Wednesday Weed – Cornflower

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Cornflower (Centaurea cyanus)

Cornflower (Centaurea cyanus)

Dear Readers, I was flabbergasted when I found these flowers last week. I was in Whittington Park, just off Holloway Road, and decided to take a detour past an area which has been planted up to encourage sparrows. From a distance, I could see a faint blue glow amongst the dead and dying foliage.

img_8679When I got close, I could see that there were several cornflowers in full bloom. What a treat! They are normally summer flowers, so why they are bursting forth in November I have no idea. How exquisite they are. I had never really looked at the flowers properly before, but when I did, I noticed that they are actually comprised of a ring of small bellflowers. The colour is as blue as any flower gets.

img_8674The cornflower is an ancient introduction and is traditionally a plant of arable ground, introduced in the Iron Age from mainland Europe. However, improved seed cleaning and widespread use of herbicides meant that this plant has declined from 263 sites to just 3 in the past fifty years. This has also been the fate of many grain-field ‘weeds’, such as poppy, scentless mayweed, corncockle and field marigold. It’s true that many organisations are now trying to reintroduce these plants by using seed mixes, but Clive Stace, in his book ‘Alien Plants’, points out that originally these plants would have produced a patchwork effect in a field, with some areas blue, some white, some red and some yellow according to the microconditions of the habitat and the way that the field was managed. The best that we seem able to create these days is a mix of plants where no one kind predominates, probably because we either meddle too much, or because we leave too well alone. The effects that used to happen as a byproduct of the way that we managed land are now lost to us.

This is not to say, however, that cornflower was not something of a pest in the cornfields of old. When grain was harvested by sickle the tough stems were said to blunt the blade, hence one of the plant’s many alternative names, ‘Hurt-sickle’. Even the poet John Clare wrote of the cornflower as ‘troubling the cornfields with their destroying beauty’. It was clear that, as Mabey says, it would soon ‘get its comeuppance’. In today’s search for ever higher productivity, there seems to be no place for a plant which interferes with return on investment.

img_8673Cornflowers are members of the daisy family (Asteraceae) and are annuals. The seed has a long life in the seedbank, and Mabey reports how some seeds which had been buried in the 1930’s germinated in the 1990’s.  It has a wide variety of vernacular names, which is characteristic of a plant that has lived with us for a long time: here are just a few of the English language names collected by Sue Eland on her Plant Lives website.

‘Blue blaw, Blue blawort, Blueblow, Blue bobs, Bluebonnet, Bluebottle,
Bluebow,Blue button, Blue-cap, Blue centaurea, Blue centaury, Blue jack, Blue poppy,
Blue sailors, Blue tops, Bobby’s buttons, Bottle-of-sorts, Break-your-spectacles, Brooms
and brushes, Brushes, Bunk.’

Another alternative name for the plant is ‘Bachelor’s Button’ – it was said that if a flower placed in a button hole survived, the young man wearing it would marry his current sweetheart. It’s also said that bringing the plant indoors will make bread turn mouldy.

In ‘Flora Britannica’, Richard Mabey tells of how, on the 50th Anniversary of VE Day, world leaders laid posies of their national flowers around a large globe. Posies of cornflowers were laid by representatives from France, Germany, Estonia, Belarus and Czechia, an indication of how well-loved this ‘weed’ is across its whole range.

img_8666Not surprisingly, the blue colour of the cornflower attracted many who wanted to extract the pigment. It can be used as a dye for linen, as ink and as watercolour paint (by pounding the centre of the flowers in a mortar). It has apparently also been used to colour perfume and, surprisingly, wine. The flowers are used in potpourri for their colour, and very pretty they are too. Sue Eland mentions that cornflowers were found in Tutankhamun’s tomb, and that they retained most of their colour even though they were interred over 3000 years ago.

By Rillke, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16045597

Cornflowers prepared for use (Photo One – see credit below)

It is no wonder that a plant so vivid should have a variety of medicinal uses. It has a long history in the treatment of tired and sore eyes: cornflower was considered to be the tincture of choice for blue eyes, while greater plantain was better for brown eyes. It was considered efficacious against the poison of scorpions, and the juice was said by Culpeper to ‘quickly solder up the lips’ of a wound. It was also considered to be good for mouth ulcers and sores.

Incidentally, the genus name of the plant, Centaurea, comes from the belief that the centaur Chiron taught mankind the benefit of healing wildflowers (when he wasn’t teaching Achilles, Ajax, Peleus, Hercules and practically every other hero of the classical world).

img_8671Having ascertained that cornflowers have medicinal uses, my mind naturally turned to that most perennial of questions – can you eat it? And I soon found the most intriguing recipe for Calendula and Cornflower Fudge, and if anyone makes any I would love to hear how it turns out – it certainly looks scrumptious. And how about a cornflower cocktail to go with it? Sounds like a perfect afternoon to me.

It will come as no surprise to learn that cornflowers have featured in the work of many artists, what with that spectacular colour and all. So, here is ‘Cornflowers’ by Sergei Ivanovich Osipov, a rather splendid still life painted in 1976.

By Sergei Ivanovich Osipov - С. В. Иванов, http://www.leningradartist.com/7oci10b.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=9928224

Cornflowers by Sergei Ivanovich Osipov (Photo Two – see credit below)

And here is Vincent Van Gogh’s ‘Wheatfield with Cornflowers’, painted in 1890

'Wheatfield with Cornflowers (1890) - Vincent Van Gogh (Public Domain)

‘Wheatfield with Cornflowers (1890) – Vincent Van Gogh (Public Domain)

But, to return to young men and cornflowers, here is Van Gogh’s ‘Portrait of a Young Man with Cornflower’. I love the mischievousness of this, and the way that the young man’s eyes echo the colour of the flower.

Portrait of a Young Man with Cornflower (1890) - Vincent van Gogh (Public Domain)

Portrait of a Young Man with Cornflower (1890) – Vincent van Gogh (Public Domain)

But I would like to end with a portrait by the Russian artist Alexey Venetsianov. I knew nothing about him prior to finding this painting, but was intrigued to learn that while painting peasants and people of ‘the lower orders’ was something that artists often did when they were looking for a romanic and picturesque subject, Venetsianov went out of his way to teach people from poor backgrounds to paint. When he was given the title of ‘Court Painter’ by Tsar Nicholas I, Venetsianov used the salary that he obtained to ensure that tuition at his art school was practically free. He even had some students who were serfs, which was unheard of at the time, when such people were considered as little more than beasts of burden. So,  here is his painting ‘Peasant Girl with Cornflowers’, in honour of his generous spirit and his good heart.

