko Kashiwagi Ms. Mary D. Fisher Mr. David Fleitz Allan D. Gilmour & Eric C. Jirgens Dr. Kenneth & Roslyne Gitlin Dr. Robert T. Goldman

Dr. Saul & Mrs. Helen Forman Dale & Bruce Frankel Herman & Sharon Frankel Ms. Carol A. Friend & Mr. Mark T. Kilbourn Mr. & Mrs. Eugene A. Gargaro, Jr. Mrs. Dorothy Gerson Mrs. Gale Girolami Dr. Allen Goodman & Dr. Janet Hankin Mary Ann & Robert Gorlin Dr. & Mrs. Herman Gray, Jr. Mr. & Mrs. James Grosfeld Dr. Gloria Heppner Ms. Doreen Hermelin Mr. & Mrs. Norman H. Hofley Lauri & Paul* Hogle Mr. & Mrs. Ronald Horwitz Richard H. & Carola Huttenlocher Mr. James A. Jacob Mr. Sharad P. Jain

Chacona W. Johnson Lenard & Connie Johnston Faye & Austin Kanter Mr. & Mrs. Norman D. Katz Mike & Katy Keegan Marguerite & David Lentz Mr. & Mrs. Ralph LeRoy, Jr. Dr. Melvin A. Lester Mr. & Mrs. Matthew Lester Bud & Nancy Liebler Michael & Laura Marcero David & Valerie McCammon Alexander & Evelyn McKeen Dr. Robert & Dr. Mary Mobley Cyril Moscow Geoffrey S. Nathan & Margaret E. Winters David Robert & Sylvia Jean Nelson Jim & Mary Beth Nicholson Mrs. Jo Elyn Nyman Anne Parsons* & Donald Dietz Mr. Charles Peters

Dr. William F. Pickard Ms. Ruth Rattner Jack & Aviva Robinson Martie & Bob Sachs Dr. Mark & Peggy Saffer Marjorie & Saul Saulson Elaine & Michael Serling Mark & Lois Shaevsky William H. Smith John J. Solecki Richard Sonenklar & Gregory Haynes Dr. Doris Tong & Dr. Teck M. Soo Mr. Gary L. Wasserman & Mr. Charlie Kashner Mr. & Mrs. R. Jamison Williams David & Bernadine Wu Mr. & Mrs. Paul M. Zlotoff

Goodman Family Charitable Trust Mr. & Mrs. James† A. Green Judy & Kenneth Hale Mr. Lee V. Hart & Mr. Charles L. Dunlap Ms. Nancy Henk Mr. Eric J. Hespenheide & Ms. Judith V. Hicks Michael E. Hinsky & Tyrus N. Curtis Mr. & Mrs. A. E. Igleheart Mr. & Mrs. Richard J. Jessup Michael E. Smerza & Nancy Keppelman Patrick J. Kerzic & Stephanie Germack Kerzic Dr. David & Mrs. Elizabeth Kessel Mrs. Frances King Mr. & Mrs. Harold Kulish Allan S. Leonard Mr. Daniel Lewis Mr. & Mrs. Joseph Lile

Mr. Gregory Liposky The Locniskar Group Mr. Robert A. Lutz Ms. Florine Mark Patricia A. & Patrick G. McKeever Susanne O. McMillan John & Marcia Miller Mr. & Mrs. Robert S. Miller Mr. & Mrs. Craig R. Morgan Xavier & Maeva Mosquet Mr. Joseph Mullany Mr. & Mrs. Albert T. Nelson, Jr. Patricia & Henry Nickol Mr. & Mrs. David E. Nims Mr. & Mrs. Richard G. Partrich Mr. & Mrs. Roger S. Penske Mrs. Helen F. Pippin Dr. Glenda D. Price Mr. & Mrs. David Provost Dr. & Mrs. John Roberts

Mr. & Mrs. Robert B. Rosowski Mrs. Lois J. Ryan Mrs. Patricia Finnegan Sharf Mr. & Mrs. Leonard W. Smith Renate & Richard Soulen Mr. & Mrs. John Stroh III Mr. Gary Torgow David Usher Mr. & Mrs. Jonathan T. Walton S. Evan & Gwen Weiner Arthur & Trudy Weiss Dr. & Mrs. Ned Winkelman Mrs. Judith G. Yaker Mr. Michael Yessian Margaret S. York Erwin & Isabelle Ziegelman Foundation Milton & Lois Zussman Two who wish to remain anonymous

