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Eugène Brands, Stedelijk Museum, Amsterdam, 1969 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
Eugène Brands, Stedelijk Museum, Amsterdam, 1969 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
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From the design archive:
From the design archive:
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

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Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.