'Peasant Girl with Cornflowers' by Alexey Gavriloch Venetsianov (1820's) (Public Domain)

‘Peasant Girl with Cornflowers’ by Alexey Gavriloch Venetsianov (1820’s) (Public Domain)

Photo Credits

Photo One – By Rillke, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16045597

Photo Two – By Sergei Ivanovich Osipov – С. В. Иванов, http://www.leningradartist.com/7oci10b.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=9928224

All other photos copyright Vivienne Palmer. Free to use and share non-commercially, but please attribute and link back to the blog, thank you!

Hidden in Plain View

img_8609-2Dear Readers, I don’t know about you, but for me it’s been a hard week. Every new day has brought news of hatred and bigotry. People that I know and love on both sides of the Atlantic are angry and frightened about what’s happening, and what might happen. What is there to uplift the heart? Outside my window, the birds are going about their business as usual, bickering on the bird feeders. The collared doves in particular are using my garden as a breakfast bar, and last week I counted fourteen birds in the whitebeam tree waiting for their turn. I wondered what would happen if I increased the shutter speed on my camera to try to capture them in flight. And, although the results are far from perfect (I should definitely clean my kitchen window for one thing), I wanted to share them with you.

img_8612-2In the wing we see the perfect meshing of beauty and efficiency. The bird above is about to take-off and we can see the way that the wings are concave to increase lift on the downstroke. The few raised feathers on the bird’s ‘shoulder’ are called the alula, and are attached to what would, in other animals, be the ‘thumb’. This enables the bird to get greater lift at low speeds without stalling. The extended fan shape of the primary and secondary feathers on the edges of the wing maximise its area. Everything works together to enable the bird to take off. This happens all around us, every day, but at speeds too fast for us to normally see.

img_8619Here we can see a bird taking off in a hurry, swivelling its body and, again, increasing its wing volume to make sure that it doesn’t stall. Oh, and in the background a squirrel is attempting to dismantle the bird feeder. They have learned how to unscrew the metal perches that attach the plastic feeding spots to the tube, so that the seed pours out onto the tray and they can hoover it up at will. Clever squirrels!

img_8613-2Wings are strong but surprisingly flexible structures. Individual primary and secondary feathers can be controlled by muscles attached to the fine, hollow bones. Look at the angle of the individual feathers on the right hand wing, which have been separated to allow airflow over each one for maximum control. The fanning out of the tail feathers also slows the bird down as it comes into land.

img_8615-2It doesn’t take much to disturb the collared doves, unfortunately: a slammed door, a sudden movement, and they’re off, wheeling and flapping. They can fly perfectly well without making the ‘flap’ sound, so I think it’s often an alarm signal to the other birds. Collared doves don’t seem to have any kind of flock structure, and are monogamous, so maybe the noise is meant mainly for their mate.

img_8620I always found collared doves to be subtle birds, both in their colouration and their behaviour. They were just ‘there’ and I have gotten used to them being around. But these photos have really made me look at them again.So, lastly, I want to share with you my favourite image. It is ‘noisy’ and could have been sharper, I know. But there is something about the glory of those wings that fills me with awe and takes me out of my anxious brain for a few moments. The hamster wheel of ‘what-ifs’ stops. Dear Readers, let’s pause, feel the earth beneath our feet and be aware of our living, breathing world. It will provide solace and strength, if we let it.

img_8628-2All photos copyright Vivienne Palmer. Free to use and share non-commercially, but please attribute and link back to the blog, thank you!

Wednesday Weed – Mind-Your-Own-Business

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Mind-Your_Own_Business aka Baby's Tears aka Mother of Thousands (Soleirolia soleirolii

Mind-Your-Own-Business aka Baby’s Tears aka Mother of Thousands (Soleirolia soleirolii)

Dear Readers, seldom have I been so delighted to stumble across a Wednesday Weed than on this very drizzly Monday morning. I was meeting my friend A for a walk, but before we set off she took me to her garden to have a look at this plant. It had started off, innocently enough, in the cracks between some paving stones, but was advancing across her lawn with joyous abandon. I knew that one of its names was ‘mother of thousands’ (not to be confused with the succulent of the same name) but other than that the plant was a mystery , so I was pleased to find that it has a variety of vernacular names. The one that most British people seem to know it by is mind-your-own-business, with the alternative names of ‘angel’s tears’ and ‘baby’s tears’ probably referring to the tiny circular leaves (and the tears of gardeners as they try to get it out of their lawns without destroying the grass). It is also known as ‘the Corsican curse’, because this is where the botanist Joseph-Francois Soleirol first found it, though the plant is native to the whole of the northern Mediterranean region.

img_8646To look at, you might think that Mind-your-own-business is the terrestrial version of duckweed, but no. The plant is a member of the nettle (Urticaceae) family, surprisingly, and it is commonest in southern England and Ireland. It likes shady, damp places, such as the soil under shrubs or between the cracks in walls, and it is often found in churchyards, though in some places it can even grow semi-submerged as a bog plant. It is also a popular plant for vivariums (where reptiles and amphibians are kept) and you can buy it as a house plant too – it is especially fond of the humid atmosphere of bathrooms and kitchens.  It was introduced to cultivation in  the UK in 1905, and was living in the wild by 1917.

Pots of Mind-your-own-business (here called Helxine, its old Latin name).

Pots of Mind-your-own-business (here called Helxine, its old Latin name).

One reason for the epic spreading ability of mind-your-own-business is that the plant roots at the nodes on the stem, as well as spreading by seed. The flowers are tiny, and each plant produces both male and female flowers, so is capable of self-pollination if all else fails. It is defined as one of the Royal Horticultural Society’s  ‘thugs’ because of the difficulty of eradicating it once it gets its roots under the table. For those of you who would like to try, the link for what to do is here. Read it and weep.

https://www.flickr.com/photos/tico_bassie/3668761387

Female Flowers (Photo One – credit below)

©2011 Dean Wm. Taylor, Ph.D. This image has a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 (CC BY-NC-SA 3.0) license. If you have questions, contact Dr. Dean Wm. Taylor deanwmtaylor[AT]gmail.com.

Male flowers (right hand side) (Photo Two – credit below)

I have looked in vain for mentions of the edible and medicinal qualities of this plant, but it seems that no one has yet discovered any. However, I rather admire its ability to grow where nothing else will, and feel that maybe this is a feature rather than a bug. I think it looks rather pretty under a tree, dotted with cyclamen.

Doc Chewbacca on Flickr (https://www.flickr.com/photos/st3f4n/1094758917)

Mind-your-own-business and cyclamen (Photo Three – credit below)

Or how about creating a giant’s head and covering it in mind-your-own-business, as here in the Lost Gardens of Heligan in Cornwall?