PERFORMANCE MAGAZINE

the annual fund GIVING OF $2,500 & MORE Howard Abrams & Nina Dodge Abrams Dr. Roger & Mrs. Rosette Ajluni Mr. & Mrs. Robert L. Anthony Dr. & Mrs. Ali-Reza R. Armin Mr. & Mrs. Robert Armstrong Mr. David Assemany & Mr. Jeffery Zook* Mr. Joseph Aviv & Mrs. Linda Wasserman Aviv Mr. & Mrs. John Axe Mrs. Jean Azar Nora Lee & Guy Barron Mr. Mark Bartnik & Ms. Sandra J. Collins Mr. J. Addison Bartush† David & Kay Basler Mr. & Mrs. Martin S. Baum Mary Beattie Mr. & Mrs. Richard Beaubien Ms. Margaret Beck Mrs. Harriett Berg Mr. & Mrs. Jeffrey A. Berner Dr. George & Joyce Blum Mr. & Mrs. Lawrence Bluth Dr. & Mrs. Rudrick E. Boucher Don & Marilyn Bowerman Mr. Anthony F. Brinkman Mr. Scott Brooks Bowden & Elaine Brown Mr. & Mrs. Mark R. Buchanan Dr. Carol S. Chadwick & Mr. H. Taylor Burleson Ms. Evelyn Burton Julie Byczynski* & Angus Gray Philip & Carol Campbell Dr. & Mrs. Thomas E. Carson Gloria & Fred Clark Mr. & Mrs. Robert W. Clark Dr. Thomas Clark & Annette Clark Nina & Richard Cohan Jack, Evelyn & Richard Cole Family Foundation Dr. & Mrs. Charles G. Colombo Mr. & Mrs. Thomas W. Cook Dr. & Mrs. Ivan Louis Cotman Dorothy M. Craig Mrs. Barbara Cunningham Suzanne Dalton & Clyde Foles Barbara A. David Lillian & Walter Dean Mr. Kevin S. Dennis & Mr. Jeremy J. Zeltzer Adel & Walter Dissett

Mr. & Mrs. Mark Domin Donato Enterprises Paul† & Peggy Dufault Mr. Michael J. Dul Mr. & Mrs. Robert Dunn Mr. Roger Dye & Ms. Jeanne A. Bakale Edwin & Rosemarie Dyer Dr. Leo & Mrs. Mira Eisenberg Dr. & Mrs. A. Bradley Eisenbrey Donald & Marjory Epstein Mr. Sanford Hansell & Dr. Raina Ernstoff Mary Sue & Paul Ewing Mr. & Mrs. Anthony C. Fielek Mr. Jay Fishman Mr. & Mrs. Mark Frank Mr. Samuel Frank Mr. & Mrs. Daniel E. Frohardt-Lane Sharyn & Alan Gallatin Lynn & Bharat Gandhi Drs. Lynda & Conrad Giles Mr. & Mrs. Robert W. Gillette Dr. & Mrs. Theodore Golden Mr. Nathaniel Good Dr. & Mrs. Paul Goodman Mr. Jason Gourley & Mrs. Rebekah Page-Gourley Ms. Jacqueline Graham Mr. & Mrs. Luke Ponder Dr. & Mrs. Steven Grekin Mr. Jeffrey Groehn Ms. Janet Groening-Marsh Mr. & Mrs. Robert Hage Alice Berberian Haidostian Robert & Elizabeth Hamel Randall L. & Nancy Caine Harbour Ms. Albertine Harmon Mrs. Betty J. Harrell Scott Harrison* & Angela Detlor Cheryl A. Harvey Dr. & Mrs. Gerhardt Hein Mr. & Mrs. Ross Herron Jeremiah* & Brooke Hess Dr. Deanna & Mr. David B. Holtzman Jack & Anne Hommes Ms. Barbara Honner The Honorable Denise Page Hood & Reverend Nicholas Hood III Mr. Matthew Howell & Mrs. Julie Wagner Mr. F. Robert Hozian Mr. & Mrs. Joseph L. Hudson, Jr.

DETROIT SYMPHONY ORCHESTRA

Nicki* & Brian Inman Steven & Sarah Jackson Ira & Brenda Jaffe Mr. John S. Johns Mr. George Johnson Mr. & Mrs. Joseph Jonna Mrs. Ellen D. Kahn Ms. Cathleen Kapatos Mr. & Mrs. David Karp Dr. Laura Katz Betsy & Joel Kellman Martin & Cis Maisel Kellman The Stephanie & Frederic Keywell Family Fund Mr. & Mrs. William P. Kingsley Mr. & Mrs. Harvey Kleiman Thomas & Linda Klein Mr. & Mrs. Ludvik F. Koci Ms. Margot Kohler Mr. David Kolodziej Dr. Harry & Mrs. Katherine Kotsis Robert C. & Margaret A. Kotz Barbara & Michael Kratchman Richard & Sally Krugel Dr. Arnold Kummerow Mr. John Kunz Dr. Raymond Landes & Dr. Melissa McBrien-Landes Drs. Lisa & Scott Langenburg Ms. Sandra Lapadot Ms. Anne T. Larin Dolores & Paul Lavins Mr. Henry P. Lee Max Lepler & Rex L. Dotson Mr. & Mrs. John D. Lewis Mr. Joseph Lile Mr. & Mrs. Eric C. Lundquist Daniel & Linda* Lutz Mrs. Sandra MacLeod Mr. & Mrs. Charles W. Manke, Jr. Mervyn & Elaine Manning Mr. & Mrs. David S. Maquera, Esq. Maureen & Mauri Marshall Dr. & Mrs. Peter M. McCann, M.D. Mr. & Mrs. Alonzo McDonald Dr. & Mrs. Donald A. Meier Dr. & Mrs. David Mendelson Mrs. Thomas Meyer J.J. & Liz Modell Dr. Susan & Mr. Stephen* Molina Eugene & Sheila Mondry Foundation Mr. Lane J. Moore Ms. Florence Morris

Mr. Frederick Morsches Dr. Stephen & Dr. Barbara Munk Joy & Allan Nachman Edward & Judith Narens Mariam C. Noland & James A. Kelly Bruce & Katherine Nyberg Mr. & Mrs. Stanley Nycek Mr. John J. O’Brien Dr. & Mrs. Dongwhan Oh Dr. William Oppat Mr. & Mrs. Joshua Opperer Mr & Mrs. Arthur T. O’Reilly David† & Andrea Page Mr. Randall Pappal Mrs. Margot Parker Mr. & Mrs. Kris Pfaehler Dr. Klaudia Plawny-Lebenbom Mr. & Mrs. William Powers Reimer Priester Charlene & Michael Prysak Mr. Ronald Puchalski Fair & Steven Radom Mr. & Mrs. Richard Rappleye Mr. Richard Rapson Drs. Stuart & Hilary Ratner Drs. Yaddanapudi Ravindranath & Kanta Bhambhani Carol & Foster Redding Mr. & Mrs. Dave Redfield Mr. & Mrs. Gerrit Reepmeyer Dr. Claude & Mrs. Sandra Reitelman Denise Reske Barbara Gage Rex Mrs. Ann C. Rohr Seth & Laura Romine Dr. Erik Rönmark & Mrs. Adrienne Rönmark Norman† & Dulcie Rosenfeld Mr. & Mrs. Gerald F. Ross Mr. R. Desmond Rowan Jane & Curt Russell Dr. & Mrs. Alexander Ruthven Mr. & Mrs. James P. Ryan Mr. David Salisbury & Mrs. Terese Ireland Salisbury Hershel & Dorothy Sandberg Mr. Robert Schaerer Ms. Martha A. Scharchburg & Mr. Bruce Beyer Dr. Sandy Koltonow & Dr. Mary Schlaff David & Carol Schoch Mr. & Mrs. Alan S. Schwartz Mr. & Mrs. Kingsley G. Sears Mr. & Mrs. Ken Seawell

the annual fund Mr. & Mrs. Fred Secrest Mr. Merton J. & Mrs. Beverly Segal Mr. Igal Shaham & Ms. Linda Zlotoff Mr. & Mrs. Alan E. Schwartz & Mrs. Jean Shapero Ms. Cynthia Shaw Mr. & Mrs. James H. Sherman Ms. Margaret Shulman Dr. Les & Mrs. Ellen Siegel Coco & Robert Siewert William & Cherie Sirois Dr. Cathryn Skedel & Mr. Daniel Skedel Dr. Gregory Stephens Mr. & Mrs. C. F. Stimpson

Dr. Mack Stirling Dr. & Mrs. Charles D. Stocking Mrs. Kathleen Straus & Mr. Walter Shapero Stephen & Phyllis Strome Mrs. Susan Svoboda & Mr. Bill Kishler Dorothy I. Tarpinian Shelley & Joel Tauber Dr. & Mrs. Howard Terebelo Mr. & Mrs. James W. Throop Carol & Larry Tibbitts Alice & Paul Tomboulian Barbara & Stuart Trager Mark & Janice Uhlig Dr. Vainutis Vaitkevicius

Amanda Van Dusen & Curtis Blessing Mr. & Mrs. Charles B. Van Dusen Mr. & Mrs. George C. Vincent Mr. Bill Vlasic Mr. & Mrs. William Waak Dr. & Mrs. Ronald W. Wadle Captain Joseph F. Walsh, USN (Ret.) Mr. Michael A. Walch & Ms. Joyce Keller Mr. Patrick Webster Mr. Herman W. Weinreich Mr. & Mrs. Lawrence Weisberg Ambassador & Mrs. Ronald N. Weiser

Mr. Brian Wenzel Janis & William Wetsman/ The Wetsman Foundation Beverly & Barry Williams Dr. M. Roy & Mrs. Jacqueline Wilson Rissa & Sheldon Winkelman Mr. John Wolak Mr. Jonathan Wolman & Mrs. Deborah Lamm Mr. Warren G. Wood Ms. Andrea L. Wulf The Yousif Family Mr. & Mrs. Alan Zekelman Four who wish to remain anonymous