By Rob Young from United Kingdom (Giant's Head / The Lost Gardens of Heligan) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Mind-your-own-business forms the green ‘skin’ of the Giant’s Head in the Lost Gardens of Heligan (Photo Four – see credit below)

Or maybe just create a cobblestone wall for it to thrive in?

https://www.flickr.com/photos/tico_bassie/3669569282

Mind-your-own-business enjoying a cobblestone wall (Photo Five – credit below)

For such a tiny plant, mind-your-own-business has an unexpectedly ambitious and tenacious nature. It grows where few other plants can survive, and, like mosses and liverworts, provides an additional habitat for tiny insects and other invertebrates. Having no lawn, I am tempted to plant it myself! Maybe I have a friend who could dig some up for me…

Photo Credits

Photo One – Male Flowers: by Tico Bassie (https://www.flickr.com/photos/tico_bassie/3668761387)

Photo Two – Female Flowers: ©2011 Dean Wm. Taylor, Ph.D. This image has a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 (CC BY-NC-SA 3.0) license. If you have questions, contact Dr. Dean Wm. Taylor deanwmtaylor[AT]gmail.com. 

Photo Three: ‘Lawn’ and cyclamen: Doc Chewbacca on Flickr (https://www.flickr.com/photos/st3f4n/1094758917)

Photo Four: Giant’s Head: By Rob Young from United Kingdom (Giant’s Head / The Lost Gardens of Heligan) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Photo Five: Cobblestone Wall: by Tico Bassie (https://www.flickr.com/photos/tico_bassie/3669569282)

All other photos copyright Vivienne Palmer. Free to use and share non-commercially, but please attribute and link back to the blog, thank you!

 

 

 

 

 

 

 

‘Animality’ at the Marian Goodman Gallery. And Some Foxes

'David's Squirrel - Clark Expedition' (2012) by Mark Dion with 'The Elephant' (1996) by Balthazar Burkhard

‘David’s Squirrel – Clark Expedition’ (2012) by Mark Dion with ‘The Elephant’ (1996) by Balthazar Burkhard

Dear Readers, I had never heard of the Marian Goodman Gallery until a few days ago and, on waking up to the news that Donald Trump had won the US Election, I felt a need for some distraction. And so I went to see the Animality exhibition, which explores the ways that we relate to animals, and comes up with a lot of questions but not many answers. Nonetheless, the questions themselves have bothered me for a long time, so it’s good to see that I’m not the only one.

Take the enormous eviscerated plush squirrel in the first room, for example.

img_8564Titled ‘David’s Squirrel – Clark Expedition’ and made by Mark Dion, an artist who uses a lot of scientific presentations in his installations, the squirrel is enormous, and ‘dead’. There is no such thing as a David’s Squirrel, but it seems to me representative of the questions raised when scientific curiosity and living creatures intersect. I think of the bird artist Audobon, who has an enormous conservation legacy in the US but who, during his lifetime, made his famous paintings from dead birds that he had shot and then strung up in ‘life-like’ poses.

By www.RestoredPrints.com, Attribution, https://commons.wikimedia.org/w/index.php?curid=5644483

Bobwhite (Virginia Partridge) (1825) James John Audobon (Photo One – Credit below)

Much more recently there is the case of Dave the giant earthworm, discovered in Cheshire and shipped off to the Natural History Museum in a plastic box, only to be euthanized and added to the museum collection. Animals have much to fear from our thirst for knowledge, and our cold hearts.

Onwards! In the entrance lobby there is a small sculpture of a boy and a slug. This is the first time, to my knowledge, that the noble slug has been immortalised in this way.

Dawn, Fig 2 (2016) by Elmgreen and Dragset

Dawn, Fig 2 (2016) by Elmgreen and Dragset

Is the child contemplating the slug with wonder, or horror? The slug is just going about its molluscan business. Maybe this is about our total inability to comprehend what the lives of other animals are like. The boy looks at the slug, the slug looks for his breakfast, and neither are any the wiser.

img_8567In the corner, a pink octopus looks on, and we look back. It seems that we are separate from the natural world: we gaze at it, we dissect it, and we do what we like with it.

img_8572

Pink Octopus by Carsten Holler (the maker of the tubular metal slides at Tate Modern a few years ago….)

Upstairs, though, the boundaries between humans and animals begin to breakdown. Roe Etheridge’s photographs of farm animals in a sanctuary are simply titled with the animals’ names.

'Joy'(2014-16) by Roe Ethridge

‘Joy'(2014-16) by Roe Ethridge

'Mark Jnr and Kayli' (2014-16) by Roe Ethridge

‘Mark Jnr and Kayli’ (2014-16) by Roe Ethridge

When I look at these photos, I am no longer looking at ‘a’ goat, I’m looking at Joy, an individual with likes and dislikes. I love work that is particular, rather than generic. I love work that honours what it looks at.

And then, there are the pieces that cross over, that point out that we are animals too, and that what separates us is not as pronounced as we would like to think. Take these two ‘column sculptures’ by Stephan Baukenhol, each one made out of a single piece of wood.

img_8580img_8583img_8581img_8582Am I alone in finding the combination of human body and animal head rather appealing? These figures wear their strangeness very lightly: they are poised, relaxed, thoughtful. They look as if they could hop down off their plinths and wander off around the gallery. As a species, we have been fascinated by creatures that are chimeras, neither human nor animal, since we could first create representations. It seems that we haven’t lost the wish to experience life as someone else, to get back under the skin of the creatures that we share the world with. We try and try to understand, whether through art or science, and yet these other worlds remain elusive. Maybe it we stopped trying so hard and had a bit more respect, we would have more success.

And, in other news, foxes have been spotted in the cemetery…

img_8534This is one of this year’s dog cubs, and very fine he’s looking too, though he has a bit of a limp at the moment. Foxes seem prone to injuring their feet and legs, I suspect it’s all that shimmying over garden walls that causes the problem. It generally doesn’t seem to last very long before they’re moving properly again, but I have the arnica drops out just in case.

img_8462And here is the original dog fox, the father of this year’s cubs, and a bold, calm creature. He was watching me put out my jam sandwiches and seemed remarkably unperturbed by all my messing about and cursing as I dropped forks and dog food and the camera at one point.

The cubs are gradually dispersing and, although I’ve seen the vixen, she’s not stuck around long enough for a photo. Suffice to say that the whole family seem to be doing well. And in about month, the whole cycle will be starting all over again! How on earth can it be November already?