GIVING OF $1,500 & MORE

Gordon & Elaine Didier Mr. & Mrs. Henry Eckfeld Mr. Lawrence Ellenbogen Mr. & Mrs. Howard O. Emorey Ms. Marilyn R. Galloway Mrs. Janet M. Garrett Mr. Joseph & Mrs. Lois Gilmore Dr. Linda Golumbia, Ph.D Ms. Leslie Green Mr. & Mrs. Saul Green Dr. & Mrs. Joe L. Greene Mr. Donald Guertin Mary & Preston Happel Mr. & Mrs. Michael Harding Donna & Eugene Hartwig Mr. & Mrs. Howard Heicklen Mr. & Mrs. Paul Hillegonds Ms. Elizabeth Ingraham Carolyn & Howard Iwrey Mr. & Mrs. Charles R. Janovsky Carol & Richard Johnston Mr. Paul Joliat Dr. Jean Kegler June K. Kendall Ms. Ida King Mr. & Mrs. Thomas N. Klimko

Mr. & Mrs. Victor Kochajda/ Teal Electric Co. Miss Kathryn Korns Mr. James Kors & Ms. Victoria King* Mr. & Mrs. Kosch Mr. Michael Kuhne Mr. & Mrs. Robert LaBelle Mr. Lawrence Larson Mr. Charles E Letts Drs. Donald & Diane Levine Margaret Makulski & James Bannan Dr. Arlene M. Marcy, M.D. Ms. Annette McGruder Ms. Camille McLeod Thomas & Judith Mich Jeffrey & Marsha Miro Mr. & Mrs. Germano Mularoni Mr. & Mrs. Richard L. Norling Noel & Patricia Peterson Mr. Mark Phillips Dr. & Mrs. Terry Podolsky Mrs. Hope Raymond Dr. Erik Rönmark* & Mrs. Adrienne Rönmark*

Mr. & Mrs. Hugh C. Ross Mr. & Mrs. Lawrence Schlack Mr. Wayne Sherman Mr. Lawrence Shoffner Marci & Marv Shulman Zon Shumway Mr. Mark Sims & Ms. Elaine Fieldman Ralph & Peggy Skiano Mr. & Mrs. Andreas H. Steglich Dr. & Mrs. Choichi Sugawa Mr. & Mrs. John P. Tierney Dr. Gytis Udrys Ms. Charlotte Varzi Dr. Stanley Waldon Ms. Janet Weir Drs. William & Prudentia Worth Frank & Ruth Zinn Barbara Zitzewitz Two who wish to remain anonymous

Mr. & Mrs. Ismael Ahmed Dr. & Mrs. Gary S. Assarian Carol & John Aubrey Drs. Richard & Helena Balon Mr. & Mrs. Dennis Bernard Linda & Maurice S. Binkow Ms. Jane Bolender Ms. Liz Boone Mr. & Mrs. J. Bora Ms. Nadia Boreiko Mr. Paul & Mrs. Lisa Brandt Mr. & Mrs. Stephen A. Bromberg Mr. & Mrs. Ronald F. Buck Steve & Geri Carlson Mr. David Carroll Ronald & Lynda Charfoos Mr. Fred J. Chynchuk Mr. & Mrs. Thomas A. Cracchiolo Mr. & Mrs. Alfred J. Darold Mr. & Mrs. Thomas Dart

† Deceased * Staff/Musician

PERFORMANCE MAGAZINE

corporate partners $500,000 AND MORE JIM NICHOLSON

CEO, PVS Chemicals

$200,000 AND MORE

GERARD M. ANDERSON

FAYE NELSON

President, Chairman and CEO, DTE Energy Corporation

President, DTE Energy Foundation

MARK FIELDS

President and CEO, Ford Motor Company

JAMES VELLA

President, Ford Motor Company Fund

$100,000 AND MORE

SERGIO MARCHIONNE Chief Executive Officer, FCA

MARY BARRA

Chairman and CEO, General Motors Corporation

VIVIAN PICKARD

President, General Motors Foundation

KEITH J. ALLMANN

President and CEO, MASCO Corporation

$50,000 AND MORE Target Corporation

$20,000 AND MORE

American House Senior Living Communities

Greektown Casino

Amerisure Insurance

MGM Grand Detroit Casino

Global Automotive Alliance

Rock Ventures, LLC

DETROIT SYMPHONY ORCHESTRA

Macy’s

corporate partners $10,000 AND MORE

$5,000 AND MORE

Delphi Foundation Dykema Greenleaf Trust Honigman Miller Schwartz & Cohn, LLP Huron Consulting Group KPMG LLP Lear Corporation Oakwood Healthcare PNC Bank PricewaterhouseCoopers LLP REDICO Talmer Bank and Trust Telemus Capital Partners, LLC Warner Norcross & Judd LLP Wolverine Packing Company

BASF Corporation Contractors Steel Company Creative Benefit Solutions, LLC Denso International America, Inc. Flagstar Bank Midwest Medical Center Suburban Collection

$1,000 AND MORE Avis Ford, Inc. Broder & Sachse Real Estate Services Chubb Group of Insurance Companies Coffee Express Roasting Company CRStager Darling Bolt Company

Delta Dental Plan of Michigan HEM Data Corporation Howard & Howard Attorneys PLLC KlearSky Solutions, LLC Lakeside Ophthalmology Center Michigan First Credit Union Oswald Companies Plante and Moran, PLLC Post, Smythe, Lutz, & Ziel LLP Robert Swaney Consulting, Inc. Sachse Construction Schaerer Architextural Interiors Urban Science Applications

support from foundations and organizations The Detroit Symphony Orchestra acknowledges and honors the following foundations and organizations for their contributions to support the Orchestra’s performances, education programming, and other annual operations of the organization. This honor roll reflects both fulfillments of previous commitments and new gifts during the period beginning September 1, 2014 to August 31, 2015. We regret the omission of gifts received after this print deadline.

$500,000 AND MORE

$50,000 AND MORE

$5,000 AND MORE

The William M. Davidson Foundation Max M. & Marjorie S. Fisher Foundation Samuel & Jean Frankel Foundation

Marvin & Betty Danto Family Foundation Matilda R. Wilson Fund

$250,000 AND MORE

$25,000 AND MORE

Benson & Edith Ford Fund Herbert & Elsa Ponting Foundation Marjorie & Maxwell Jospey Foundation Mary Thompson Foundation Young Woman’s Home Association

The Andrew W. Mellon Foundation Community Foundation for Southeast Michigan Hudson-Webber Foundation John S. and James L. Knight Foundation The Kresge Foundation McGregor Fund

Ann & Gordon Getty Foundation Children’s Hospital of Michigan Foundation DeRoy Testamentary Foundation Eleanor & Edsel Ford Fund Michigan Council for Arts & Cultural Affairs

$100,000 AND MORE

$10,000 AND MORE

Fred A. & Barbara M. Erb Family Foundation Ford Foundation National Endowment for the Arts Detroit Symphony Orchestra Volunteer Council

The Alice Kales Hartwick Foundation Henry Ford II Fund Maxine & Stuart Frankel Foundation Moroun Family Foundation Myron P. Leven Foundation Oliver Dewey Marcks Foundation

$1,000 AND MORE Charles M. Bauervic Foundation Clarence & Jack Himmel Fund Frank & Gertrude Dunlap Foundation Harold & Ruth Garber Family Foundation James & Lynelle Holden Fund Japan Business Society of Detroit Foundation The Loraine & Melinese Reuter Foundation Louis & Nellie Sieg Foundation Ludwig Foundation Fund Meyer & Anna Prentis Family Foundation Samuel L. Westerman Foundation Sigmund & Sophie Rohlik Foundation Sills Foundation The Village Club PERFORMANCE MAGAZINE

blockbuster fund Gifts received September 1, 2014 to August 31, 2015

Gifts to the Detroit Symphony Orchestra Blockbuster Fund support those exceptional projects, partnerships and performances that boldly advance the DSO’s mission “to be a leader in the world of classical music, embracing and inspiring individuals, families and communities through unsurpassed musical experiences.” Blockbuster gifts fund defining initiatives that are outside the annual budget such as touring, Live From Orchestra Hall webcasts, certain community engagement and education partnerships, and capital and technology infrastructure. Mr. and Mrs. Norman C. Ankers Mr. and Mrs. Mandell L. Berman Blue Cross Blue Shield of Michigan Mr. and Mrs. Richard A. Brodie Mr. and Mrs. Peter D. Cummings Mr. and Mrs. Jerry P. D’Avanzo

Mrs. Marjorie S. Fisher Mr. Michael J. Fisher Mr. and Mrs. Phillip Wm. Fisher Mr. Stephen Hudson Mr. Michael Jalving Japan Business Society of Detroit Foundation John S. and James L. Knight Foundation

Mr. and Mrs. John Lesesne Mr. and Mrs. Matthew Lester McGregor Fund Michigan Lighting Systems East Ms. Deborah Miesel National Endowment for the Arts New Music USA