The Marian Goodman Gallery is free, and well worth a look. ‘Animality’ continues until 17th December.

Photo Credits

Photo One – Audobon Painting – By http://www.RestoredPrints.com, Attribution, https://commons.wikimedia.org/w/index.php?curid=5644483

All other photos copyright Vivienne Palmer. Free to use or share non-commercially, but please attribute and link back to the blog, thank you!

 

Wednesday Weed – Sweet Alyssum

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Sweet Alyssum (Lobularia maritima)

Sweet Alyssum (Lobularia maritima)

Dear Readers, once upon a time you could not pass an English town hall without seeing a Union Jack made out of red geraniums, blue lobelia and white sweet alyssum, and the latter is still one of the most popular bedding plants in the country. After all, what’s not to like? It flowers abundantly from spring through to the first frosts, is low-growing and non-invasive, and has a sweet smell which many people compare to honey.The Wikipedia entry for the plant describes it as ‘the superhero of annual plants, with unparalleled drought and heat-resistance properties’.  The plant was first recorded in our gardens in 1722, and from the wild in the UK by 1807. Its original habitat, as the Latin species name suggests, was the beaches and dunes of the Mediterranean, and sweet alyssum has made itself at home in many coastal areas in the south of England. However, it is also a very adaptable plant, and can be found in many sheltered places, including the decidedly non-maritime streets of East Finchley.  Of the two specimens in my photographs, one comes from the N2 Community Garden plot in front of the children’s nursery opposite the station, and the other one has appeared at the bottom of a wall further up the High Street.

img_8541Also known as sweet alison or just alyssum, this plant is a member of the cabbage-family – its four petals, arranged into a cross (cruciform) shape might have given me a clue if I’d been paying attention. The stamens are bright yellow, and the whole plant has a great freshness to it. Although I’ve never seen it at the seaside I can well imagine the plant waving its head in the sea breeze. It is an invaluable bedding plant for gardeners, as those little white flowers attract many tiny wasps and hoverflies, which can make short work of your carrot flies and cabbage white caterpillars. For some lovely photos of alyssum used in companion planting, have a look at the Tenth Acre Farm website here, you won’t be disappointed.

img_8552Being a member of the cabbage family means that the leaves of the plant are edible, and are described as having a ‘peppery, cress-like taste’. The flowers are also said to be pleasant to eat, and I can imagine them adding a welcome pungency to a salad. The Eat The Weeds website says that the flowers also candy well, which I imagine means somehow coating them in liquid sugar or caramel. In my experience, there are few foods that caramel doesn’t improve.

img_8538The Alchemy Works website lists some interesting medicinal uses for this plant in its native range. Sweet alyssum was said to be used in the treatment of rabies (the name alyssum breaks down to a-lyssum, meaning ‘without madness’). In Afghanistan the plant is used for nervous disorders, and in Spain it is considered a diuretic and valuable source of Vitamin C (historically, it was used to treat scurvy).

img_8557Dear Readers, I have sometimes been something of a snob when it comes to what I plant in my garden – I tend towards plants that are difficult to get hold of, problematic to raise and temperamental in the extreme. However, just as in my life I have discovered that drama and emotional fireworks are no substitute for steadfast love and loyalty, so I am beginning to think that tried and trusted plants might be a better bet for my north-facing plot than some of the primadonnas that I am currently favouring. In the language of flowers, alyssum means ‘worth beyond beauty’, and I am thinking that a tough little plant like this, with its attraction to predatory insects, might be just the thing for the shallow, semi-shaded area around my pond. My father gardens by planting what is likely to be happy in the location that he has chosen, and he loves plants that thrive without needing to be cosseted like prize Pekingese dogs. I think, at 56 years old, I am finally realising that he’s right.

All photos copyright Vivienne Palmer. Free to use and share, but please attribute and link back  to the blog, thank you!

The World of Wasps

Common wasps (Vespula vulgaris) on ivy flowers

Common wasps (Vespula vulgaris) on ivy flowers

Dear Readers, when I was in Somerset last week I was astonished at the number of wasps feeding on ivy flowers outside my Aunt Hilary’s home. The Sputnik-shaped blooms were fairly abuzz with the insects, and it wasn’t until I mentioned it to my Aunt that I realised that I must have been standing a few feet from a nest which the wasps had made in her shed wall. It just goes to show that, provided you don’t interfere too closely with them, wasps are not as aggressive as is sometimes thought.

I have always been fascinated by wasps. In the spring, when I sat at the end of the garden, I would sometimes hear the tiniest of scraping noises. Eventually, I tracked it back to a queen wasp, gnawing at the wooden sleepers that surround the area in order to find material for her nest. I counted twenty separate trips made by a single queen in a fifteen minute period on one warm April morning. The queen starts by building a stalk, called a petiole, which serves as an entrance passageway. She smears this with a chemical that repels ants (who would otherwise eat it). She builds a single hexagonal cell, surrounded by six others, and continues to add to the structure. When she’s built 20-30 cells, she lays an egg in each one, and goes a-hunting for food to nurture the larvae when they’ve hatched. Meantime, the larva, who are hanging vertically in the bottomless cells, have to wedge themselves against the walls to avoid falling out, probably not the best way to spend your developing years.

By Donald Hobern from Copenhagen, Denmark (Vespula vulgaris) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Wasps’ nest late in the season (Photo One – see credit below)

Once the first wasp larvae hatch into workers, the queen settles down to lay more eggs, and will soon lose her power of flight. The workers forage for food for the larvae and the queen, and for wood to make paper to expand the nest. There is not the detailed breakdown of duties that there are in some other social insects, but it has been noted that it’s the younger, faster workers who do the foraging, while the older insects stay at home and guard the nest. In the context of wasps, a worker is ‘old’ at two weeks. The queen, too, will be dead by the end of the year – queens do not overwinter in this country, so it’s the new queens who are out and about in the autumn.

Wasps feed themselves on sweet stuff, such as nectar, but the larvae need protein, and so wasps are extraordinarily adept hunters. I once watched one circling the stem of a cabbage plant. When she spotted a tiny green caterpillar she grabbed it behind the head and tried to prise it from a leaf, while the poor larva held on with its suckered feet. A tug-of-war ensued that went on for several seconds, the wasp buzzing furiously as it flew back and forth, until, finally, the caterpillar was prised loose and carried away, held below the wasp’s body like a bomb below a B52.

By Robert Goossens (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

A wasp prepares to butcher a horse fly (Photo Two – see credit below)

I also remember eating a salmon sandwich in the cafe outside Kenwood House on Hampstead Heath. A wasp came to investigate and, after a few moments, determined that a morsel of salmon was ‘food’. She cut a long slice from the top edge, and flew away with it, returning a few moments later. As I watched, she systematically cut up the fish. Another wasp popped in for a visit but couldn’t work out what to do with the salmon, and flew off. Then ‘my’ wasp returned for another helping.