Mr. and Mrs. George Nyman Phillip and Elizabeth Filmer Memorial Charitable Trust Mr. Marc A. Schwartz Toyota Motor Engineering & Manufacturing North America WDET

tribute gifts Gifts received January 1, 2015 to August 31, 2015

Tribute Gifts to the Detroit Symphony Orchestra are made to honor accomplishments, celebrate occasions, and pay respect in memory or reflection. These gifts support current season projects, partnerships and performances such as DSO concerts, education programs, free community concerts and family programming. For information about making a Tribute Gift, please call 313.576.5114 or visit dso.org/tribute. In Memory of LOUIS ABUNDIS Darwin and Kay Johnson In Honor of JANET ANKERS Robert and Sandra Moers In Memory of CHARLOTTE ARKIN Harold and Penny Blumenstein Patti Ann and Wendy Sue Gordon Jamie and Roz Topolski In Memory of CARL H. BARTZ Jean Klarich In Honor of DR. JOHN BERNICK Maureen and Jerry D’Avanzo In Honor of MR. and MRS. HAROLD BLUMENSTEIN Mervyn and Elaine Manning In Memory of ROBERT BOMIER Gwen and Richard Bowlby In Memory of BETTE BORIN Barbara Frankel and Ronald Michalak In Honor of CASSIE BRENSKE Martie and Bob Sachs In Memory of JAMES BRUNO John and Rebecca Bercini William Bielinkski

Paul Bruno Shirley Bruno Harry and Pearl Gopoian Andrew Johns Diran and Patricia Kochyan Mihran Kochyan Lawrence and Susan Lankowsky Seymour and Norma Lankowsky Jeffry and Susan Palisin Lewis and Sharon Smith Bruce Thelen and Kathryn Flood Gary and Patricia Tibble In Memory of DAVID COCAGNE Geraldine Barlage In Honor of ROBERT and SHIRLEY CRANBURY Carole Young In Memory of MARVIN CRAWFORD, SR. James and Dyora Kinsey In Honor of JULIE CUMMINGS Robert and Sandra Moers In Memory of ISABEL DANVILLE Walter and Barbara Rothwell In Memory of SHEILAH DEKROUB V. Maureen Armstrong Mary Klimek

DETROIT SYMPHONY ORCHESTRA

In Memory of BARBARA DILES Gwen and Richard Bowlby In Honor of ABIGAIL LEE DUDEN Stanley and Judy Frankel In Honor of CHUCK DYER Elizabeth Landers In Honor of LOWELL EVERSON Suzanne Kaplan In Honor of DR. PAUL FEINBERG Stanley and Judy Frankel In Memory of THOMAS M. FINN Ms. Mary House In Honor of PHILLIP WM. FISHER Aviva and Dean Friedman Ira and Brenda Jaffe Marc Schwartz and Emily Lamlenek In Memory of PAULINE FORMAN ROBB Rosette and Roger Ajluni Sue Berke Manuel and Irva Bermudez Theodore and Susan Goodwin Pamela Greller Ricki Sue Martin Linda Merkle Marlene Miller Michael and Elaine Serling

Joel Silberblatt Delano and Esther Small Sue Tabashnik Esther Young Sam and Laurie Zeidman In Honor of RUTH FRANK Stephen Adise and Gale Frank-Adise Stephen and Caroline Chinlund Thomas and Bonnie Jean Dawson Sheldon and Harriett Fuller Bruce and Suzy Gershenson Ross Hanley Ruth Kositchek Kurt and Martha Neumann Anne Parsons and Donald Dietz Marilyn Pincus Stanley and Susan Schwartz In Honor of ELIAS FRIEDENZOHN Lawrence and Rona Pasik In Memory of DR. MYRON GINSBERG Michael Bauer and Karen Schaefer Alan Baum Sheldon Blair George and Virginia Dodd Lorraine Ford Judith Ginsberg Howard and Meredith Goldberg Eugene and Anne Greenstein Sanford and Adrienne Guss Arnold and Anna Hyman

venture fund Gifts received September 1, 2014 to August 31, 2015

Gifts to the Detroit Symphony Orchestra Venture Fund are contributions that support projects, partnerships and performances taking place in the current season. Venture gifts are generally on-time and non-renewable in nature and fund initiatives that are included in the annual budget such as DSO concerts, Civic Youth Ensembles, community engagement and partnerships, and DSO Presents and Paradise Jazz concert series. Ms. Veronica Agosta† Ms. Janet Allen Mr. and Mrs. Norman C. Ankers Mr. Braxton Blake and Ms. Freda Herseth Edsel And Eleanor Ford House Dr. Margo Farber and Mr. James Farber

Mrs. Marjorie S. Fisher Mr. and Mrs. Phillip Wm. Fisher Mr. and Mrs. Stanley Frankel Mr. and Mrs. Richard N. Holloway† Mr. and Mrs. Eric B. Larson Mr. John C. Leyhan†

Michael Willoughby & Associates Mr. and Mrs. James B. Nicholson Oakwood Healthcare Mrs. Sophie Pearlstein Mr. and Mrs. Donald Schultz† Mr. and Mrs. Alan E. Schwartz

Ms. Sandra Thornton

Mark Kaplan and Heather Platt Joanne Liebow Steven and Catherine Podvoll Alan and Maxine Rosenbaum Carol Singer Elaine Waldman Sandra White Lonny and Gail Zimmerman

In Memory of MILDRED MOSS Hershel and Dorothy Sandberg

In Memory of JORDAN RAIDER Edna Rubin

Maureen Walters Larry and Arlene Weingarden

In Memory of ELEANOR RUTH MURRAY Susan Meek

In Memory of WALTER and PATRICIA REINKE Sandra and Russell Ayers

In Honor of JAMES B. NICHOLSON Richner & Richner, LLC

In Memory of JEAN RUTHVEN Dr. Alexander Ruthven

In Memory of ROSALIE VORTRIEDE Jim Eagle Christine Fleming Craig and Marian Hollidge August and Geri Vortriede

In Memory of MACELLINE NOWICKI Marlene Bihlmeyer

In Honor of DR. MARK and PEGGY SAFFER Henry and Trudi Wineman

In Honor of MR. and MRS. JAMES GROSFELD Mervyn and Elaine Manning In Memory of JACQUELINE HOFF Lawrence and Mary Epstein In Memory of JAMES A. JOHNSTON Terry Clissold Mark and Dorene D’Angelo Mark and Diana Domin Nicholas and Ann Kondak Mrs. Dimitry Turin In Memory of DAVID LEBENBOM Atrium Centers, Inc. Lee and Floy Barthel Harold and Penny Blumenstein Richard and Cherie Chosid Gloria and Martin Cohen Joshua and Emily Eichenhorn Isidor Eisenberg Feinberg Consulting, Inc Health Care Association of Michigan Darlene Maneli Jeff Schade Karl and Rhea Schaefer Sharon Schuster In Honor of ESTHER LYONS Robert and Sandra Moers In Memory of RONALD E. MILNER H. Richard and Janet Fruehauf

In Memory of ALEX PEABODY Harriet Ackerman Jean Battjes-Harley Carol Berul William and Susan Conway Kenneth and Janet Davis Dr. Khurshid Ghani Kenneth and Kimberly Levin Kathleen Mcclanaghan James and Florene McMurtry John and Sharon Niedermaier Northpointe Pediatrics, P.C. Susan Pollock David Rosenman Robert and Deborah Ross Walter and Carolyn Schmidt Anne Marie Stricker Hans Stricker Elena Taraman In Memory of JACK PERLMUTTER Frederick and Gloria Clark Alan and Sandra Schwartz In Honor of ANDRÉS PICHARDO-ROSENTHAL Karla Jaeger In Memory of EVELYN PLOTNICK Bob and Gloria Ellis Janet Meister

In Honor of MR. & MRS. ALAN SCHWARTZ Stanley and Judy Frankel In Honor of JIMMY SHERMAN Doug and Karol Ross In Honor of SKIP and BEV SIEGEL Les and Ellen Siegel In Honor of LEONARD SLATKIN Community Chorus of Detroit Ruth Rattner In Honor of ISABEL FRANCIS SMITH Susan Stieber In Memory of JUANITA SMITH Lynne Waskin In Memory of DR. CALVIN STEVENS Rosette and Roger Ajluni In Memory of MARJORIE TERTHER Joan Policastro In Memory of ZEYN NASUT UZMAN Sevil Akman Patrick and Tosca Cooney Betsy Miller

Mrs. Helen Walz-Gutowski † Deceased

In Memory of HELEN WU Cecilia Benner Mandell and Madeleine Berman Marlene Bihlmeyer Harold and Penny Blumenstein Richard and Gwen Bowlby William Campbell Thomas Cliff Avern and Lois Cohn Martha and William Cox Marianne Endicott David Everson and Jill Jordan Christopher Felcyn Samuel and Laura Fogleman Barbara Frankel and Ronald Michalak Stanley and Judy Frankel Ralph and Erica Gerson Raymond Landes and Mary McBrien Landes Bud and Nancy Liebler Victoria McBrien H. and Venus Mighion Eugene and Lois Miller Dr. Anke L. Nolting Anne Parsons and Donald Dietz Dr. Margaret Pierron Marilyn Pincus Lloyd and Maurcine Reuss Saul and Marjorie Saulson Tor Shwayder and Aimee Ergas Edward and Helen Sing Peter and Ellen Thurber Arthur and Trudy Weiss