I was fascinated by this small insight into wasp behaviour. Firstly, what mechanism was the wasp using to identify something as alien as a chunk of salmon as food? Secondly, why was she able to cut it up so efficiently when her sister couldn’t? Does this imply that wasps, like bees, can learn? It would not surprise me in the least. There have been lots of recent investigations into the intelligence of the more good-natured bumblebee, but to my knowledge no one has been studying these aspects of wasps.

Queen wasp feeding on honeydew

Queen wasp feeding on honeydew

As spring turns into summer, the nest continues to grow in size – a mature nest may contain as many as 8000 individuals. However, once it reaches its maximum, the workers, probably triggered by failing pheromones from the queen, start to build cells that will hold new queens. These are located at the entrance to the nest and, as the workers feed the first larva that they encounter first, it could be that a queen wasp is made simply by the volume of food that she is fed.Certainly there is evidence that when several queens arise in a single nest, it’s the biggest, most well-fed one that usually triumphs. A plump queen is more likely to survive the winter hibernation period than her skinnier rivals, so she has an obvious advantage in passing on her genes.

When I was watching the wasps last week, I noticed one particularly splendid wasp licking an ivy leaf. From her size, I could tell that she was a new queen, freshly emerged from the nest,  and from her behaviour I surmised that she was licking up the honeydew left by aphids on the ivy leaf (though she could also have been drinking dew). By early November the original queen is probably dead, so there are no larvae to feed, and no need to go hunting for protein. Instead, it’s every worker for herself, and so the ivy flowers are valuable fuel. None of these ‘ordinary’ wasps will last the winter, however – they will all be dead after the first frost. The nest breaks up, and will normally not be re-used (though the new queen might build a nest close to the original site, or even within the old nest). This is probably to avoid a proliferation of  parasites.

Common Wasp (Queen)

Common Wasp (Queen)

Looking closely at the new queen, I was struck by the complexity of her jagged mouthparts, the elegance of those smoked-glass wings, and also that she was rather hairy, something that isn’t obvious when a wasp is just flying past. The pattern on her face tells me that she is a common wasp (Vespula vulgaris) rather than a German wasp (Vespula germanica) – the latter wasps have three little dots above their mouthparts rather than the ‘T’ shape that we see here. Both of these wasps are very common in the UK. If you happen to find an old nest, note that German wasps tend to construct using sound wood, which makes their nests a uniform grey. Common wasps, like the queen on the ivy, use rotten or fallen wood, which makes their nests more variable in colour.

By Tim Evison, Denmark (User:tpe) (Own work) [CC BY-SA 2.5 (http://creativecommons.org/licenses/by-sa/2.5)], via Wikimedia Commons

Face of a common wasp (Vespula vulgaris) (Photo Three – see credit below)

German wasp (Vespula germanica) (Public Domain)

German wasp (Vespula germanica) (Public Domain)

In North America, the yellow-jacket, which was long thought to be the same species as the European common wasp (Vespula vulgaris), was discovered to be a different species (Vespula alascensis), mainly on the basis of dissection of their genitalia. It seems to be one of those cases of a widespread animal developing into a new species once it’s become isolated. For anyone who would like to read further details of the decision and the minutiae of vespid sexual organs, I am linking to the paper here.

img_8489For most of the year, we don’t really notice wasps much – it’s not until their numbers increase and they go on the hunt for sugar that they start to ‘make a nuisance’ of themselves. But I have a deep hatred of the wasp ‘lures’ that you see in public gardens, including the cafe at Kenwood. These are filled with sugar water, encouraging the wasps to enter. Once in, they can’t get out and simply drown, creating a hideous wasp ‘soup’ that appals me. It seems like a poor reward for the way that they keep down the numbers of ‘pest’ species that would otherwise be munching through our food plants. I have found that putting a small saucer of beer at the other end of the table often keeps the wasps occupied while the humans are drinking, and that modelling sensible behaviour to young children is a great way to keep them calm and unmolested. And yes, I know that some people are genuinely terrified of wasps, and that some people can go into anaphylactic shock from a sting: you have my utmost sympathy. I just think that, generally, we should avoid killing other living things if there’s a more compassionate, creative solution. It doesn’t seem a lot to ask.

Photo Credits

Photo One (Wasps’ nest) – By Donald Hobern from Copenhagen, Denmark (Vespula vulgaris) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Photo Two (Wasp and Horsefly) – By Robert Goossens (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

Photo Three (Portrait of Common Wasp) – By Tim Evison, Denmark (User:tpe) (Own work) [CC BY-SA 2.5 (http://creativecommons.org/licenses/by-sa/2.5)], via Wikimedia Commons

All other photographs copyright Vivienne Palmer. Free to use and share non-commercially but please attribute and link back to the blog, thank you!

 

 

Wednesday Weed – Cyclamen

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Cyclamen (Cyclamen hederifolium)

Cyclamen (Cyclamen hederifolium)

Dear Readers, I have always loved cyclamen – there is something about the way that the petals stream ‘backwards’ that remind me of the wings of a bird as it lands. At this time of year you can see lots of naturalised cyclamen in hedgerows, parks and other dryish places (the photos this week were taken in my Aunt Hilary’s Somerset garden). The plants have been showing their cherry-blossom flowers in the UK since 1597(they are originally from the area around the Mediterranean), and have been here long enough to acquire a vernacular name – ‘Sowbread’. There are variations on this name in several of the European countries from which the plant came: ‘pain de porceau’ in France, for example – and this is presumably because the pigs ate the tubers when they were rooting in the woods in autumn.

img_8471At first glance, it’s difficult to imagine what plant family cyclamen belong to, but if you look into to the lower part of the flower, where the stamens are, you’ll see that it looks rather like the middle of a primrose. And this is the family to which cyclamen has finally been allocated, after a brief flirtation with the Myrtles, a most unlikely place for this plant to end up. Genetics has solved a lot of strange taxonomical anomalies: when I was growing up, giant pandas and red pandas were placed in a family together, even though they shared few obvious similarities. What a relief when geneticists discovered that giant pandas were exactly what they looked like –  bears – and popped them back with the rest of the family. Though I imagine it made no difference whatsoever to the pandas, who just carried on munching the bamboo.

img_8479There are 23 species of cyclamen in total, but the one that is naturalised in the UK is Cyclamen hederifolium. One reason that the plant is so valuable in a garden is its very late flowering: the leaves and flowers die back completely during the spring and summer (probably a mechanism for avoiding the worst of the Mediterranean heat) and then reappear, almost miraculously,  in the autumn. The leaves themselves are exquisite, heart-shaped and patterned in cobweb-white and the palest of green, and the species name ‘hederifolium’ means ‘like the leaves of the ivy’. I can see the resemblance. ‘Cyclamen’, incidentally, comes from the Greek word for ‘circle’. Many sources rather prosaically mention that this is because the tubers are round, but I wonder if it is because of the way that cyclamen appear, flower and disappear in a circle of life. As they can be remarkably long-lived plants (up to a hundred years) I wonder if they seemed both mysterious and eternal.

img_8475Although the flowers are usually pink, there is occasionally a white one.

img_8473The tubers of cyclamen were used in a variety of ways. In ‘A Modern Herbal’,  it is suggested that a tincture of the root, applied as a liniment, would cause ‘purging of the bowels’ (so stand well back!) Juice from the root is said to be poisonous to fish, and an ointment made from the tuber is said to expel worms. All in all, the action of the plant seems to have been about getting various things out of the body which shouldn’t be there.

img_8523Given that the root of cyclamen has such purgative qualities, and that it also contains saponin, a most unpleasant-tasting chemical, I was surprised and pleased to find that there is one recipe which uses cyclamen leaves rather as vine leaves are used in dolmades in Greece. The History of Greek food website is a great source of information on the uses of many of the foods of this area, and for a Fava Stuffed Cyclamen Leaves recipe, just click here.

img_8520From Sue Eland’s ‘Plant Lives’ website I learn that, in the language of flowers, cyclamen is said to represent voluptuousness, diffidence and goodbye, a rather difficult combination to carry off I would have thought. A small cake made from the plant and baked will cause paroxysms of love in whoever eats it. The plant is said to offer protection from the ‘evil eye’ (and its close relative, Cyclamen persica, has been a house plant for centuries), but if a pregnant woman stepped over a cyclamen it was believed to cause miscarriage. If it appears in your dreams, it is a sign of calamity. All in all, it appears that you never know where you are with a cyclamen.

img_8523When I was in Hilary’s garden, I should have hunkered down and had a sniff of the cyclamen, for the pink ones, at least, are said to have a sweet scent. Here is Walter Savage Landor (1775 – 1864) on the cyclamen:

‘Thou Cyclamen of crumpled horn

Toss not thy head aside;

Repose it where the loves were born

In that warm dell abide.

Whatever flowers, on mountain, field,

Or garden, may arise,

Thine only that pure odor yield

Which never can suffice.

Emblem of her I’ve loved so long,

Go, carry her this little song. ‘

img_8474As you might expect, the unusual form of the cyclamen made it a favourite with still life painters, such as the remarkable Ambrosius Bosschaert the Elder, who worked in the Netherlands during the 17th Century.

'Bouquet of Flowers in a Glass Vase' by Ambrosius Bosschaert the Elder (1621)

‘Bouquet of Flowers in a Glass Vase’ by Ambrosius Bosschaert the Elder (1621)

However, they have also inspired more recent painters. Koloman Moser, whose painting is below,  was a member of the Viennese Secessionists, a group that included Klimt. The plant was to be a big influence in Art Nouveau generally, with its love of the natural world and the exotic. And I can see why people were influenced to record the fleeting beauty of cyclamen. To see those flowers, poised as if to take flight, amongst the fallen leaves of autumn is to experience a brief moment of wonder.

'Cyclamenstock' by Koloman Moser (1868-1918)

‘Cyclamenstock’ by Koloman Moser (1868-1918)

Images of paintings in Public Domain. All other photos copyright Vivienne Palmer. Free to use and share non-commercially, but please attribute and link back to the blog, thank you!

 

 

Bugwoman on Location: The Animals of Venice (Part Two)

img_8255Dear Readers, when my 89 and a half year-old friend M and I were in Venice a few weeks ago, it was impossible not to notice that the Venetians appear to have a thing about lions, particularly winged ones.

Pensive lions....

Pensive lions….

Imperial lions....

Imperial lions….

Distressed lions….

Bronze lions who may or may not be Phonecian

Turkish bronze lion from 300 BC

The winged lion is the symbol of  Venice, and is associated with St Mark. The story goes that when Venice was first founded, it was felt that it needed a saintly relic to consolidate its position as a new power. The body of St Mark was stolen from Alexandria by two Venetian merchants and was smuggled out under some pickled pork so that the Muslim guards could not find it. This was something of a coup for Venice – other cities might have a saint’s finger, or a piece of the Holy Cross, but Venice was the only place with a whole saint. The symbol of the lion may be a reference to a legend that the saint was thrown to the lions, who refused to eat him. In many images and statues in Venice, the lion is holding a book with the words ‘Pax tibi Marce, evangelista meus’ said to be the words of an angel heralding St Mark, which means ‘Peace to thee, Mark, my Evangelist’. The rest of the quotation, so well-known to Venetians that it is rarely shown is ‘Hic requiescet corpus tuum’, meaning ‘ here your body will rest’, which is rather handy under the circumstance.  Where the lion is shown with his wings around his head, as in the image below, it is said to be ‘ in moleca’, or in the form of a crab, especially appropriate for the symbol of such a watery place.

Terrifying lions.....

Lion ‘in moleca’

When I first came to Venice, there were lots of little live lions around, in the form of stray cats. In 2009, we came across a positive ‘cat city’ in front of a church, lovingly built from wooden boxes so that the cats could have shelter in the cold weather, and with dozens of saucers of cat food and water left out.

The 'cat city'

The ‘cat city’

Since then, there has been an attempt to control the numbers of cats by neutering them, and the cats that I saw this time were pampered animals with collars. One ginger cat ran happily along the path in front of us, over two bridges and finally in through a cat flap on an august Venetian front door. On one of the smaller canals to the north, we found a little blind cat sitting behind the window grilles, soaking up the sun in complete safety. But of the scrawny, sad, runny-eyed creatures of sixteen years ago, we saw not a single one.

Little blind cat on the Fondamenta Della Sensa, soaking up the late autumn sun

Little blind cat on the Fondamenta Della Sensa, soaking up the late autumn sun

There are also a surprising number of dogs in Venice. This year, there seem to be inordinate numbers of French Bulldogs, including one adorable chubby puppy waiting for the vaporetto on Murano. Dachshunds abound, as do all kinds of indeterminate mongrels. On the Cannaregio canal, where we were staying, a dog seemed to be as essential as a wheeled shopping basket, and you could guarantee to see the same dogs and owners going for a morning constitutional at the same time if you happened to look out of the window. The lack of earth and green spaces seem to deter these water-dogs not a  whit as they happily trot on and off of vaporettos and in and out of water taxis. Their owners are, largely, good about collecting and disposing of the inevitable consequences of owning a live animal, and I would say that these Venetian hounds have an interesting life, with lots of opportunities to bark at seagulls and sniff the behinds of their neighbours.