PERFORMANCE MAGAZINE

upcoming

CONCERTS Classical Series THIBAUDET PLAYS GERSHWIN Leonard Slatkin, conductor Jean-Yves Thibaudet, piano Fri., Oct. 2 at 8pm Sat., Oct. 3 at 8pm Pops Series CENTENNIAL SINATRA Jeff Tyzik, conductor Steve Lippia, vocalist Fri., Oct. 9 at 10:45am Fri., Oct. 9 at 8:00pm Sat., Oct. 10 at 8:00pm Sun., Oct. 11 at 3:00pm DSO Presents MELISSA ETHERIDGE Mon., Oct. 12 at 7:30pm* Classical Series BEETHOVEN’S SEVENTH SYMPHONY Hans Graf, conductor Ingrid Fliter, piano Thurs., Oct. 15 at 7:30pm Fri., Oct. 16 at 8pm Sat., Oct. 17 at 8pm DSO Presents IGUDESMAN & JOO Mon., Oct. 19 at 7:30pm*

DETROIT SYMPHONY ORCHESTRA

Mix @ The Max COMPOSE&CONTRAST Tues., Oct. 20 at 7pm* Classical Series MOZART’S A LITTLE NIGHT MUSIC Leonard Slatkin, conductor Nadia Sirota, viola Fri., Oct. 23 at 10:45am Sat., Oct. 24 at 8 pm Sun., Oct. 25 at 3pm Civic & Education CIVIC JAZZ LIVE! Civic Jazz Orchestra Kris Johnson, conductor Fri., Oct. 23 at 6:30pm* Paradise Jazz Series CHRISTIAN MCBRIDE BIG BAND Fri., Oct. 23 at 8pm* Tiny Tots Concerts ROCK O’WEEN WITH CANDY BAND Sat., Oct. 24 at 10am* Young People’s Family Concerts HALLOWEEN SPOOKTACULAR Michelle Merrill, conductor Sasha Voinov, piano Sat., Oct. 24 at 11am

Pops Series DANNY ELFMAN’S MUSIC Ted Sperling, conductor Fri., Oct. 30 at 8pm Sat., Oct. 31 at 8pm Classical Series ROMANTIC SCHUMANN Andrew Grams, conductor Simone Porter, violin Fri., Nov. 6 at 8pm Sat., Nov. 7 at 8pm Classical Series DEBUSSY’S SENSUOUS LA MER Fabien Gabel, conductor Yoonshin Song, violin Thurs., Nov. 12 at 7:30pm Fri., Nov. 13 at 10:45am Sat., Nov. 14 at 8pm Civic & Education DSYO SHOWCASE Detroit Symphony Youth Orchestra Fri., Nov. 13 at 7pm* Classical Series SYMPHONY IN D Leonard Slatkin, conductor Wei Yu, cello Fri., Nov. 20 at 10:45am Sat., Nov. 21 at 8pm

& EVENTS

at the

MAX M. AND MARJORIE S. FISHER MUSIC CENTER

Civic & Education CIVIC JAZZ LIVE! Civic Jazz Orchestra Kris Johnson, conductor Fri., Nov. 20 at 6:30pm* Paradise Jazz Series REGINA CARTER & KENNY BARRON Fri., Nov. 20 at 8pm* Pops Series DOC SEVERINSEN Doc Severinsen, conductor and trumpet Tues., Nov. 24 at 7:30pm Wed., Nov. 25 at 10:45am Pops Series ELVIS AT 80 Michelle Merrill, conductor Terry Mike Jeffrey, vocalist Sat., Nov. 28 at 8pm Sun., Nov. 29 at 3pm

Classical Series MAHLER’S “RESURRECTION” Leonard Slatkin, conductor Wayne State University Chorus, chorus Melissa Citro, soprano Kelley O’Connor, mezzo soprano Sat., Dec. 5 at 8pm Sun., Dec. 6 at 3pm

Tiny Tots Concerts GRATITUDE STEEL BAND Sat., Dec. 12 at 10am*

DSO Presents DAVE KOZ CHRISTMAS TOUR 2015 Mon., Dec. 7 at 7:30pm*

Classical Series HANDEL’S “MESSIAH” Nathalie Stutzmann, conductor Sat., Dec. 12 at 8pm Sun., Dec. 13 at 3pm

Classical Series MOZART AND BEETHOVEN Case Scaglione, conductor Augustin Hadelich, violin Thurs., Dec. 10 at 7:30pm Fri., Dec. 11 at 10:45am

Young People’s Family concerts SANTA’S LITTLE HELPERS Detroit Symphony Youth Orchestra Detroit Children’s Choir Sat., Dec. 12 at 11am*

DSO and DPTV Present NEW YEAR’S EVE BASH Leonard Slatkin, conductor Jeff Tyzik, conductor Michael Lynche, vocalist Thurs., Dec. 31 at 8pm to 2am

*DSO does not appear on this program. • Programs and artists are subject to change. Live from Orchestra Hall webcasts at dso.org/live

TICKETS AND INFO:

313.576.5111 or dso.org PERFORMANCE MAGAZINE

Legacy William

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