There is one kind of dog, however, which seems unchanged since the days of the artist Carpaccio, back in the sixteenth century. Carpaccio is my favourite Venetian artist, because he packs so many details of ordinary Venetian life into his paintings, and because, of all the Venetian artists, he seems the most humorous and ebullient.

Miracle of the Holy Cross by Vittore Carpaccio

Miracle of the Cross at the Rialto Bridge by Vittore Carpaccio – notice the little white dog in the gondola on the right

vittore_carpaccio_miracolo_della_croce_a_rialto_01-2

This is a little scruffy white dog, that the artist depicts in several of his paintings, and which you can see jauntily inspecting the fondamenta on any morning. In fact, one of these dogs is shown in a painting that I always visit when I go to Venice, as if it were an old friend. It is at what I always call the School of the Dalmatians (more properly the Schuola di San Georgio degli Schiavoni), which features many of Carpaccio’s greatest works.

There is  a ‘Saint George and the Dragon’, which includes bits of dead bodies and frogs and toads and lizards.

Vittore Carpaccio - St George and the Dragon (1502)

Vittore Carpaccio – St George and the Dragon (1502)

There is a painting of St Tryphon exorcising a demon from a young woman – the demon is a very small dragon/donkey cross, who looks rather disgruntled at being exposed.

Vittore Carpaccio - St Tryphon and the Basilisk (1502)

Vittore Carpaccio – St Tryphon and the Basilisk (1507)

There is the painting of St Jerome bringing the lion that he has befriended in the wilderness back to the monastery, and all the monks fleeing in terror like so many winged creatures.

Vittore Carpaccio - St Jerome and the Lion (1509)

Vittore Carpaccio – St Jerome and the Lion (1509) Was there ever such a gentle and inoffensive lion?

But as much as I love all of these works of art, and look forward to visiting them, only one painting in this room moves me to tears, every time. A monk is in his study, writing a letter, when he looks up as if suddenly realising something. Experts now think that the monk is St Augustine, and that he has been granted a vision that the friend that he is writing to, St Jerome (the man with the lion in the previous picture) has died. But what makes the picture for me is the small, scruffy white dog sitting on the floor, looking at his master with puzzlement. Across all those years, it speaks to me more eloquently than any of the works of the othergreat artists because who doesn’t recognise the scene – the moment of dawning truth, the dog who knows something is wrong, but has no way of understanding what is happening, or what he can do to comfort his master. The painting speaks to me of love, and loss, and of the way that animals are so often silent witness to our most private moments.

Vittore Carpaccio - The Vision of St Augustine (1509)

Vittore Carpaccio – The Vision of St Augustine (1509)

Carpaccio Paintings in public domain. All other photos copyright Vivienne Palmer. Free to use and share non-commercially but please link back to the blog, thank you!

Wednesday Weed – Creeping Buttercup

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Creeping buttercup (Ranunculus repens)

Creeping buttercup (Ranunculus repens)

Dear Readers, in the spring the cemetery is positively awash with buttercups of all kinds. But by the autumn, only a few creeping buttercups are left, and are all the more precious for their rarity. In a whole raft of foliage in a clearing, there was just one solitary plant in flower. This is the only common species of buttercup that is likely to still be putting forth blooms in October, but to seal the identification it’s worth noting that the sepals (the green parts which once contained the bud) are spreading, and the stalk of the plant is grooved.

img_8398As its name suggests, creeping buttercup spreads by runners that root to form new plants. It prefers wet soil (Ranunculus means ‘little frog’) and my father taught me to be careful in areas with lots of buttercups if I wanted to avoid getting my feet wet. The plant is native in the UK and to the rest of Europe, North Africa and Asia, but has been spread to other parts of the world, often as an ornamental plant, and is now sometimes considered a nuisance. One of its vernacular names is ‘Sitfast’, and that’s exactly what it does. The Royal Horticultural Society website suggests various ways of getting rid of the plant, which is said to indicate a need to ‘improve soil structure’. If you put the words ‘Creeping Buttercup’ into Google, the majority of the entries are on how to eradicate the plant from your land or garden, and the Garden Organic website has just one alternative name for the plant – ‘Devil’. On the other hand, I would have thought that it would have been a sunny addition to bog gardens and the damper places on a plot – I have a few around the pond, and rather like their bright little flowers, as do the smaller hoverflies, who are apparently attracted not just by the yellowness of the petals, but by their shininess too.

I, Jörg Hempel [CC BY-SA 2.0 de (http://creativecommons.org/licenses/by-sa/2.0/de/deed.en)], via Wikimedia Commons

Creeping buttercup (Photo One – see credits below)

Like all Ranunculi, creeping buttercups are mildly poisonous.However, when the plant is crushed (for example by the teeth of an enthusiastic cow) one of its chemical compounds, Ranunculin, is changed to an acrid, unpleasant tasting yellow oil called Protoanemonin which is enough to deter the hungriest of grazers. The plant loses its toxicity when dried, so there is no hazard from hay.  Lots of creatures eat the seeds, from house sparrows to earthworms, and rodents sometimes store them for winter consumption – no wonder this is a plant that appears everywhere! Partridges, wood pigeons and pheasants are also fond of the seed, which can survive a journey through the gut, and chickens and geese are said to enjoy the leaves. In short, this common plant helps to feed all kinds of animals.

By No machine-readable author provided. Prazak assumed (based on copyright claims). [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/2.5-2.0-1.0)], via Wikimedia Commons

Photo Two (credit below)

In spite of their toxicity and unpleasant taste. both the leaves and the boiled roots of creeping buttercup have been eaten by humans, though I imagine more as famine food than with any pleasure.

The plant has also been used medicinally, in a poultice for rheumatism and in Ireland as a cure for jaundice (the yellow colour of the plant possibly suggesting its use). However, for most people the primary ‘use’ of any buttercup is for the childhood game of holding it under the chin to see ‘if you like butter’ – a yellow reflection indicating that you do. The ever-informative Eat The Weeds website features an explanation for why the flower always produces a yellow reflection: it relates to the structure of the cells in the epidermis of the petals, and of course is more to do with attracting pollinators than any dairy-related preferences. For all the details, see here and scroll down.

CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=157004

Photo Three – see credit below

However, the most prominent memory that I have around buttercups is a song by The Foundations called ‘Build Me Up Buttercup’, which was a hit in 1968. How I remember listening to Family Favourites on the radio, and singing along when this came on. My childhood (I was born in 1960) seems to have been punctuated by these cheery recordings: ‘Flowers in the Rain’ by The Move, ‘Waterloo Sunset’ by The Kinks, ‘Pretty Flamingo’ by Manfred Man. What a rush of nostalgia washes over me when I hear these songs now! And how interesting that all of them have a theme relating to the natural world. Perhaps I was indoctrinated by music at an early age. So, for your delectation, here are some of the sounds of my caterpillar years. I hope you enjoy them.

‘Build Me Up, Buttercup’, by The Foundations

‘Flowers in the Rain’ by The Move

‘Waterloo Sunset’ by The Kinks

‘Pretty Flamingo’ by Manfred Mann

Photo Credits

Photo One – I, Jörg Hempel [CC BY-SA 2.0 de (http://creativecommons.org/licenses/by-sa/2.0/de/deed.en)], via Wikimedia Commons

Photo Two – By No machine-readable author provided. Prazak assumed (based on copyright claims). [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/2.5-2.0-1.0)], via Wikimedia Commons

Photo Three – CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=157004

All other photos copyright Vivienne Palmer. Free to use and share non-c

Bugwoman on Location: The Animals of Venice (Part One)

img_8314Dear Readers, last week I took a trip to my favourite city in the world (after London of course), with my intrepid 89.5 year-old friend, M. M had mentioned that she had a yearning to see Venice ‘one last time’ and, as I’ve spent many happy weeks there over the past ten years, and really enjoy M’s company, we decided to take a chance on a visit. Last time M. visited, she had an unfortunate stumble when she was rushed off of a vaporetto, and ended up with twenty stitches in her shin and a rather exciting ride in a speedboat ambulance across the lagoon. We were determined that nothing so unfortunate was going to happen this time, and indeed it didn’t.

Casa  Tre Archi

Casa Tre Archi – our apartment was on the top floor

For the past four visits, I have rented an apartment with a company called Visit Venice: it’s on the Cannaregio canal, which is much quieter than ‘the main drag’ around St Marks, and it gives me a chance to shop and cook, which I enjoy. I was a little worried that M would have trouble with the precipitous staircase, but she managed it like a trouper, as she did all the other steps and trip hazards of the city. Indeed, her turn of speed when we wanted to visit a 12th Century basilica on Murano that was due to close in 20 minutes was such that I had to hurry to keep up.

But surely such a watery, stony, cramped environment would be somewhat bereft of animals? Well, dear readers, what it lacks in biodiversity it makes up for in opportunism, for I have seldom felt every mouthful of croissant being watched so carefully. If you sit by the canal with a panini, you will soon be accosted by all manner of seabirds. Huge menacing yellow-legged gulls stand on the mooring posts, eyeing up your mozzarella with a calculating look.

img_8326The smaller black-headed gulls swoop like sea-swallows. Pigeons peck at your feet, some of them with interesting patterns of iridescent and white feathers on their necks, and sometimes a cheeky sparrow will land on the back of a chair and consider, with tilted head, whether he can make an assault on your half-empty plate.

img_8318In short, all the usual seaside suspects are here, and if you want to examine gull behaviour I can recommend a coffee next to the fish stand by the Guglie Bridge, where you can witness every possible gull tactic, from distraction (one gull struts along at the front of the counter while another gull is pulling squid from a bucket at the back), ambush (one gull steals a sardine and is then chased until he drops it by a bigger, older gull) and subterfuge (a gull sneaks underneath the fish stand and pulls at a fish until it falls off, unnoticed).

Egrets can sometimes be seen patrolling the edges of the quieter canals, watching for the tiny fish that eat the algae on the steps that are used by the gondoliers, or picking at the crabs that haunt the hollow places. They are not averse to using the gondolas themselves as a perch.

img_8312img_8311Venice is located on some of the main migratory routes from Europe into Africa, and so it was no surprise that there were many flocks of starlings heading south. Men in camouflage gear often puttered quietly out into the lagoon at first light, sometimes with a little dog standing at the bow, nose twitching, as if it was already possible to smell the scent of wild duck. And as we stood on the Tre Archi bridge one evening, a man pointed skyward, and we all watched as a flock of birds flickered overhead, on their way to warmer climes. I am always moved by these vast movements of animals from one place to another  and mentally bid them good luck as they run the gauntlet of hunters and starvation, ill winds and sudden freezes. May they reach safe harbour, may they prevail.

img_8280

But most of the biodiversity of Venice is tucked away out of sight. You are never more than a few steps from a canal here, and the sound of water slapping against stone, the sun dancing on ripples, is the quintessence of this place. It all seems somehow unreal, like a dream, at least until the chug of a waterbus or the mewing of a gull brings you back to reality.

img_8251The walls of the canals quickly become home to algae and snails and all manner of invertebrates, who are in turn eaten by crabs and fish. Each waterway, each set of steps, becomes its own microhabitat, washed by the tide twice a day like any stony beach. In general, the water is cleaner than it has been for years – although Venice has a reputation for being a smelly place, I have never noticed this (although in fairness I do visit out of season – the combination of crowds, mosquitoes and heat in high summer are a bit more than I care do deal with). There is even talk of the lagoon becoming a destination for divers  who want to explore the many wrecks and the undersea communities that have grown up around them. img_8319For animals, I suspect that the whole of Venice is a kind of stony island, full of wasteful creatures who aren’t too careful where their crusts end up. It always interests me to think about how a non-human would view a city, and somehow nowhere is this clearer than in that magnet for everyone who visits Venice, the Piazza of St Marks. There are some of the most important historical sights in Europe crammed into this space, and yet, for the seagulls, these matter not. Yellow-legged gulls cruise around the mosaics of the Basilica, circle the campanile, and terrify the small children who are attempting to feed the pigeons. All our works are nothing more than a potential perch and, probably, a bit of a nuisance. There is a Venice that is navigated by the birds, and a Venice that is visited by us, and these two cities are superimposed, one on the other, just as there is a ‘dog’ Venice, and a ‘cat’ Venice, and a Venice as experienced by small children. The Venice of a sailor or a gondolier must be very different from Venice as loved by a rather scruffy middle-aged insect fan and her 89 and a half year-old friend. How interesting it would be to bring all these experiences together! It makes my head spin to think about it.

img_8355img_8358img_8357All photographs copyright Vivienne Palmer. Free to use and share, but please link back to the blog, thank you!